“My Life Reads Like a Suicide Note” published at Hotel by Masticadores

Greetings, friends. My poem “My Life Reads Like a Suicide Note” is now live at Hotel by Masticadores. I’m so thankful to editor Michelle Navajas for publishing this unusually dark and intense poem. Much gratitude to you, Michelle, for being willing to share writing that deals with difficult subjects. We all have voices that need to be heard.

“My Life Reads Like a Suicide Note”
© 2025 by Michael L. Utley

my old man died alone
on a busted sofa
on a September farm
in the middle
of nowhere
with a gut full of
prescription drugs
and a poorly scrawled note
left on the kitchen table

“something went wrong
in my head”

it said

he checked out
without tipping
the bellboy
the cheap fuck
remorseless
to the end

and in his
final act
on planet earth
he also killed
me
…”

You can read the rest of my poem here:

Also, please consider following and subscribing to Hotel by Masticadores, where you’ll discover a world of wonderfully imaginative and profound writing.

“The Graves of Saint Paul” published at Hotel by Masticadores

Hello, everyone. My new short creative nonfiction story titled  “The Graves of Saint Paul” is now live at Hotel by Masticadores. I’m truly grateful to editor Michelle Navajas for sharing this piece with her readers at Hotel. It’s a bit of an anomaly for me as I generally write poetry exclusively. Back in my younger days (prior to giving up writing for twenty years out of frustration), prose was my vehicle for expressing myself, and although none of my fictional pieces from my early years found a home at a publishing house, they still hold meaning for me. It was a thrill to actually complete a short story again after thirty-three years, and I hope this is only the beginning and that more will come. This piece is based on elements of fact, with a bit of creative license included. Thanks a bunch, Michelle, for this opportunity.

“The Graves of Saint Paul”
© 2025 by Michael L. Utley

“My mother lay in the ground at my feet beneath sun-bleached summer grass and faded plastic flowers and a headstone I hadn’t seen for nearly ten years. Her name, Victoria, clung to the gray stone above a bas-relief of pines and wild flowers and blue birds. She’d asked for a cross on her headstone—made it clear to everyone that she desired her faith to be front and center after she died—but my father, in his infinite malice and pettiness, had chosen some random wilderness picture rather than honor her wish. Just one more reason I hated him.

And now, his name sullied my mother’s headstone.

Ten years. Ten years of shame and regret. I hadn’t visited my mother since the headstone was erected shortly after her burial. For months after her death, I made excuses to avoid the trip to town, to the cemetery. At first, it was too raw, too soon. Maybe in a few weeks, a month or two, then I could do it. And then my life flipped upside-down again and I relocated out-of-state unexpectedly and that felt like a more legitimate reason, but I always intended to visit her grave like a good son should. Except…except maybe I wasn’t such a good son after all…”

You can read the rest of my story here:

Also, please consider following and subscribing to Hotel by Masticadores, where you’ll discover a world of wonderfully imaginative and profound writing.

“The Graves of Saint Paul”

“The Graves of Saint Paul”

© 2025 by Michael L. Utley

My mother lay in the ground at my feet beneath sun-bleached summer grass and faded plastic flowers and a headstone I hadn’t seen for nearly ten years. Her name, Victoria, clung to the gray stone above a bas-relief of pines and wild flowers and blue birds. She’d asked for a cross on her headstone—made it clear to everyone that she desired her faith to be front and center after she died—but my father, in his infinite malice and pettiness, had chosen some random wilderness picture rather than honor her wish. Just one more reason I hated him.

And now, his name sullied my mother’s headstone.

Ten years. Ten years of shame and regret. I hadn’t visited my mother since the headstone was erected shortly after her burial. For months after her death, I made excuses to avoid the trip to town, to the cemetery. At first, it was too raw, too soon. Maybe in a few weeks, a month or two, then I could do it. And then my life flipped upside-down again and I relocated out-of-state unexpectedly and that felt like a more legitimate reason, but I always intended to visit her grave like a good son should. Except…except maybe I wasn’t such a good son after all.

When my father died two years later, that settled the issue, and I knew I’d never be able to look at that headstone now that it was desecrated by his name.

David. Wife-beater. Monster.

And yet, here I was, standing at the foot of the grave that held my mother’s bones and my father’s ashes, the midday sun hidden behind a thick overcast sky, rivulets of sweat accumulating beneath my baseball cap and running down my back, the world almost completely silent in my deafness, the scent of grass clippings in the still air. Here they were, together again, this time for eternity. My mother could never escape my father in life, and in death he had finally ensnared her forever.

I stood there, motionless as the stones that rose from this small acreage of sorrow, my mind blank, my eyes dry (still no tears after all these years–what’s wrong with me?), and my dead heart buried in my chest. I don’t know how long I was lost in that moment—time flows differently in places of death; sometimes it doesn’t flow at all. Not knowing what else to do, I whispered, “I’m sorry, Mom…” and lowered my head. I couldn’t bear the thought of my mother witnessing my guilt-ridden face anymore.

A few moments later, I noticed an old fellow approaching, moving gingerly among rows of crosses not far from my parents’ plot. He wore dull green overalls and a sweat-stained cap, the name Pablo embroidered on the left side of his chest, grass-stained work gloves jammed in his pocket, the butt of a Marlboro between thin lips, eyes buried in a crevasse of wrinkles. He stood beside me for a long moment, studying my parents’ headstone, then glanced at me and spoke.

I motioned that I was deaf—a little finger-dance between my right ear and lips, and pulled a small tablet and pen from my pocket and mimed for him to write instead of speak. He smiled and nodded and wrote, “Your family?”

After a pause, “My parents.”

Another nod, and this time he scrawled, “Victoria is a beautiful name, amigo.”

I looked at him closely. He was old, perhaps my parents’ age (if they still lived), and I wondered why the town would allow a fellow who was obviously pushing his mid-80s to tend the cemetery.

As if reading my mind, the man wrote, “I come here every day. Tend the plots, cut a little grass, gather the broken flowers—the dead deserve better, yes?–and talk to my Maria.” He pointed a crooked finger toward a cluster of pines and crosses. His attention lingered there for a bit, then he looked at me, his expression indeterminate, as though he were in deep thought.

“Your father,” he wrote. “David. I knew him.”

A gust of wind kicked up a few plastic flowers from a nearby grave, scattering them across the walking path. The man took a drag on his cigarette and eyed me intensely, then put pen to paper.

“Yes, I knew your father. Ese malvado matón… That cruel bully…”

I felt a headache germinating inside my skull and closed my eyes. A memory—completely unbidden—flashed in my mind, startling in its vividness and urgency.

Michael.” My father calling me. I am twelve years old. My father sits on the sofa, an old photo album spread open on his lap. It is early evening, my mother cooking dinner in the kitchen, my sisters chattering at the table. Some random sitcom plays on the hulking console television, a comedy laugh track in the background. I go to my father, terrified. What have I done this time? I wonder. He is grinning. This frightens me even more. “Look here,” he says, pointing a grease-stained finger at an old black-and-white photograph. My father smells of diesel and sweat and cigarettes. I am wary of his every move. It is a school picture dated 1949. My father’s second-grade class photograph. A dozen children stand stiffly, awkwardly, at attention before a run-down one-room shack, an elderly woman with a severe expression hovering beside them. “That’s me, right there.” His dirty finger moves to a dark-haired, cowlicked boy in a soiled white t-shirt with a missing incisor on the left. On the television, a man is arguing with a woman about a dog. “Now, see this little Mexican kid here?” He points to a diminutive Latino boy huddling in a ball at the far right, a dull expression on his grainy round face. “I used to beat the hell out of that kid every day at school.” My father grins wider, shark-like, and laughs. On the television, canned applause explodes and a commercial break begins. I swallow. I stare at the small boy with tousled black hair and knee-patched trousers and striped shirt, and all I can say is, “What was his name?” And my father beams at me. “Who gives a shit?”

I began to speak, but the old man waved me off. “Ah…it was many years ago, do not worry,” he wrote. “Life is long and hard, and we learn much or we don’t learn anything. Who’s to say?”

“Pablo. Your name is Pablo…”

A nod, a flick of the pen. “Yes, little Pablo, el niño pequeño. I was small, but quick. And I survived.”

“My father tormented you, and all these years I wondered who you were, what your name was, and why.”

“Amigo,” he wrote, “sometimes there is no why. Sometimes, there are no answers. Sometimes we must endure until we can fight back or escape.” His eyes softened. “If you’re looking for logic or sense in this lifetime, you’re on a fool’s errand. Just live. Just let go and live.”

“I don’t think I can…”

The old man flipped the page over and scribbled, “Look out there at all these graves, all these lives. Years and decades and centuries, gone and forgotten. But not quite, for old Pablo remembers them, old Pablo cares for them. When we are remembered, we live, and when we are remembered fondly, we live gloriously! Your mother–” and the old man motioned toward her headstone, “she is not gone. She remains forever in your heart because you love her. And she knows this.” He looked at me firmly. “And no matter what your father has done, he will never change her love for you. Trust me on this, amigo. I am old and wise, although my Maria might disagree with the latter.” He winked.

I glanced again at my mother’s name. It looked beautiful on the headstone. I will remember you well, Mom, I said to myself. The old man penned one final note on the tablet then returned it to me, squeezed my shoulder, and headed back to his Maria beneath the pines.

Just live. Just let go and live.

..

“Bus Stop” published at Hotel by Masticadores

Hi, friends. I want to let you know my poem “Bus Stop” has been published at Hotel by Masticadores. Many thanks to Editor Michelle Navajas for sharing this poem with her readers. Thanks a bunch, Michelle.

“Bus Stop”
© 2025 by Michael L. Utley

“she stood there
stoic and still
as a river rock cairn
at the crossroads
bus stop
every afternoon
alone
save for her
reluctant shadow
that always seemed
to pull away from her
clawing at the gravel
to unpin itself from this
dirty-faced girl
with willow whip arms
and a mangled knot
of corn silk hair…”

You can read the rest of my poem here:

Also, please consider following and subscribing to Hotel by Masticadores, where you’ll discover a world of wonderfully imaginative and profound writing.

“A Few Haiku & Senryu (63)”

© 2025 by Michael L. Utley

(#373)

burning stars
pinpoints of candle light caught
in her tears

…..

(#374)

in my sorrow
my words struggle to take flight
the empty page

…..

(#375)

in my quiet world
poetry exists not in my ears
but in my heart

…..

(#376)

children played here once
now only ghosts linger
this broken world

…..

(#377)

lock the temple doors
we mustn’t let reality
taint our holy minds

….

(#378)

our humanity
bleeds out in Gaza and Ukraine
just another day

“Wildfire”

“Wildfire”
© 2025 by Michael L. Utley

nothing in life occurs
as it does in the
lyrics of songs
it’s all fantasy
all make-believe
carefully orchestrated
a plastic tableau
displayed behind
a plate glass window
look but don’t touch
lest the illusion shatter

her eyes were still open
when I entered the room
her body slowly
giving up its heat
the world had gone silent
save for my father’s
ragged exhalations
a blasted look
in his eyes
panic
dread
the weight of
heaven and hell
threatening to
crush him

there are protocols
for this sort of thing

my mind mumbled dully
lists upon lists
procedures to follow
and don’t skip anything
lest the facade crumble
lest all of creation
come to an end

I watched my hand
touch her wrist
warmth but nothing else
and a door in my mind
swung soundlessly
irrevocably shut
a box checked
I felt my hand
squeeze hers
no response
another box
another check mark
a window in my mind
battened
boarded up
permanently
and her eyes
dazed
tired
confused
staring into her
own private eternity
I tried to brush them
closed
like some celluloid hero
like someone who’s in charge
but they remained exposed
stubbornly resisting
my mind sputtered
clicked
observed
registered
a checkbox left empty
with only one remaining

I pulled the sheet over
my mother’s face
the final act
the list complete
my duty accomplished
my fate sealed

and my mind collapsed

I stood at my
bedroom window
as a misting rain
enfolded the earth
in a hushed dirge
a six a.m. requiem
an epilogue
to a life betrayed
a life cheated
my mother deserved
so much better
and the world
refused to move
its gears stripped
its dynamo fried
as the dawn
held its breath

the ghosts arrived
strangers in
bleak uniforms
muffled voices
latex gloves
clipboards
a gurney
uncanny inhabitants
of some other dimension
performing their
own obscure rituals
drifting room to room
in and out
covert thieves
stealing my mother

and still the rain fell

in my mind
a mantra arose
unbidden
urgent
inexorable
straining against
my temples
my eyeballs
my ears

my mother is dead

over
and over
and over

listen closely
the universe said
listen as you’ve
never listened before
because your life
your sanity
depend upon
this
one
thing
acceptance
now
or risk losing
yourself
forever

the words
pooled
eddied
in my head
swam like
mystical koi
gliding
in arcane murk
and I knelt
at water’s edge
gazing into this
saturnine mere
where my reflection died
and hope dissolved
and I drank
from cupped hands
and choked on
the bitter draught
of reality

and still the rain fell

there are woods
we dare not enter
treelines with teeth
green shadows
with poisonous
beckoning tendrils
restless copses of
voiceless supplication
leading us astray
from the path
numbness
timelessness
and nameless
plutonian pits
of despair
and despite
foreboding warnings
despite all that
screamed
to the contrary
I fled into this
grove of oblivion
where the darkness
promised succor
but instead
stripped me naked
gutted me
flung my entrails
among noxious thickets
and abandoned me
in a clearing
beneath an
eternally
moonless night
eldritch stars overhead
representing
obscene unknown
constellations
another place
another cosmos
another time

eyeless
voiceless
nothing left
of me
but my ears
damned by
deafness
weak
useless
my mother’s voice
no longer audible
her frequency
terminated
a static hum
where her
essence
should be
but I listened
anyway
strained to discern
her closing thoughts
her last whisper
her soul departing
but the only
sounds I heard
were the howl
of white noise
and the
wretched screech
of infinity

another mantra arose
this time a song
from years before
my mind a
musician’s mind
an artist’s mind
always seeking
the flow
the deep
slow currents
the steady stasis
of movement
the only balm
for my soul
a song of death
of sorrow
of loss
of seeking that
which can
never be found

my mother
lost in a June blizzard
chasing Wildfire

and still the rain fell

the sky cried
in my stead
my own tears
locked away
deep inside
far beyond my own
pathetic reach
the incense of
petrichor
and wet sage
lingering
settling upon
my skin
a patina of
unexpected
serenity
a cocoon
of protection
against a
reckless
arbitrary
God
an indifferent
heaven
the senselessness
of it all

weeks passed
but the song remained
and I clung to it
with all my might
I grabbed its reins
dug in my spurs
and rode it out
for all it was worth
for only it could save me
only it could deliver me
from the blackness
of that forest of torment

I said good-bye
to my mother on a
sweltering June day
my broken heart
buried with her
the burden
of her absence
carried with me
for a decade now
I kissed her forehead
gave her my parting gifts
three guitar picks
I love you, Mom
inscribed on each

and asked her
to wait for me

and when the
early snow falls
I shall chase
Wildfire
too

(Author’s note: This poem is inspired by “Wildfire,” a song by Michael Martin Murphey that helped me deal with my mother’s death in June 2015.)

“Bus Stop”

“Bus Stop”
© 2025 by Michael L. Utley

she stood there
stoic and still
as a river rock cairn
at the crossroads
bus stop
every afternoon
alone
save for her
reluctant shadow
that always seemed
to pull away from her
clawing at the gravel
to unpin itself from this
dirty-faced girl
with willow whip arms
and a mangled knot
of corn silk hair

she stood there
by my grandfather’s
mailbox with the
shot-up targets
and broken beer bottles
glinting dully
in the weeds of the
four o’clock sun like
dusty brown cataracts
and waited for someone
who never arrived
staring soundlessly as the
folding school bus door
juddered shut
and exhaust fumes
enfolded her
in a hydrocarbon miasma

she stood there
in her too-big
ratty plaid jumper
of indeterminate hue
and mismatched sneakers
and scab-caked knees
rooted to the ground
like some obscure totem
some miniature monolith
weather-worn
eroded
her features smoothed
by the passage of eons
at this nowhere bus stop
somewhere east
of benignancy
paused between
moments
stranded between
the dots of the ellipsis…

she stood there
as we piled off the bus
each day
a mass of larval humanity
gummed together
in sweaty profusion
and exquisite ignorance
and ran past her
down red dirt roads
that sliced through
cheat grass and junipers
sage and pines
kicking up dust
in our manic wakes
a mindless stampede
of vacuous hubris
and nascent dark desires
our souls’ eyes shuttered
against grace and mercy
our young hearts
already blackened
by vainglory
we perceived her
incuriously
in our periphery
discerned her
absently
incidentally
our puerile minds
negating her
ripping her brusquely
from the cloth of our
reality

she stood there
waiting
as the cracks
in the world
began to show
arrivals
departures
childhood’s horrors
comings and goings
day and night
week after month
after year
after generation
and I recalled her
vaguely
a tenuous mirage on the
distant silver horizon
of youth
and my children
and their children
spoke cryptically
of the uncanny silent girl
at the bus stop
until her novelty wore off
and she disappeared
from their collective consciousness
as their own childhoods
unwound in a chaotic blur

and the cracks widened
and deepened
and the world spun slowly
to a stop

she stood there
stoic and still
as a river rock cairn
in the withering gloaming
at the end of time
where no bus
had stopped
for millennia
where the damned
no longer
gamboled and
cavorted
where sepulchral silence
clung shroud-like
to the bones
of the earth
waiting for
someone
no one
anyone
and I approached her
my back bent with age
my gait halting
my old man’s eyes
dim and rheumy
my breath a rasping wheeze
and she looked at me
with pallid marbled eyes
and I recognized her
at last
and I sensed
the world sigh
and I took her
cold, ashen hand
as the final
sunset faded
and I waited
with her

“Idyllic”

“Idyllic”
© 2025 by Michael L. Utley

Leroy blew his
fingers off with
blasting caps he stole
from some old granary
and he’d chew on the
blackened stumps
while waiting
for the school bus
like some kind of
hard dude
like he didn’t feel
a thing
I hated him
but I understood
numbness
and I knew he was
dead inside
knowing his
little sisters
were never
coming back
from that long-ago
pile of twisted metal
on the highway
he was sixteen
and already
an old man

Ronnie was a
psycho
and a pusher
and drove a
piece of shit
Chevy truck
with a .30-06
in a window rack
and his eyes
danced with
hellfire
when he wasn’t
shooting up crank
he was shooting up
mailboxes
and stealing anything
that wasn’t nailed down
and one surreal
summer evening
he almost killed me
and I saw the face of
true evil
up close and personal
my old man
would have been proud
Ronnie was already DOA
and he didn’t even
know it
a wraith
barreling down
a midnight country road
with Skynyrd blasting
and his mind
completely blown

Old Bud had a penchant
for booze
and young girls
and enough sway with
the local LEOs
to look the other way
when his granddaughters
came to visit
his self-proclaimed
redneck empire
collapsed one day when
his black heart came a cropper
and his corpulent ass
gave up its ghost
and its secrets
no shame for the shameless
his little kingdom in ruins
but all those skeletons
remain

my old man was
an anomaly
among this
cretin coterie
this hick menagerie
his arrogant bullying
earned him the moniker
“little hitler”
among the Leroys
and Ronnies
and Old Buds
of this nowhere place
this idyllic pastoral
version of hell
his NRA card-waving
wife-beating
chest-thumping
sturm und drang
racist dog and pony show
approach to country life
perhaps a little too much
for their liking
he was a laughingstock
and too proud to know it
hubris is a helluva drug

and one by one
between shoot-outs
and break-ins
and meth labs
and murders
and suicides
and all the
hidden horrors
birthed by the
brackish hearts of men
these restless ghosts
have faded into
oblivion
only barren fields remain
derelict houses
rife with caustic memories
and the soundless hush
of the uneasy dead
listen closely
and steel yourself
against what this
silent place may
tell you

things are never
ever
as they seem

“My Life Reads Like a Suicide Note”

“My Life Reads Like a Suicide Note”
© 2025 by Michael L. Utley

my old man died alone
on a busted sofa
on a September farm
in the middle
of nowhere
with a gut full of
prescription drugs
and a poorly scrawled note
left on the kitchen table

“something went wrong
in my head”

it said

he checked out
without tipping
the bellboy
the cheap fuck
remorseless
to the end

and in his
final act
on planet earth
he also killed
me

closure
wasn’t in
his 10th grade
drop-out
vocabulary
neither were
compassion
decency
empathy
love
his lexicon
was one of
unfettered cruelty
willful ignorance
narcissistic dominance
bigotry
hate
violence

closure?
there is no closure
when the bad guys
get away with murder
and speed outta town
at midnight
in black-windowed
coupes with fat tires
and skulls painted
on the hoods
glasspacks roaring
tearing the world
to pieces

there is no closure
when the deceased
can’t sleep
and bones rattle
restlessly
in coffins
and closets
and all
you can see
on the insides
of your eyelids
is the haggard face
of a seven-year-old kid
staring back
at you

so tell me
do you know
what it’s like
to be a ghost?
to lurk in
sunless corners
among dust motes
and spider webs
and choke
on the cloying darkness
that surrounds you
permeates you
to see horrors but
never be seen
to know fey secrets
that should
never be known
to hear with
deafened ears
silent whisperings
best left unheard
do you?

I’ve been gone
a long time
my father’s
smudged and bloody
fingerprints
all over
my cheap headstone
the desiccated yellow turf
of my plot
beaten to dust
beneath his
boot prints
isn’t it funny
how the dead persist?
you’d almost think
he mourned my passing
if it weren’t for his
soft laughter that
sounds more like
the cries of jackals

sometimes
in the wan hours
when the world
is asleep
and all is quiet
I push through
the sod
and float
on night breezes
navigating by
starlight and
moonbeams
among the
crooked marble crosses
and faded plastic flowers
of lost souls
and settle down
on cold dewy grass
and reach out
tentatively
toward my headstone
and weep
for that seven-year-old kid
who never had a chance
that child who died
and was reincarnated
as his mother’s protector
his father’s enemy
his fate written
in the blood
of the wound
he inflicted on his
father’s forehead
the scar that remained
until the old man
killed himself
alone
on a busted sofa
on a September farm
in the middle of
nowhere

“A Few Haiku & Senryu (62)”

© 2024 by Michael L. Utley

(#367)

river stone cairn
serenity in chaos
as life flows past

…..

(#368)

deathbed
her soul cleansed by
early morning rain

…..

(#369)

in my stillness
I become the mountain
winter squall

…..

(#370)

oneness with nothingness
this world can no longer
touch me

…..

(#371)

my silent world
sound dies
and I die with it

…..

(#372)

my essence diffused
I’m no longer here nor there
a crow’s cry