“Sheep Mountain & Daisies”

Sheep Mountain & Daisies, Trout Lake, SW Colorado (c) Mike Utley

I have a deep fondness for Trout Lake, located in southwest Colorado near the small tourist town of Telluride, about an hour from where I live. Early mornings and late evenings create some wonderful reflections of Sheep Mountain. I’ve photographed this location many times in all seasons. This image was made in the late ’90s during one fine summer evening when the sky was a gentle shade of pale blue and the daisies proliferated in abundance. I like the tranquility of this scene as the day’s last light illuminates the mountain, and delicate clouds whisper in the sky. I also like how the diagonal lines present in the foreground flowers act as a counterpoint to the horizontal line of the lake’s far shore. I’m reminded of early morning fishing as a kid—trout jumping after insects on the mirror-smooth surface–and years later, hiking among the trees with my camera as I sought to find peace and purpose in my world. It’s an idyllic place. (Canon gear, Fuji Velvia ISO 50)

“Tetons & Jenny Lake”

Tetons & Jenny Lake, Grand Teton National Park, Wyoming (c) Mike Utley

In this August 1996 image from my trip up north, I spent a couple of days in Grand Teton National Park in western Wyoming. This is a faerie-tale land of serrated peaks, forests, rivers, lakes and majestic wildlife. On this morning, after a rainy night, clouds obscured the peaks and hung low over the lakes and forest; a brooding presence. It was windy as I scaled the bank of Jenny Lake in order to set up my tripod in the water. I wanted a low angle for my 24mm lens to include the foreground rocks to contrast their smooth textures with the jagged Tetons in the distance. Small whitecaps adorned wavelets as the breeze came in off the lake and blew the clouds from the mountaintops. This is one of my favorite images. I like the raw power of the scene: the basic elements of earth, water and sky, as well as the turbulent motion of the water and clouds. The foreground rocks anchor the image and serve as a tranquil focal point / counterpoint to the chaos in the lake and clouds beyond. I also like the limited color palette here—it almost lends the scene the feeling of a black & white image and allows the viewer to focus more on the shapes and movement of the scene. (Canon gear, Fuji Velvia ISO 50)

“Day Lily”

Day Lily, SE Utah (c) Mike Utley

I photographed this day lily using my make-shift studio, which consisted of a dark blanket thumb-tacked to the ceiling and soft incidental light from a window. I like the understated tones of the flower in this image, which, in bright sunlight, would look completely different. For me, this image speaks of deep thought and contemplation, as well as the still silence that I always attempted to portray in my photography. Imposing order on a chaotic world was my mission when I was active as a nature photographer, and in my world today, these images feel like a healing balm. Flower photography was one of my favorite disciplines in the field of nature photography, and although this image was made in the living room under controlled conditions, it inspires me in the same way my wild flower images do. Beauty is beauty, after all, regardless of where we find it. It’s up to us to seek it out and allow it to heal our hearts and souls. (Canon gear, Fuji Velvia ISO 50)