“My Life Reads Like a Suicide Note” published at Hotel by Masticadores

Greetings, friends. My poem “My Life Reads Like a Suicide Note” is now live at Hotel by Masticadores. I’m so thankful to editor Michelle Navajas for publishing this unusually dark and intense poem. Much gratitude to you, Michelle, for being willing to share writing that deals with difficult subjects. We all have voices that need to be heard.

“My Life Reads Like a Suicide Note”
© 2025 by Michael L. Utley

my old man died alone
on a busted sofa
on a September farm
in the middle
of nowhere
with a gut full of
prescription drugs
and a poorly scrawled note
left on the kitchen table

“something went wrong
in my head”

it said

he checked out
without tipping
the bellboy
the cheap fuck
remorseless
to the end

and in his
final act
on planet earth
he also killed
me
…”

You can read the rest of my poem here:

Also, please consider following and subscribing to Hotel by Masticadores, where you’ll discover a world of wonderfully imaginative and profound writing.

Update — After Rain Skies: The Global Anthology Continues to Soar After Release

An exciting update—After Rain Skies: The Global Anthology, curated by Michelle Ayon Navajas, continues its remarkable run of success, reaching #1 best-seller status in multiple categories for both its Kindle and paperback editions.

From the book:

After Rain Skies: The Global Anthology is the third installment in the After Rain Skies series, bringing together writers, poets, and storytellers from around the world to speak out against all forms of abuse and violence. Each poem and prose piece is either a personal story or one that inspired the writer—a voice raised in solidarity with those who have endured hardship. These are raw, real stories of resilience, courage, and the search for light after darkness, told through powerful prose and poetry.” – Michelle Ayon Navajas, Curator

You can read the latest press release here:

After Rain Skies: The Global Anthology is available in Kindle and paperback editions at Amazon.

“My Life Reads Like a Suicide Note”

“My Life Reads Like a Suicide Note”
© 2025 by Michael L. Utley

my old man died alone
on a busted sofa
on a September farm
in the middle
of nowhere
with a gut full of
prescription drugs
and a poorly scrawled note
left on the kitchen table

“something went wrong
in my head”

it said

he checked out
without tipping
the bellboy
the cheap fuck
remorseless
to the end

and in his
final act
on planet earth
he also killed
me

closure
wasn’t in
his 10th grade
drop-out
vocabulary
neither were
compassion
decency
empathy
love
his lexicon
was one of
unfettered cruelty
willful ignorance
narcissistic dominance
bigotry
hate
violence

closure?
there is no closure
when the bad guys
get away with murder
and speed outta town
at midnight
in black-windowed
coupes with fat tires
and skulls painted
on the hoods
glasspacks roaring
tearing the world
to pieces

there is no closure
when the deceased
can’t sleep
and bones rattle
restlessly
in coffins
and closets
and all
you can see
on the insides
of your eyelids
is the haggard face
of a seven-year-old kid
staring back
at you

so tell me
do you know
what it’s like
to be a ghost?
to lurk in
sunless corners
among dust motes
and spider webs
and choke
on the cloying darkness
that surrounds you
permeates you
to see horrors but
never be seen
to know fey secrets
that should
never be known
to hear with
deafened ears
silent whisperings
best left unheard
do you?

I’ve been gone
a long time
my father’s
smudged and bloody
fingerprints
all over
my cheap headstone
the desiccated yellow turf
of my plot
beaten to dust
beneath his
boot prints
isn’t it funny
how the dead persist?
you’d almost think
he mourned my passing
if it weren’t for his
soft laughter that
sounds more like
the cries of jackals

sometimes
in the wan hours
when the world
is asleep
and all is quiet
I push through
the sod
and float
on night breezes
navigating by
starlight and
moonbeams
among the
crooked marble crosses
and faded plastic flowers
of lost souls
and settle down
on cold dewy grass
and reach out
tentatively
toward my headstone
and weep
for that seven-year-old kid
who never had a chance
that child who died
and was reincarnated
as his mother’s protector
his father’s enemy
his fate written
in the blood
of the wound
he inflicted on his
father’s forehead
the scar that remained
until the old man
killed himself
alone
on a busted sofa
on a September farm
in the middle of
nowhere

After Rain Skies: The Global Anthology by Michelle Ayon Navajas now available in Kindle and paperback editions

Image © Michelle Ayon Navajas

After Rain Skies: The Global Anthology, curated by internationally acclaimed best-selling author Michelle Ayon Navajas, has been released and is now available in both paperback and Kindle versions. This profoundly important and deeply moving collection of poetry and prose deals with the horrors of violence and abuse. As Michelle states:

“Each poem and prose piece is either a personal story or one that inspired the writer–a voice raised in solidarity with those who have endured hardship. These are raw, real stories of resilience, courage, and the search for light after darkness…”

Already an Amazon #1 best-seller in multiple categories, this collection is a must-have for anyone who has experienced violence and abuse, or knows someone who has been a victim. Michelle’s courage and tireless advocacy shine throughout this book.

You can find more information about After Rain Skies: The Global Anthology, here:

After Rain Skies: The Global Anthology is available at Amazon.

After Rain Skies: The Global Anthology by Michelle Ayon Navajas–Contributor Profiles

Hey, friends. Nine days remain until the release of Michelle Ayon Navajas’ book After Rain Skies: The Global Anthology. March 8, 2025 will herald the arrival of a vitally important collection of poetry and prose dealing with violence and abuse and the stories of those who have survived and shared their personal experiences. You can read more about this anthology here:

In the lead-up to the book’s release, Michelle has been kind enough to feature short contributor profiles of those whose work appears in the anthology. Her graciousness in recognizing these authors is so appreciated. Recently, she featured my profile, and you can check it out here if you’d like:

I’m honored and humbled to be a part of this initiative to raise awareness for this significant cause. Michelle’s advocacy and hard work have done wonders for victims of abuse and violence, saving lives and helping people heal and find the light of hope again. Sincere thanks, Michelle, for allowing me to participate in this endeavor. ❤️

“Snap-beans in a Wooden Bowl”

(originally published at Masticadores Philippines, 3/23/2024)

“Snap-beans in a Wooden Bowl”
(c) 2024 by Michael L. Utley

snap-beans
in a wooden bowl
and tears
on her cheeks
my mother’s sorrow
exorcised by
the rite of
working hands
the ritual of
silent contemplation
as evening sun
gilded her world
in holy ephemera
her safe place
ensconced
in her own
sacred light
her garden
her universe

the weeds she hoed
during languid summer days
of sun-burned neck
and aching back
how many belonged to her
how many the memories
of fear and violence
in desperate need of
eradication
her rough ancient hoe
her crucifix
against
my father’s rage
her blisters
turned to calluses
turned to armor
her fingers bent
with age and arthritis
yet strong enough
to hold herself
together
day by day
to contain
the tears the anger the horror

corn silk
her hair was corn silk
as she merged with
row upon row
of papery whispering stalks
her naked feet
rooting into earth
deeply
deeply
where her spirit lived
safe in cool moist soil
a fertile loam
a secret energy
regenerating her
scarred soul daily
only to be
shattered nightly
the cycle of the seasons
her heart always
an autumn heart
forever offering harvest
to all, then burned
to the ground
without a thought
as my father’s
winter approached

I passed her one evening
as she sat snapping beans
in a wooden bowl
her bare feet beagle-draped
farm cats lurking amid
squash blossoms
the westering sun
haloing her tired face
and she gazed at
the distant horizon
staring at the empty world
a faraway smile
nearly touching her eyes
as a tear fell
among broken beans
in her lap
and she looked at me then
and her smile was terrible
an anguish
I’d never seen before
and I knew
that she knew
there was nothing
either of us could do

“The Farm” (reprise)

(originally posted 10/3/2021)

“The Farm’
© 2021 by Michael L. Utley

Nighthawks scream
With evening’s descent
They know the truth
Black god’s-eyes
See everything
From salmon-hued
Heaven
As wings fold
Bird-bombs dive
Preying on the
Prayerless
Powerless
Oblivious
Strident-throated
Shrieks
A mindless alien-avian
Warning
Turn back
There is no hope here

Across the fallow field
Elk bugle mournfully in
Twilight cacophony
A hundred dim smudges
Herding in
Paranoid precision
Against the dusty dun of
Evening’s solemn soliloquy
Scatter
Coagulate
Statue-still
Amidst dusk ground-mist
Trumpet-cries betray blind fear
A prose of unearthly moans
As pinyon-sage-scented breeze
Lifts this omen skyward
Turn back
There is no hope here

Dead-yellow fox tails
And cheatgrass
Bend
Break
As I pass
A sickly meadow of
Thin-boned weeds
And cloying sage
Crackling underfoot as
Stickers pin-cushion
Socks and shoelaces
Ground beetles
And spiders flee
Stupidly
Languidly
Dissolve into
Cracked earth
Disappear
Each footstep
Dust-choke-inducing
The shrill trill of crickets
Distant
Distracted
Dispassionate
They know, too
Turn back, they sing
There is no hope here

A skeleton crew of
Haggard, stunted trees
Stands sentinel
Against the coming darkness
Pinyons felled by
Insidious Ips beetles
Squat
Naked
Bony
Sap-dried cones
Long dead
Among carpets of
Desiccated yellowed needles and
Sparrow-emptied pine nut shells
Tinder awaiting a wildfire
Fragrant junipers stand
Amidst dead-berry piles in
Shaggy bark-suits
Peeling like scorched dusty
Sun-burnt skin
Swarming with black ants
Pungent piss-scent
Overwhelming as
Paper-bark crawls
In the shadows
The subliminal hiss of an
Errant breeze
Wheezes dark portents
Among barkless boughs
Turn back
There is no hope here

Muffled yips and
Strangled howls
Ride chilly currents from
Far obscure fields
As coyotes practice
Weird secret sorcery
In the gloaming
The cries of the damned
Of pain
Of madness
Of red-eyed tricksters
In shadow-garb
Preparing for midnight hunts
And the tearing of flesh
Yellow grins reeking of
Fear and dead meat
Champ and drool as
Festivities draw near
Their primal chaos-chorus
Announcing to all
Turn back
There is no hope here

In hushed
Sepulchral silence
Muted coos of
Mourning doves
Float softly in
Penitential pleas
Stillness magnifying
Lilting lamentation
Grief too much to bear
Their sorrow-song
An ache that
Never ends
Unmendable
Rends hearts
Cleaves souls
Tears flow
Unknowingly
Purity and
Sadness
Immeasurable loss
A calming balm
Inadequate to heal
All that ails
Ineffectual against
Forces of fear
Reduced to a
Whispered admonition
Turn back
There is no hope here

The broken garden gate
Aslant on rusted hinges
Unleveling the horizon
Of faded, ephemeral corn stalks
And rotting squash-husks
A tangle of ancient weeds
And briar bushes
Encases this bleak place
Age-drained of all
Color and scent
Poisonous soil
Long since emptied of life
Only dead things grow here
Rows of sorrow
Trellises of despair
A forlorn bounty of
Loss and regret
A stilled silence
Proclaiming
Turn back
There is no hope here

The house
A gray thing
Hunched against
The gloom of
Bruise-tinted sky
Like some
Feral beast
Skull-socket eyes
Peer
Blackly
Blindly
Balefully
Through diseased elms
As cement tongue lolls
Cracked and pitted
From front door
To yard gate
Lawn only a distant memory
Weed-choked
Littered with
Shattered window glass
And random roof shingles

Silence

Stillness

It’s been years
Since I was here
Since I fled
Since that day
The monster was real then
The fear was real
And it’s been with me
All the while

Concrete dust crunches
Bone-like underfoot
I reach the front door
Push through a
Latticework of spider-silk
Filled with memories
So many memories
Dust and the scent of
Ancient mildew
Rotting wood
Hang in mote-filled air
It’s smaller now
Empty
Hollow
Ceiling plaster
Coats rotting carpet
In a patina of snow
Water-stained drywall
Bent and bulging
My room is there
Dark and cobwebby
Kitchen
Sisters’ bedroom
Parents’ room
Bathroom
Everything accounted for
Except the monster

There is no hope here
Dead monsters leave
Memory echoes
Down the years
A legacy of pain and fear
And while there is
No monster here
Neither is there reason
For rejoicing
This place is dead
Just like my father
The monster
Nothing will ever be
As it was
So much lost
Still more buried in
Dark locked crates
In my mind
I look around
One final time
Then make my way
Out the door
And into the night

It’s time to leave
The farm behind

“This World is Yours”

“This World is Yours”
(c) 2023 by Michael L. Utley

you thought you could
save the world
wee lad
you couldn’t even
save yourself

those bleak nighthawk skies
where dead stars fall
like blood-bloated flies
and fey winds howl
in deafened ears
a behemoth’s fetid exhalation
violent and ignorant
and inexorable

breathe
breathe it all in
the sweat-soaked fear
the bitter tang of futility
fill your lungs
wee lad
this world is yours
as far as tear-blurred
eyes can see

pry up decrepit floorboards
in the dim derelict
cellar of childhood
see the blind white-bellied
squirming things
trundle dumbly, aimlessly
in sepulchral voids
gelatinous excreta
glistening in darkness
a treasure trove
of memories
a box of hell
a gift that keeps on giving
handle these with care
wee lad
lest they consume your soul

you battled the familiar demon
on twilight moors of yore
he wore your scar for years
you’ll wear his for eternity
wee lad
your popsicle stick sword
your pie tin shield
your best intentions
your noble cause
did you really think
you had a chance in hell
of slaying the beast?
what’s a little blood
between father and son?

the elixir of time is a lie
there is no balm for
a childhood stripped
from its moorings
with such casual cruelty

see the sullen sun
heliograph dully
on the lake of fate
see the dun birds
peregrinate incuriously above
see the reflection on the water
the wee old man
with hollow eyes
and broken soul
see the pulsing stormcloud
brooding, ever-present
on the horizon

the myth of idyllic youth
the hue of quicksilver
and autumn wheat
the clever, cloying scent
of false hope
the raucous, pealing thunder
of sundered souls
the thresher’s flail looms
and you fall before it as chaff
blown from this world
on eldritch zephyrs

within the forest of years
the darkling path
opens before you
and closes behind
in peristaltic spasms
as the trees swallow you
in green silence
this quiet place
devoid of time
a resting place
a tomb of giants
a dying place
for those so inclined
no memories allowed here
nor light nor love nor healing
only darkness
and the furtive murmur
of moon-shadows

you were a boy once
for seven years
now your ethereal form
drifts among
strange nameless constellations
across forgotten eons
you won’t find yourself here
wee lad
that kid is long gone
but you must find something
before all is lost

“A Few Haiku & Senryu (57)”

(c) 2023 by Michael L. Utley

(#337)

childhood’s end at seven
I’ve been nothing but a ghost
since then

…..

(#338)

hypervigilance
through dark watches of the night
a young boy’s burden

…..

(#339)

all these long years
the monster dead and gone
yet the fear remains

…..

(#340)

thunder and brimstone
the profane currency
of childhood

…..

(#341)

in the end
he felt no remorse at all
my father’s death

…..

(#342)

how to feel again
when all I’ve ever known is fear
how to live again

“On Kestrel’s Wings”

“On Kestrel’s Wings”
(c) 2021 by Michael L. Utley

Must everything have
Pedantic meaning
Must I be ground-bound
By the numbing gravity
Of grim solemnity
Must unrelenting
Earnestness be
The boot heel
Upon my neck
Must I suffocate
On the cloying
Atmosphere
Of grave sobriety

These shackles
Which rub wrists raw
With the weight
Of morose introspection
And fetters which
Render my
Hardened heart
Captive to my
Saturnine mind
Have exhausted me
I am so tired
Of the weight of worlds
Upon my broken shoulders
Of an eternity
Of anguish and woe
My soul begs for respite
A cessation of fear and worry
So that I may open
My sorrow-blinded eyes
And see the sun again
As I saw it as a boy
Golden and eternal
And life-giving

I grieve for that
Little boy
Who lost his way
Who only wished
To be a child
And breathe freely
Of fragrant morning dew
To fly through cobalt skies
Of imagination on
Titian-ashen kestrel’s wings
To feel both wind
And tears of joy
On summer-gilded face
To traverse universes
At the speed of thought
To savor all things
At all times
To live and grow
And play
Sleep the sleep
Of innocence
Dream the dreams
Of truth

Where is he
Where is that boy
Who wears my face
And if I call him
Will he answer
Will he come running
Will he throw his arms
Around my neck
And rejuvenate my
Heart and soul
Will he
Can he
Is it too late
Do I even
Dare to try