“The Farm” (reprise)

(originally posted 10/3/2021)

“The Farm’
© 2021 by Michael L. Utley

Nighthawks scream
With evening’s descent
They know the truth
Black god’s-eyes
See everything
From salmon-hued
Heaven
As wings fold
Bird-bombs dive
Preying on the
Prayerless
Powerless
Oblivious
Strident-throated
Shrieks
A mindless alien-avian
Warning
Turn back
There is no hope here

Across the fallow field
Elk bugle mournfully in
Twilight cacophony
A hundred dim smudges
Herding in
Paranoid precision
Against the dusty dun of
Evening’s solemn soliloquy
Scatter
Coagulate
Statue-still
Amidst dusk ground-mist
Trumpet-cries betray blind fear
A prose of unearthly moans
As pinyon-sage-scented breeze
Lifts this omen skyward
Turn back
There is no hope here

Dead-yellow fox tails
And cheatgrass
Bend
Break
As I pass
A sickly meadow of
Thin-boned weeds
And cloying sage
Crackling underfoot as
Stickers pin-cushion
Socks and shoelaces
Ground beetles
And spiders flee
Stupidly
Languidly
Dissolve into
Cracked earth
Disappear
Each footstep
Dust-choke-inducing
The shrill trill of crickets
Distant
Distracted
Dispassionate
They know, too
Turn back, they sing
There is no hope here

A skeleton crew of
Haggard, stunted trees
Stands sentinel
Against the coming darkness
Pinyons felled by
Insidious Ips beetles
Squat
Naked
Bony
Sap-dried cones
Long dead
Among carpets of
Desiccated yellowed needles and
Sparrow-emptied pine nut shells
Tinder awaiting a wildfire
Fragrant junipers stand
Amidst dead-berry piles in
Shaggy bark-suits
Peeling like scorched dusty
Sun-burnt skin
Swarming with black ants
Pungent piss-scent
Overwhelming as
Paper-bark crawls
In the shadows
The subliminal hiss of an
Errant breeze
Wheezes dark portents
Among barkless boughs
Turn back
There is no hope here

Muffled yips and
Strangled howls
Ride chilly currents from
Far obscure fields
As coyotes practice
Weird secret sorcery
In the gloaming
The cries of the damned
Of pain
Of madness
Of red-eyed tricksters
In shadow-garb
Preparing for midnight hunts
And the tearing of flesh
Yellow grins reeking of
Fear and dead meat
Champ and drool as
Festivities draw near
Their primal chaos-chorus
Announcing to all
Turn back
There is no hope here

In hushed
Sepulchral silence
Muted coos of
Mourning doves
Float softly in
Penitential pleas
Stillness magnifying
Lilting lamentation
Grief too much to bear
Their sorrow-song
An ache that
Never ends
Unmendable
Rends hearts
Cleaves souls
Tears flow
Unknowingly
Purity and
Sadness
Immeasurable loss
A calming balm
Inadequate to heal
All that ails
Ineffectual against
Forces of fear
Reduced to a
Whispered admonition
Turn back
There is no hope here

The broken garden gate
Aslant on rusted hinges
Unleveling the horizon
Of faded, ephemeral corn stalks
And rotting squash-husks
A tangle of ancient weeds
And briar bushes
Encases this bleak place
Age-drained of all
Color and scent
Poisonous soil
Long since emptied of life
Only dead things grow here
Rows of sorrow
Trellises of despair
A forlorn bounty of
Loss and regret
A stilled silence
Proclaiming
Turn back
There is no hope here

The house
A gray thing
Hunched against
The gloom of
Bruise-tinted sky
Like some
Feral beast
Skull-socket eyes
Peer
Blackly
Blindly
Balefully
Through diseased elms
As cement tongue lolls
Cracked and pitted
From front door
To yard gate
Lawn only a distant memory
Weed-choked
Littered with
Shattered window glass
And random roof shingles

Silence

Stillness

It’s been years
Since I was here
Since I fled
Since that day
The monster was real then
The fear was real
And it’s been with me
All the while

Concrete dust crunches
Bone-like underfoot
I reach the front door
Push through a
Latticework of spider-silk
Filled with memories
So many memories
Dust and the scent of
Ancient mildew
Rotting wood
Hang in mote-filled air
It’s smaller now
Empty
Hollow
Ceiling plaster
Coats rotting carpet
In a patina of snow
Water-stained drywall
Bent and bulging
My room is there
Dark and cobwebby
Kitchen
Sisters’ bedroom
Parents’ room
Bathroom
Everything accounted for
Except the monster

There is no hope here
Dead monsters leave
Memory echoes
Down the years
A legacy of pain and fear
And while there is
No monster here
Neither is there reason
For rejoicing
This place is dead
Just like my father
The monster
Nothing will ever be
As it was
So much lost
Still more buried in
Dark locked crates
In my mind
I look around
One final time
Then make my way
Out the door
And into the night

It’s time to leave
The farm behind

“A Summer’s Field in Winter”

“A Summer’s Field in Winter”
(c) 2022 by Michael L. Utley

let us sift through summer’s solemn ashes
let us scavenge rusted hopes from twisted
hulks of yesterdays amid the swelter
and the din of frigid silence
as crows circle

this broad swath the acreage of sorrow
garden of the gods whose feckless mewling
echoes ‘cross the eons and the seasons
crumble into dust as autumn
gives up her ghost

we were never long for this cold world, this
dispensation of abominations
sunset fell before the flax had faded
bleeding out beneath indiff’rent
constellations

paradise, oh paradise eternal
dashed upon the stones of human hubris
we the stewards dined on milk and honey
as our world descended into
oblivion

thus the world was burned and we burned with it
rendered lurking shadows in the gloaming
flesh and bone have failed us as the season
of regrets approaches; we have
earned winter’s wrath

in our dreams we’ll gather wild flowers
fetch the wicker basket for the poppies
crowns of woven larkspur shall adorn us
we will rest among oak shadows
in the clearing

and when we awaken from our slumber
and when we espy the desolation
let us sift through summer’s solemn ashes
in the winter’s frigid silence
as crows circle

(Author’s Note: This poem was originally published in Chewers & Masticadores in January 2023.)

“The Cairn”

“The Cairn”
(c) 2023 by Michael L. Utley

a handful of stones
the currency of a hardened heart
cannot purchase a reprieve
from the weight of mountains
upon my soul

scree of memories
who can navigate the slope
of ankle-breaking regrets
the sharpened shale
of the empty slate
where hope
was once etched
and now only
dust remains

we walked that path
through the foothills of yesterday
where everything was evergreen
the eternal evening
redolent of lilac and honeysuckle
and wild rose
and the wan moon
dozed in the lavender sky
and you were there
but you weren’t there
your body in a mountain meadow
and your mind in
a roiling pit of despair

I held your hand
more tightly than I should have
I couldn’t let go
not then
(not now)
but you didn’t seem to mind
your trembling fingers
nested in my palm
like a dying sparrow
losing heat
as you lost opacity

I could see you fading

we walked that path
where the trees thicken
and congregate
and whisper furtively
and the air hangs in tatters
from gnarled, pensive boughs
and you closed your eyes
and hummed an atonal tune
more of a whimper than a song
and I tried to accompany you
but my voice was gone
stone-silent
lungs airless
mind blank
and your strange aria
stirred the moon-dappled patches
on the path
into a kaleidoscope of sorrow
and a smile touched your pale lips
as my heart broke

I held your hand
until it was nothing
but a memory
the sky above
now an empty void
your skin iridescing
in the gloaming
as though tinctured
with fallen stars
and glowing novae
evanescing
your essence diminishing

we walked that path
until I walked alone
your silent song
forever in my mind
an echo among
cold indifferent granite peaks
the sound of emptiness
of a heart in pieces
of a life bereft of solace
a handful of stones
to remind me
that you existed
long ago
and far away

should you ever
pass this way again
look for the cairn
along the path
there you’ll find
what’s left
of my heart

“I’ve Come at Last to Anhedonia”

“I’ve Come at Last to Anhedonia”
(c) 2023 by Michael L. Utley

I’ve come at last to Anhedonia
that bleak and melancholy land
beyond the god-forsaken desert sand
far ‘cross the sea of memories
where sunlight fades and none has e’er returned

the forests filled with stunted things
that in the shadows furtive lurk
rise forth from mires amid the murk
of blackened loam and caustic springs

and yellowed grasses’ brittle bones
that slough and sigh in bitter breeze
a desiccated meadow’s wheeze
a mournful death-rattle intones

I’ve come at last to Anhedonia
that lightless and forbidden place
beyond the hopes and dreams and saving grace
of human ken and mortal men
where moonlight fails and none has e’er returned

the stony fields and fetid fens
and moors forever draped in gloom
the whispers of impending doom
that echo in forgotten glens

the stars too faint to pierce the night
the cloying and unsettled haze
of apathetical malaise
that dulls even the purest light

I’ve come at last to Anhedonia
that languid and indiff’rent spot
beyond the realm of clarity of thought
where logic lies and purpose dies
where heart-light ebbs and none has e’er returned

the monuments to moments past
have crumbled ‘neath the weight of years
eroded by a lifetime’s tears
no joy in life is meant to last

it’s here I’ve found a resting place
a place to numb my pains and fears
eternal nights, eternal years
eternal sorrow I embrace

I’ve come at last to Anhedonia
that silent clearing in the trees
with bittersweet nostalgia on the breeze
where I will fade like mem’ries made
so long ago, and I shall ne’er return

“Doubt”

“Doubt”

(c) 2023 by Michael L. Utley

an abandoned field
an overcast sky
a cedar post
a river stone
a random trajectory
something will shatter
in a moment
when sorrow
and regret
merge
forcefully

so many thrown stones
litter the ground
around the post
missed opportunities
bad timing
a reprieve from
consequences
too brutal
to imagine
should wood
and stone
connect

but this time

is different

my aim is true
and through
tear-blurred eyes
I find clarity at last
as the stone
strikes the post
dead-center
and there is
no longer
any doubt

“The Thing on the Ground”

“The Thing on the Ground”

(c) 2017 by Michael L. Utley

There—the thing on the ground
Some insect or other
A leg detached
Dragged off by ants

It kicks in stupid
Futile spasms
Insectoid mind buzzing in
Some alien tongue
Antennae crippled
Useless

I step closer
Hovering above
As this pedestrian drama plays
Below me

“Jump, damn you!
Save yourself,
Worthless grasshopper!”

I am strangely furious at this
Pathetic thing
This helpless thing
As it dies before my eyes

“Get up! Jump!”

I feel the sting of salt
In my eyes
The tears that have
Abandoned me for eons
Doubling the writhing thing
On the ground
Trebling it in a
Saline blur

It gazes dumbly
At the sky
The clouds
The sun
All too busy in their
Mindless journey above
To notice what’s below

Another spasm
Another kick
A pebble bounces away
Mandibles scream in
Silent rage

I close my eyes
I see her
The one I couldn’t save
The doomed, damned one
Who finally broke me in two
The crippled one too far gone
The one who dragged me to the brink
And jumped

Too late

I open my eyes

The ants have returned
The thing on the ground
Kicks languidly
Dispassionately
A shudder
A twitch

The ants swarm

“This World is Yours”

“This World is Yours”
(c) 2023 by Michael L. Utley

you thought you could
save the world
wee lad
you couldn’t even
save yourself

those bleak nighthawk skies
where dead stars fall
like blood-bloated flies
and fey winds howl
in deafened ears
a behemoth’s fetid exhalation
violent and ignorant
and inexorable

breathe
breathe it all in
the sweat-soaked fear
the bitter tang of futility
fill your lungs
wee lad
this world is yours
as far as tear-blurred
eyes can see

pry up decrepit floorboards
in the dim derelict
cellar of childhood
see the blind white-bellied
squirming things
trundle dumbly, aimlessly
in sepulchral voids
gelatinous excreta
glistening in darkness
a treasure trove
of memories
a box of hell
a gift that keeps on giving
handle these with care
wee lad
lest they consume your soul

you battled the familiar demon
on twilight moors of yore
he wore your scar for years
you’ll wear his for eternity
wee lad
your popsicle stick sword
your pie tin shield
your best intentions
your noble cause
did you really think
you had a chance in hell
of slaying the beast?
what’s a little blood
between father and son?

the elixir of time is a lie
there is no balm for
a childhood stripped
from its moorings
with such casual cruelty

see the sullen sun
heliograph dully
on the lake of fate
see the dun birds
peregrinate incuriously above
see the reflection on the water
the wee old man
with hollow eyes
and broken soul
see the pulsing stormcloud
brooding, ever-present
on the horizon

the myth of idyllic youth
the hue of quicksilver
and autumn wheat
the clever, cloying scent
of false hope
the raucous, pealing thunder
of sundered souls
the thresher’s flail looms
and you fall before it as chaff
blown from this world
on eldritch zephyrs

within the forest of years
the darkling path
opens before you
and closes behind
in peristaltic spasms
as the trees swallow you
in green silence
this quiet place
devoid of time
a resting place
a tomb of giants
a dying place
for those so inclined
no memories allowed here
nor light nor love nor healing
only darkness
and the furtive murmur
of moon-shadows

you were a boy once
for seven years
now your ethereal form
drifts among
strange nameless constellations
across forgotten eons
you won’t find yourself here
wee lad
that kid is long gone
but you must find something
before all is lost

“A Few Haiku & Senryu (57)”

(c) 2023 by Michael L. Utley

(#337)

childhood’s end at seven
I’ve been nothing but a ghost
since then

…..

(#338)

hypervigilance
through dark watches of the night
a young boy’s burden

…..

(#339)

all these long years
the monster dead and gone
yet the fear remains

…..

(#340)

thunder and brimstone
the profane currency
of childhood

…..

(#341)

in the end
he felt no remorse at all
my father’s death

…..

(#342)

how to feel again
when all I’ve ever known is fear
how to live again

“A Few Haiku & Senryu (56)”

(c) 2023 by Michael L. Utley

(#331)

dusty stew pot
her memory lingers by
the cold hearth

…..

(#332)

a tiny sun
in this cold dark hell
golden suisen

…..

(#333)

strings of koto
from beyond the bamboo grove
my heart breaks again

…..

(#334)

don’t look at me, moon
I’m not who you think I am
dark night of the soul

…..

(#335)

from my window
the mountain; from the mountain
eternity

…..

(#336)

green silence
and the end of all things
sea of trees

(Note: A bit of a title change for this series. I’ve been writing senryu almost as long as haiku and I figured it was time to clarify that these little collections contain both. Haiku pertain to nature and seasons, while senryu address the human condition. The formats are virtually identical; the subject matter differs.)

“A Few Haiku (55)”

(c) 2023 by Michael L. Utley

(#325)

to write is to breathe
and I am suffocating
in silence

…..

(#326)

speak again of joy
and the warmth of summer days
your lies are comforting

…..

(#327)

pond ice
stretched thin as hope
and equally deceptive

…..

(#328)

some write of joy
I write of experience
would they were the same

…..

(#329)

pardon my sorrow
and forgive my weeping soul
a poet’s lament

…..

(#330)

hope comes and goes
and lasts for but a season
winter snow