“The Graves of Saint Paul” published at Hotel by Masticadores

Hello, everyone. My new short creative nonfiction story titled  “The Graves of Saint Paul” is now live at Hotel by Masticadores. I’m truly grateful to editor Michelle Navajas for sharing this piece with her readers at Hotel. It’s a bit of an anomaly for me as I generally write poetry exclusively. Back in my younger days (prior to giving up writing for twenty years out of frustration), prose was my vehicle for expressing myself, and although none of my fictional pieces from my early years found a home at a publishing house, they still hold meaning for me. It was a thrill to actually complete a short story again after thirty-three years, and I hope this is only the beginning and that more will come. This piece is based on elements of fact, with a bit of creative license included. Thanks a bunch, Michelle, for this opportunity.

“The Graves of Saint Paul”
© 2025 by Michael L. Utley

“My mother lay in the ground at my feet beneath sun-bleached summer grass and faded plastic flowers and a headstone I hadn’t seen for nearly ten years. Her name, Victoria, clung to the gray stone above a bas-relief of pines and wild flowers and blue birds. She’d asked for a cross on her headstone—made it clear to everyone that she desired her faith to be front and center after she died—but my father, in his infinite malice and pettiness, had chosen some random wilderness picture rather than honor her wish. Just one more reason I hated him.

And now, his name sullied my mother’s headstone.

Ten years. Ten years of shame and regret. I hadn’t visited my mother since the headstone was erected shortly after her burial. For months after her death, I made excuses to avoid the trip to town, to the cemetery. At first, it was too raw, too soon. Maybe in a few weeks, a month or two, then I could do it. And then my life flipped upside-down again and I relocated out-of-state unexpectedly and that felt like a more legitimate reason, but I always intended to visit her grave like a good son should. Except…except maybe I wasn’t such a good son after all…”

You can read the rest of my story here:

Also, please consider following and subscribing to Hotel by Masticadores, where you’ll discover a world of wonderfully imaginative and profound writing.

“The Graves of Saint Paul”

“The Graves of Saint Paul”

© 2025 by Michael L. Utley

My mother lay in the ground at my feet beneath sun-bleached summer grass and faded plastic flowers and a headstone I hadn’t seen for nearly ten years. Her name, Victoria, clung to the gray stone above a bas-relief of pines and wild flowers and blue birds. She’d asked for a cross on her headstone—made it clear to everyone that she desired her faith to be front and center after she died—but my father, in his infinite malice and pettiness, had chosen some random wilderness picture rather than honor her wish. Just one more reason I hated him.

And now, his name sullied my mother’s headstone.

Ten years. Ten years of shame and regret. I hadn’t visited my mother since the headstone was erected shortly after her burial. For months after her death, I made excuses to avoid the trip to town, to the cemetery. At first, it was too raw, too soon. Maybe in a few weeks, a month or two, then I could do it. And then my life flipped upside-down again and I relocated out-of-state unexpectedly and that felt like a more legitimate reason, but I always intended to visit her grave like a good son should. Except…except maybe I wasn’t such a good son after all.

When my father died two years later, that settled the issue, and I knew I’d never be able to look at that headstone now that it was desecrated by his name.

David. Wife-beater. Monster.

And yet, here I was, standing at the foot of the grave that held my mother’s bones and my father’s ashes, the midday sun hidden behind a thick overcast sky, rivulets of sweat accumulating beneath my baseball cap and running down my back, the world almost completely silent in my deafness, the scent of grass clippings in the still air. Here they were, together again, this time for eternity. My mother could never escape my father in life, and in death he had finally ensnared her forever.

I stood there, motionless as the stones that rose from this small acreage of sorrow, my mind blank, my eyes dry (still no tears after all these years–what’s wrong with me?), and my dead heart buried in my chest. I don’t know how long I was lost in that moment—time flows differently in places of death; sometimes it doesn’t flow at all. Not knowing what else to do, I whispered, “I’m sorry, Mom…” and lowered my head. I couldn’t bear the thought of my mother witnessing my guilt-ridden face anymore.

A few moments later, I noticed an old fellow approaching, moving gingerly among rows of crosses not far from my parents’ plot. He wore dull green overalls and a sweat-stained cap, the name Pablo embroidered on the left side of his chest, grass-stained work gloves jammed in his pocket, the butt of a Marlboro between thin lips, eyes buried in a crevasse of wrinkles. He stood beside me for a long moment, studying my parents’ headstone, then glanced at me and spoke.

I motioned that I was deaf—a little finger-dance between my right ear and lips, and pulled a small tablet and pen from my pocket and mimed for him to write instead of speak. He smiled and nodded and wrote, “Your family?”

After a pause, “My parents.”

Another nod, and this time he scrawled, “Victoria is a beautiful name, amigo.”

I looked at him closely. He was old, perhaps my parents’ age (if they still lived), and I wondered why the town would allow a fellow who was obviously pushing his mid-80s to tend the cemetery.

As if reading my mind, the man wrote, “I come here every day. Tend the plots, cut a little grass, gather the broken flowers—the dead deserve better, yes?–and talk to my Maria.” He pointed a crooked finger toward a cluster of pines and crosses. His attention lingered there for a bit, then he looked at me, his expression indeterminate, as though he were in deep thought.

“Your father,” he wrote. “David. I knew him.”

A gust of wind kicked up a few plastic flowers from a nearby grave, scattering them across the walking path. The man took a drag on his cigarette and eyed me intensely, then put pen to paper.

“Yes, I knew your father. Ese malvado matón… That cruel bully…”

I felt a headache germinating inside my skull and closed my eyes. A memory—completely unbidden—flashed in my mind, startling in its vividness and urgency.

Michael.” My father calling me. I am twelve years old. My father sits on the sofa, an old photo album spread open on his lap. It is early evening, my mother cooking dinner in the kitchen, my sisters chattering at the table. Some random sitcom plays on the hulking console television, a comedy laugh track in the background. I go to my father, terrified. What have I done this time? I wonder. He is grinning. This frightens me even more. “Look here,” he says, pointing a grease-stained finger at an old black-and-white photograph. My father smells of diesel and sweat and cigarettes. I am wary of his every move. It is a school picture dated 1949. My father’s second-grade class photograph. A dozen children stand stiffly, awkwardly, at attention before a run-down one-room shack, an elderly woman with a severe expression hovering beside them. “That’s me, right there.” His dirty finger moves to a dark-haired, cowlicked boy in a soiled white t-shirt with a missing incisor on the left. On the television, a man is arguing with a woman about a dog. “Now, see this little Mexican kid here?” He points to a diminutive Latino boy huddling in a ball at the far right, a dull expression on his grainy round face. “I used to beat the hell out of that kid every day at school.” My father grins wider, shark-like, and laughs. On the television, canned applause explodes and a commercial break begins. I swallow. I stare at the small boy with tousled black hair and knee-patched trousers and striped shirt, and all I can say is, “What was his name?” And my father beams at me. “Who gives a shit?”

I began to speak, but the old man waved me off. “Ah…it was many years ago, do not worry,” he wrote. “Life is long and hard, and we learn much or we don’t learn anything. Who’s to say?”

“Pablo. Your name is Pablo…”

A nod, a flick of the pen. “Yes, little Pablo, el niño pequeño. I was small, but quick. And I survived.”

“My father tormented you, and all these years I wondered who you were, what your name was, and why.”

“Amigo,” he wrote, “sometimes there is no why. Sometimes, there are no answers. Sometimes we must endure until we can fight back or escape.” His eyes softened. “If you’re looking for logic or sense in this lifetime, you’re on a fool’s errand. Just live. Just let go and live.”

“I don’t think I can…”

The old man flipped the page over and scribbled, “Look out there at all these graves, all these lives. Years and decades and centuries, gone and forgotten. But not quite, for old Pablo remembers them, old Pablo cares for them. When we are remembered, we live, and when we are remembered fondly, we live gloriously! Your mother–” and the old man motioned toward her headstone, “she is not gone. She remains forever in your heart because you love her. And she knows this.” He looked at me firmly. “And no matter what your father has done, he will never change her love for you. Trust me on this, amigo. I am old and wise, although my Maria might disagree with the latter.” He winked.

I glanced again at my mother’s name. It looked beautiful on the headstone. I will remember you well, Mom, I said to myself. The old man penned one final note on the tablet then returned it to me, squeezed my shoulder, and headed back to his Maria beneath the pines.

Just live. Just let go and live.

..

Update — After Rain Skies: The Global Anthology Continues to Soar After Release

An exciting update—After Rain Skies: The Global Anthology, curated by Michelle Ayon Navajas, continues its remarkable run of success, reaching #1 best-seller status in multiple categories for both its Kindle and paperback editions.

From the book:

After Rain Skies: The Global Anthology is the third installment in the After Rain Skies series, bringing together writers, poets, and storytellers from around the world to speak out against all forms of abuse and violence. Each poem and prose piece is either a personal story or one that inspired the writer—a voice raised in solidarity with those who have endured hardship. These are raw, real stories of resilience, courage, and the search for light after darkness, told through powerful prose and poetry.” – Michelle Ayon Navajas, Curator

You can read the latest press release here:

After Rain Skies: The Global Anthology is available in Kindle and paperback editions at Amazon.

After Rain Skies: The Global Anthology by Michelle Ayon Navajas now available in Kindle and paperback editions

Image © Michelle Ayon Navajas

After Rain Skies: The Global Anthology, curated by internationally acclaimed best-selling author Michelle Ayon Navajas, has been released and is now available in both paperback and Kindle versions. This profoundly important and deeply moving collection of poetry and prose deals with the horrors of violence and abuse. As Michelle states:

“Each poem and prose piece is either a personal story or one that inspired the writer–a voice raised in solidarity with those who have endured hardship. These are raw, real stories of resilience, courage, and the search for light after darkness…”

Already an Amazon #1 best-seller in multiple categories, this collection is a must-have for anyone who has experienced violence and abuse, or knows someone who has been a victim. Michelle’s courage and tireless advocacy shine throughout this book.

You can find more information about After Rain Skies: The Global Anthology, here:

After Rain Skies: The Global Anthology is available at Amazon.

After Rain Skies: The Global Anthology by Michelle Ayon Navajas–Contributor Profiles

Hey, friends. Nine days remain until the release of Michelle Ayon Navajas’ book After Rain Skies: The Global Anthology. March 8, 2025 will herald the arrival of a vitally important collection of poetry and prose dealing with violence and abuse and the stories of those who have survived and shared their personal experiences. You can read more about this anthology here:

In the lead-up to the book’s release, Michelle has been kind enough to feature short contributor profiles of those whose work appears in the anthology. Her graciousness in recognizing these authors is so appreciated. Recently, she featured my profile, and you can check it out here if you’d like:

I’m honored and humbled to be a part of this initiative to raise awareness for this significant cause. Michelle’s advocacy and hard work have done wonders for victims of abuse and violence, saving lives and helping people heal and find the light of hope again. Sincere thanks, Michelle, for allowing me to participate in this endeavor. ❤️

“This World is Yours” published at Hotel by Masticadores

Hello, friends. I’d like to let you know my poem “This World is Yours” has been published at Hotel by Masticadores. Sincere thanks to Editor Michelle Navajas and her team for sharing this poem with their readers. I’m truly grateful for your kindness, Michelle.

This poem is special to me as it addresses—in extremely abstract form—the dysfunction of domestic abuse and the price a son can pay at the hands of his father. It was named Publication of the Month for January/February 2024 at Spillwords Press and will be in the running for Publication of the Year for 2024.

“This World is Yours”
(c) 2023 by Michael L. Utley

“you thought you could
save the world
wee lad
you couldn’t even
save yourself

those bleak nighthawk skies
where dead stars fall
like blood-bloated flies
and fey winds howl
in deafened ears
a behemoth’s fetid exhalation
violent and ignorant
and inexorable

breathe
breathe it all in
the sweat-soaked fear
the bitter tang of futility
fill your lungs
wee lad
this world is yours
as far as tear-blurred
eyes can see…”

You can read the rest of my poem by clicking this link. Also, please consider following and subscribing to Hotel by Masticadores, where you’ll discover a world of wonderfully imaginative and profound writing.

“Snap-beans in a Wooden Bowl”

(originally published at Masticadores Philippines, 3/23/2024)

“Snap-beans in a Wooden Bowl”
(c) 2024 by Michael L. Utley

snap-beans
in a wooden bowl
and tears
on her cheeks
my mother’s sorrow
exorcised by
the rite of
working hands
the ritual of
silent contemplation
as evening sun
gilded her world
in holy ephemera
her safe place
ensconced
in her own
sacred light
her garden
her universe

the weeds she hoed
during languid summer days
of sun-burned neck
and aching back
how many belonged to her
how many the memories
of fear and violence
in desperate need of
eradication
her rough ancient hoe
her crucifix
against
my father’s rage
her blisters
turned to calluses
turned to armor
her fingers bent
with age and arthritis
yet strong enough
to hold herself
together
day by day
to contain
the tears the anger the horror

corn silk
her hair was corn silk
as she merged with
row upon row
of papery whispering stalks
her naked feet
rooting into earth
deeply
deeply
where her spirit lived
safe in cool moist soil
a fertile loam
a secret energy
regenerating her
scarred soul daily
only to be
shattered nightly
the cycle of the seasons
her heart always
an autumn heart
forever offering harvest
to all, then burned
to the ground
without a thought
as my father’s
winter approached

I passed her one evening
as she sat snapping beans
in a wooden bowl
her bare feet beagle-draped
farm cats lurking amid
squash blossoms
the westering sun
haloing her tired face
and she gazed at
the distant horizon
staring at the empty world
a faraway smile
nearly touching her eyes
as a tear fell
among broken beans
in her lap
and she looked at me then
and her smile was terrible
an anguish
I’d never seen before
and I knew
that she knew
there was nothing
either of us could do

“A Few Haiku (34)”

(c) 2022 by Michael L. Utley

(#199)

domestic abuse
my seven-year-old self
learns to hate

…..

(#200)

sunflower song
a dirge for those
who shall never bloom

…..

(#201)

tank tracks in mud
scrawl across sunflower fields
calligraphy of war

…..

(#202)

spent brass shell casings
golden glitter in the streets
currency of death

…..

(#203)

we watch and wait
while children cry and die
thoughts and prayers are not enough

…..

(#204)

judgment day
we have no excuse for
what we have done