“The Barn” (reprise)

(originally posted 11/12/2021)

“The Barn”
© 2013 by Michael L. Utley

On weed-strewn verge of fallow field
The barn still stands, a silent revenant
Of ages past, a mournful sentiment
Amid the dying elms concealed

Its boards the hue of ancient bones
The wind has long since scoured paint away
As season after season rendered gray
Once brilliant lively crimson tones

Dead teasel husks caress its skin
A memory of lilac, wild rose
And hollyhock a melancholy prose
No longer whispered in the din

Of bitter zephyrs in the loft
That magnify each sorrow-laden groan
Each pensive sigh and every hopeless moan
Of dreams denied and yearnings scoffed

On cupola atop the roof
The antiquated weather vane points north
In rusted rictus, ever drawing forth
That demon wind on cloven hoof

Inside, the haymow lost to time
Illusory, a phantom from the past
Whose gilded straws have disappeared at last
An unseen grotesque paradigm

The ladder to the loft on high
Clings stubbornly amid the swirling motes
That dance in hellish pace to eldritch notes
The song of death, fey herald’s cry

And from the loft extends the beam
That transits barn so high above wood floor
Above the stack of hay that is no more
And from this, like some ghastly dream

There hangs a rope no longer there
Recast ephemeral by passing years
Whose insubstantial form allays no fears
Whose memory I’m doomed to bear

All silence now, sere winter’s grasp
Has stilled the air, the motes drift in the night
In moonbeams pale, and from the rope drawn tight
About my neck, my dying gasp

Lilts softly in the midnight frost
As it has done each night for years gone by
Eternal recompense to rectify
All that I’ve done, all that I’ve lost

(Author’s note: I debated whether to post this piece for quite a while. Some of the imagery could be considered disturbing, particularly in the last two stanzas. I used the narrator’s suicide as a metaphor for guilt, shame and loss and how those emotions can haunt us for a lifetime. I considered inserting a trigger warning at the beginning and spent several days researching studies and opinions on such tactics, with the results varying widely and no real general consensus met on how to handle sensitive or disturbing material. In the end, I decided against a trigger warning for several reasons, and chose to add this note instead.

If you or someone you know is suicidal, please talk to a healthcare professional, call your local area suicide hot-line or discuss it with a friend or family member. Above all, know you’re not alone. There is help available to get you through this difficult time.)

“Ripples” (reprise)

(originally posted 10/5/2021)

“Ripples”
(c) 2017 by Michael L. Utley

There are no ripples
On this frozen pond
The puk-puk-puk of
The pebble
Skittering on iced skin
Dampened by
Frost-thick air
Breath caught short
In lung-numbed gasps
Silent words
Suspended
In wintry sighs
Eyes pools of
Frigid tear-prisms
Bitter empty gelid rainbows
Where are you

You missed our flight to Tokyo
The cherry blossoms whispered your name
As Fuji, incurious and remote
Gazed white-helmed
At my solitary shadow
My empty hand
Holding more of you
Than my heart could bear
We did not walk
Beneath flicker-flamed
Paper lanterns
On blood-red bridges
Spanning koi ponds
Under the spring moon
The rising sun
Sought to kiss your cheek
But was denied
As I was denied

You missed auroras
Over Iceland
The Arctic colder
In your absence
The night sky draped
In shimmering iridescent
Thought
The emerald musings of some distant god
Snagged in dark desolation
My own thoughts of you
Caught in my own
Desolation

You missed the candent sands
Of Morocco
Capricious zephyrs
Erasing my footprints
In a desert bereft of
Your footprints
We did not dance
In the summer swelter
Beneath date palms
And stars that sought
To light your way
But failed
Your body absent
In my arms
The scent of your hair
A distant memory which
Hot breezes scatter
In the night

You missed our train
To the Rockies
Where larkspur and columbine
Awaited you with open arms
And later mourned in silence
My singular form without you
By my side
We did not hold hands in
Flower-burst mountain meadows
Azure lakes reflected only
My lone countenance
As conifers murmured
Demurely in cool breezes
Wondering if you
Would ever arrive

You missed our drive
Through New England hills
Autumn maple and hemlock
A conflagration burning for you
Yearning for you
The birches and beeches smoldering
In my heart
Red-orange-gold leaves
Suiciding in silent sadness
Loneliness wearing my face
Stalks these woods
You are nowhere to be found

You missed my arrival
In Singapore
The airport a swarm
Of faces
A blur of oceanic humanity
As I searched for one safe harbor
One stormless island
In this storm of chaos
Your face
A lighthouse to guide me home
Your beacon never appearing
No fog horn guiding me safely
Through treacherous surf
Your bottomless brown eyes
Nowhere
Your smile cut roughly from this mural
Missing
A ragged hole where you should be
In my life

Perhaps you were a
Phantom
All along

Puk-puk-puk
No ripples on this frozen pond
Not enough pebbles remain
To last until springtime thaw
One ripple is all I ask
One ripple to finally reach you
I’ll save a pebble
Just in case

“In Time to Come” (reprise)

(originally posted on 10/4/2021)

“In Time to Come”
(c) 2017 by Michael L. Utley

She had that look about her again
Eyes like chips of coruscating amber
Caught in the westering sun
Her over-there gaze snagged
On some distant memory
Like thorn-caught thread
Hands prim and pale
In her denim lap
Amid foxtails and dandelions
And oak shadows

Things move too fast
When they move too slowly
The heat that summer was unbearable
A bludgeon wielded by a chrome sky
Its merciless swath pounding
Everyone everything into submission
We were not spared

I could reach toward her forever
And never touch her
I’ll tell you in time to come, she’d say
Her tired smile dying before
It reached her eyes
Time to come never coming
Never time enough
Time running out

Let’s sit and enjoy the shade, she’d say
The sun slipping languidly
Into oblivion
Her face haloed
In a warm orange aura
My ephemeral love
Ensconced in flames
Flickering
Flickering

Broken pieces of her
Litter the oak-shadowed grass
One touch and she’d shatter
One embrace and she’d be
All over the place
Delicate balance was
The ruse of muses who
Knew nothing of reality
Who knew nothing of
Love and sickness
And the terrible nectar
Of the tainted honeysuckle

Even the birds are quiet

There is no darkness
As black as love
No pit as plumbless
As that filled with regret
Her brown eyes
Smiling and weeping at once
Succumbing to demons
Unknown to me
So much of her slate blank
Her portrait only half-finished
Before the paint dried out
And the canvas rent asunder

Broken pieces of her
Litter the oak-shadowed grass
I used to collect them
Their razor edges
Slicing my hands bloody
Only a few remain
Among the foxtails and dandelions
Her voice only an echo now
I’ll tell you in time to come

“The Obligatory Deaf Dos and Don’ts Post” published at Gobblers & Masticadores

Hi, everyone. I’m delighted to let you know that a series of essays I’ve written about my experience as a deaf guy in a hearing world is being published at Gobblers & Masticadores, and the fourth installment is now live. Many thanks to Juan Re Crivello for this opportunity to share a little bit of my life with his readers. Today’s essay is “The Obligatory Deaf Dos and Don’ts Post” and you can read it by following this link:

“The Obligatory Deaf Dos and Don’ts Post” at Gobblers & Masticadores

It’s my hope that sharing my experiences as a deaf person will raise awareness of this “invisible disability” and the impact it has on those of us with hearing loss, and perhaps enlighten those with normal hearing in order to bridge the gap between us. I hope you enjoy it.

Once again, sincere thanks to Juan Re Crivello for his kindness and generosity. I truly appreciate this opportunity.

Don’t forget to follow and subscribe to Gobblers & Masticadores, where you’ll find some wonderful writing and plenty of food for thought.

“A Few Haiku & Senryu (60)”

(c) 2023 by Michael L. Utley

(#355)

this sorrow
and so much left unsaid
November dusk

…..

(#356)

beyond my window
the cracks begin to show
this broken world

…..

(#357)

place my hardened heart
on the cairn of remembrance
the spoils of war

…..

(#358)

kitsunebi
lost souls seek solace
in a lost world

…..

(#359)

take my hand, November
it’s time someone showed you warmth
the hearth of hope

…..

(#360)

all these fallen leaves
and no one cares to mourn them
humanity’s disgrace

“For Harley” (reprise)

(originally posted on 10/27/2021)

“For Harley”
(c) 2021 by Michael L. Utley

I wonder if he ever knew his ears
Had failed him as he nosed the gravel road
Collecting scents of all that passed that way
As afternoon slipped into eventide
And xanthous-tinted rabbit brush held sway

Amid god-beams

Gilded god-beams

His pup days had long passed as elder gray
Frosted his chin and whiskers, and his gait
Had slowed as tired legs had stiffened up
And aching joints reduced him to a mere
Shadow of his bold beagle days of yore

When he was young

When we were young

His eyes—those burnished chestnut orbs that danced
And glimmered in the magic-hour rays
Of summer eves—belied his years and shone
With feisty fiery passion and the ken
Of canny canine stratagems and grim

Intensity

Vehemently

As for his tail, there wasn’t much to say
Other than it epitomized the joy
Of reckless youth, that whip-snapping white-tipped
Apostrophe above his bobbing haunch
Forever oscillating to and fro

It wagged a lot

His ears were shot

I’d stand behind him, holler out his name
And he, oblivious to all, would move
Nary a muscle nor would bat an eye
But go about his business in his world
Of silent summer farm days as the birds

Sang quietly

Spoke thoughtfully

A touch upon his back would do the trick
And he’d glance o’er at me and grin as if
To say, “Oh, there you are! Now where’s my treat?”
And having been trained well by him I’d reach
Into my pocket for a doggo snack

And he would beam

His eyes would gleam

But mostly I recall our evening walks
As day-haze settled, rabbit brush aglow
And Harley, nose to road, would pad along
Intent on scrying hidden critter trails
In search of that elusive siren song

That rabbit scent

And there he went

A brown and white torpedo like a blur
Of milk and cookies, ears jet-streamed behind
His head, and beagle-baying, “Here I go!”
And through the sage and cheat grass he would fly
His white-tipped tail zig-zagging through the maze

Of summer days

Our summer days

And I would stand and watch this ritual
This vital, sacred rite that kindled life
And filled souls overflowing as my friend
Chased rabbits in the fading of the day
Braying echoing ‘cross halcyon fields

Amid god-beams

Gilded god-beams

“Grandfather” (reprise)

(originally posted 9/25/2021)

“Grandfather” (Part 1)
© 2012 by Michael L. Utley

The twitching thing that lay upon the bed
Was not my grandfather. It wore his face
And smelled of him, old coffee and a trace
Of cigarettes. Its eyes were rimmed with red
And rheumy and they twinkled in its head
Like distant dying stars. And in that place
Deep down inside where man and mind embrace
My grandfather had lost his mind and fled.

Where did he go, that man I once had known?
What horrors did he see, what eldritch lies
Ensnared him in the darkness and the din
Of lunacy? And was he all alone?
He was; I saw it in his weeping eyes
And in the tremble of his wretched grin.

…..

“Friction” (Part 2)
© 2012 by Michael L. Utley

The friction between
Two blades of grass
In a breeze
Is enough to
Shatter continents
The old man said
Look there—
And he blew his
Old man’s breath across the
Dead-yellow backyard lawn
Africa—gone!
Australia—kaput!
Antarctica—it were nice knowin ye!
And his bib-overalled belly
Shook with seismic tremors
Of raspy cigarette-scented
Laughter
And his age-dimmed eyes
Almost sparkled in their
Crevasse of wrinkles

And I grabbed his sandpaper hand
And choked back tears
The flavor of oceans
And I held my breath
Too afraid to breathe

…..

“Five Seconds” (Part 3)
© 2012 by Michael L. Utley

The old man speaks to me
Across the decades
Soundless words
Forever trapped in
Ninety frames of
Grainy Super-8

He walks away
Then turns at my
Teenaged beckoning
Hey, Grampa!
The shutter whirs
Like hummingbirds
Stealing a flower’s soul
Stealing my grandfather’s soul
The arcane machinations
Bending time and space
He is here in my machine
He is here

His Viking grin
His weathered overalls
His sweat-stained cap
His cologne of coffee and cigarettes
He stops
He speaks

I can’t hear his voice

Five seconds
He is alive
Rewind
Five seconds
He is alive
Rewind

I can’t hear his voice

He speaks to me across the decades
The silent film
Damning him
Damning me
I read his lips his eyes his smile
I will die soon
He seems to say
The strokes will be
Only the beginning
He seems to say
Everything will change
He seems to say
Everything but these
Five seconds I have with you
And you with me
And I am saying
Anything you wish
Anything you need me to say
Anytime you see me here

He turns
He smiles
He speaks
He walks away

Rewind

“A Few Haiku & Senryu (59)”

(c) 2023 by Michael L. Utley

(#349)

thunderclaps
the sound of birth and death
bookends of nothingness

…..

(#350)

between earth and sky
there is only everything
in the emptiness

…..

(#351)

this frozen sky
tries so hard to snow but can’t
my winter heart

…..

(#352)

do not interrupt
the slow dreams of drowsing trees
fickle winter moon

…..

(#353)

pardon the mountain, dear moon
for his heart is stone
and his burden heavy

…..

(#354)

somewhere in this life
I’ll lose myself or find myself
a soul’s journey

“She was Six” published at Chewers & Masticadores

I’m pleased to let you know my poem “She was Six” has been published at Chewers & Masticadores. Many thanks to Nolcha Fox and her team for their kindness in sharing this poem with their readers. I’m deeply grateful to have my work included among that of many talented writers at Chewers & Masticadores. Thank you, Nolcha!

“She was Six”

“she was six
and on the wrong side
of a tyrant’s bomb sights
her small broken body
no match for
the shells
and the hell
that befell
her country
city
neighborhood
block
home
her blood the price
of freedom
she was six…”

I’d be delighted and honored if you’d read the rest of my poem by clicking this link. Also, be sure to follow and subscribe to Chewers & Masticadores. It’s a wonderful place for those who love writing.

“A Few Haiku & Senryu (58)”

(c) 2023 by Michael L. Utley

(#343)

in these dead woods
only the storm crow
knows my name

…..

(#344)

an entire universe
in the bowl of my old hands
and still I’m alone

…..

(#345)

red-wrought destruction
right-wing nihilism wears
a death’s head grin

…..

(#346)

there’s no need for books
when guns speak louder than words
red-hat terrorism

…..

(#347)

blood on our hands
bullets don’t discriminate
another child gone

…..

(#348)

love and lenity
the earth pleads for sanity
as the bullets fly