“I’ve Come at Last to Anhedonia” published at LatinosUSA

Hey, folks. My poem “I’ve Come at Last to Anhedonia” is now available at LatinosUSA. Much gratitude to editor Michelle Navajas for publishing this piece. Sincerely appreciated, Michelle.

“I’ve Come at Last to Anhedonia”
© 2023 by Michael L. Utley

“I’ve come at last to Anhedonia
that bleak and melancholy land
beyond the god-forsaken desert sand
far ‘cross the sea of memories
where sunlight fades and none has e’er returned…”

You can read the rest of my poem here:

I hope you’ll consider following and subscribing to LatinosUSA–a place of unique visions and creative voices from around the world.

“A Few Haiku (22)” published at Gobblers by Masticadoress

Hey, folks. More haiku and senryu for your perusal as Gobblers by Masticadores has published the latest installment of my short haiku/senryu collections titled “A Few Haiku (22).” These small collections consist of six haiku and/or senryu. Sincere thanks to editor Manuela Timofte for this opportunity to share my poetry with all of you.

“A Few Haiku (22)”
© 2021 by Michael L. Utley

(#127)

serrated sea shells
flay unfeeling fleeing feet
my numb soul bleeds out

…..

(#128)

bits of blue shell
and broken soul mark my fall
from heaven’s nest

…..

(#129)

old pond and ocean
renewed with each thunderstorm
my soul begs for rain

You can read the rest of this mini-collection here:

Also, don’t forget to follow and subscribe to Gobblers by Masticadores, where you’ll find some wonderful writing and plenty of food for thought.

“A Few Haiku (21)” published at Gobblers by Masticadores

Greetings, folks. Gobblers by Masticadores has published the latest installment of my short haiku/senryu collections titled “A Few Haiku (21).” These small collections consist of six haiku and/or senryu. Much appreciation goes to editor Manuela Timofte for her kindness in sharing these little ones with her readers. I hope you like them.

“A Few Haiku (21)”
© 2021 by Michael L. Utley

(#121)

old rain barrel
dark waters of
forgotten dreams

…..

(#122)

first snow
white kiku on
autumn’s casket

…..

(#123)

stone cairns
mark my future; stone heart
marks my past

You can read the rest of this mini-collection here:

Also, don’t forget to follow and subscribe to Gobblers by Masticadores, where you’ll find some wonderful writing and plenty of food for thought.

“The Graves of Saint Paul”

“The Graves of Saint Paul”

© 2025 by Michael L. Utley

My mother lay in the ground at my feet beneath sun-bleached summer grass and faded plastic flowers and a headstone I hadn’t seen for nearly ten years. Her name, Victoria, clung to the gray stone above a bas-relief of pines and wild flowers and blue birds. She’d asked for a cross on her headstone—made it clear to everyone that she desired her faith to be front and center after she died—but my father, in his infinite malice and pettiness, had chosen some random wilderness picture rather than honor her wish. Just one more reason I hated him.

And now, his name sullied my mother’s headstone.

Ten years. Ten years of shame and regret. I hadn’t visited my mother since the headstone was erected shortly after her burial. For months after her death, I made excuses to avoid the trip to town, to the cemetery. At first, it was too raw, too soon. Maybe in a few weeks, a month or two, then I could do it. And then my life flipped upside-down again and I relocated out-of-state unexpectedly and that felt like a more legitimate reason, but I always intended to visit her grave like a good son should. Except…except maybe I wasn’t such a good son after all.

When my father died two years later, that settled the issue, and I knew I’d never be able to look at that headstone now that it was desecrated by his name.

David. Wife-beater. Monster.

And yet, here I was, standing at the foot of the grave that held my mother’s bones and my father’s ashes, the midday sun hidden behind a thick overcast sky, rivulets of sweat accumulating beneath my baseball cap and running down my back, the world almost completely silent in my deafness, the scent of grass clippings in the still air. Here they were, together again, this time for eternity. My mother could never escape my father in life, and in death he had finally ensnared her forever.

I stood there, motionless as the stones that rose from this small acreage of sorrow, my mind blank, my eyes dry (still no tears after all these years–what’s wrong with me?), and my dead heart buried in my chest. I don’t know how long I was lost in that moment—time flows differently in places of death; sometimes it doesn’t flow at all. Not knowing what else to do, I whispered, “I’m sorry, Mom…” and lowered my head. I couldn’t bear the thought of my mother witnessing my guilt-ridden face anymore.

A few moments later, I noticed an old fellow approaching, moving gingerly among rows of crosses not far from my parents’ plot. He wore dull green overalls and a sweat-stained cap, the name Pablo embroidered on the left side of his chest, grass-stained work gloves jammed in his pocket, the butt of a Marlboro between thin lips, eyes buried in a crevasse of wrinkles. He stood beside me for a long moment, studying my parents’ headstone, then glanced at me and spoke.

I motioned that I was deaf—a little finger-dance between my right ear and lips, and pulled a small tablet and pen from my pocket and mimed for him to write instead of speak. He smiled and nodded and wrote, “Your family?”

After a pause, “My parents.”

Another nod, and this time he scrawled, “Victoria is a beautiful name, amigo.”

I looked at him closely. He was old, perhaps my parents’ age (if they still lived), and I wondered why the town would allow a fellow who was obviously pushing his mid-80s to tend the cemetery.

As if reading my mind, the man wrote, “I come here every day. Tend the plots, cut a little grass, gather the broken flowers—the dead deserve better, yes?–and talk to my Maria.” He pointed a crooked finger toward a cluster of pines and crosses. His attention lingered there for a bit, then he looked at me, his expression indeterminate, as though he were in deep thought.

“Your father,” he wrote. “David. I knew him.”

A gust of wind kicked up a few plastic flowers from a nearby grave, scattering them across the walking path. The man took a drag on his cigarette and eyed me intensely, then put pen to paper.

“Yes, I knew your father. Ese malvado matón… That cruel bully…”

I felt a headache germinating inside my skull and closed my eyes. A memory—completely unbidden—flashed in my mind, startling in its vividness and urgency.

Michael.” My father calling me. I am twelve years old. My father sits on the sofa, an old photo album spread open on his lap. It is early evening, my mother cooking dinner in the kitchen, my sisters chattering at the table. Some random sitcom plays on the hulking console television, a comedy laugh track in the background. I go to my father, terrified. What have I done this time? I wonder. He is grinning. This frightens me even more. “Look here,” he says, pointing a grease-stained finger at an old black-and-white photograph. My father smells of diesel and sweat and cigarettes. I am wary of his every move. It is a school picture dated 1949. My father’s second-grade class photograph. A dozen children stand stiffly, awkwardly, at attention before a run-down one-room shack, an elderly woman with a severe expression hovering beside them. “That’s me, right there.” His dirty finger moves to a dark-haired, cowlicked boy in a soiled white t-shirt with a missing incisor on the left. On the television, a man is arguing with a woman about a dog. “Now, see this little Mexican kid here?” He points to a diminutive Latino boy huddling in a ball at the far right, a dull expression on his grainy round face. “I used to beat the hell out of that kid every day at school.” My father grins wider, shark-like, and laughs. On the television, canned applause explodes and a commercial break begins. I swallow. I stare at the small boy with tousled black hair and knee-patched trousers and striped shirt, and all I can say is, “What was his name?” And my father beams at me. “Who gives a shit?”

I began to speak, but the old man waved me off. “Ah…it was many years ago, do not worry,” he wrote. “Life is long and hard, and we learn much or we don’t learn anything. Who’s to say?”

“Pablo. Your name is Pablo…”

A nod, a flick of the pen. “Yes, little Pablo, el niño pequeño. I was small, but quick. And I survived.”

“My father tormented you, and all these years I wondered who you were, what your name was, and why.”

“Amigo,” he wrote, “sometimes there is no why. Sometimes, there are no answers. Sometimes we must endure until we can fight back or escape.” His eyes softened. “If you’re looking for logic or sense in this lifetime, you’re on a fool’s errand. Just live. Just let go and live.”

“I don’t think I can…”

The old man flipped the page over and scribbled, “Look out there at all these graves, all these lives. Years and decades and centuries, gone and forgotten. But not quite, for old Pablo remembers them, old Pablo cares for them. When we are remembered, we live, and when we are remembered fondly, we live gloriously! Your mother–” and the old man motioned toward her headstone, “she is not gone. She remains forever in your heart because you love her. And she knows this.” He looked at me firmly. “And no matter what your father has done, he will never change her love for you. Trust me on this, amigo. I am old and wise, although my Maria might disagree with the latter.” He winked.

I glanced again at my mother’s name. It looked beautiful on the headstone. I will remember you well, Mom, I said to myself. The old man penned one final note on the tablet then returned it to me, squeezed my shoulder, and headed back to his Maria beneath the pines.

Just live. Just let go and live.

..

“Wildfire”

“Wildfire”
© 2025 by Michael L. Utley

nothing in life occurs
as it does in the
lyrics of songs
it’s all fantasy
all make-believe
carefully orchestrated
a plastic tableau
displayed behind
a plate glass window
look but don’t touch
lest the illusion shatter

her eyes were still open
when I entered the room
her body slowly
giving up its heat
the world had gone silent
save for my father’s
ragged exhalations
a blasted look
in his eyes
panic
dread
the weight of
heaven and hell
threatening to
crush him

there are protocols
for this sort of thing

my mind mumbled dully
lists upon lists
procedures to follow
and don’t skip anything
lest the facade crumble
lest all of creation
come to an end

I watched my hand
touch her wrist
warmth but nothing else
and a door in my mind
swung soundlessly
irrevocably shut
a box checked
I felt my hand
squeeze hers
no response
another box
another check mark
a window in my mind
battened
boarded up
permanently
and her eyes
dazed
tired
confused
staring into her
own private eternity
I tried to brush them
closed
like some celluloid hero
like someone who’s in charge
but they remained exposed
stubbornly resisting
my mind sputtered
clicked
observed
registered
a checkbox left empty
with only one remaining

I pulled the sheet over
my mother’s face
the final act
the list complete
my duty accomplished
my fate sealed

and my mind collapsed

I stood at my
bedroom window
as a misting rain
enfolded the earth
in a hushed dirge
a six a.m. requiem
an epilogue
to a life betrayed
a life cheated
my mother deserved
so much better
and the world
refused to move
its gears stripped
its dynamo fried
as the dawn
held its breath

the ghosts arrived
strangers in
bleak uniforms
muffled voices
latex gloves
clipboards
a gurney
uncanny inhabitants
of some other dimension
performing their
own obscure rituals
drifting room to room
in and out
covert thieves
stealing my mother

and still the rain fell

in my mind
a mantra arose
unbidden
urgent
inexorable
straining against
my temples
my eyeballs
my ears

my mother is dead

over
and over
and over

listen closely
the universe said
listen as you’ve
never listened before
because your life
your sanity
depend upon
this
one
thing
acceptance
now
or risk losing
yourself
forever

the words
pooled
eddied
in my head
swam like
mystical koi
gliding
in arcane murk
and I knelt
at water’s edge
gazing into this
saturnine mere
where my reflection died
and hope dissolved
and I drank
from cupped hands
and choked on
the bitter draught
of reality

and still the rain fell

there are woods
we dare not enter
treelines with teeth
green shadows
with poisonous
beckoning tendrils
restless copses of
voiceless supplication
leading us astray
from the path
numbness
timelessness
and nameless
plutonian pits
of despair
and despite
foreboding warnings
despite all that
screamed
to the contrary
I fled into this
grove of oblivion
where the darkness
promised succor
but instead
stripped me naked
gutted me
flung my entrails
among noxious thickets
and abandoned me
in a clearing
beneath an
eternally
moonless night
eldritch stars overhead
representing
obscene unknown
constellations
another place
another cosmos
another time

eyeless
voiceless
nothing left
of me
but my ears
damned by
deafness
weak
useless
my mother’s voice
no longer audible
her frequency
terminated
a static hum
where her
essence
should be
but I listened
anyway
strained to discern
her closing thoughts
her last whisper
her soul departing
but the only
sounds I heard
were the howl
of white noise
and the
wretched screech
of infinity

another mantra arose
this time a song
from years before
my mind a
musician’s mind
an artist’s mind
always seeking
the flow
the deep
slow currents
the steady stasis
of movement
the only balm
for my soul
a song of death
of sorrow
of loss
of seeking that
which can
never be found

my mother
lost in a June blizzard
chasing Wildfire

and still the rain fell

the sky cried
in my stead
my own tears
locked away
deep inside
far beyond my own
pathetic reach
the incense of
petrichor
and wet sage
lingering
settling upon
my skin
a patina of
unexpected
serenity
a cocoon
of protection
against a
reckless
arbitrary
God
an indifferent
heaven
the senselessness
of it all

weeks passed
but the song remained
and I clung to it
with all my might
I grabbed its reins
dug in my spurs
and rode it out
for all it was worth
for only it could save me
only it could deliver me
from the blackness
of that forest of torment

I said good-bye
to my mother on a
sweltering June day
my broken heart
buried with her
the burden
of her absence
carried with me
for a decade now
I kissed her forehead
gave her my parting gifts
three guitar picks
I love you, Mom
inscribed on each

and asked her
to wait for me

and when the
early snow falls
I shall chase
Wildfire
too

(Author’s note: This poem is inspired by “Wildfire,” a song by Michael Martin Murphey that helped me deal with my mother’s death in June 2015.)

“A Few Haiku & Senryu (61)”

(c) 2024 by Michael L. Utley

(#361)

November stubble
she tills the field
of memories

…..

(#362)

sorrow’s journey
drifting on the breeze
a sparrow’s plume

…..

(#363)

her sundered smile
picking up the pieces
of my heart

…..

(#364)

seeds of yesterdays
watered by the tears of years
memory garden

…..

(#365)

stream ice cracks
beneath the red footbridge
the hush of rushes

…..

(#366)

dip my bones in blood
etch my life across the stars
a soul’s journey

“When Ivory Kiku Bloom”

“When Ivory Kiku Bloom”
(c) 2024 by Michael L. Utley

it’s my hope in time to come
when ivory kiku bloom
you’ll remember me
as I remember you

those days so long ago
in absence of joy
fraught with fear and agony
you gazed into the abyss

what did you see in the din
and darkness of depression
what peered back at you
shattered your very soul

in this winter tempest
golden suisen
hides its glowing countenance
waiting for the storm to pass

yet its radiance lives on
deep beneath the blowing snow
its beauty obscured
dimmed for but a moment

I saw your light shining
through your blackest night
with the brilliance of the sun
rising moon’s intensity

in your sorrow you were blind
you saw neither light nor love
nor could you believe
your heart was still alive

thus you mourned a life lost
buried your own soul
oblivion’s rueful loam
brings forth its bitter harvest

in my heart there lies a tomb
wreathed in ivory kiku
every day I pause
to offer my respects

every day I mourn for
what could never be
place my heart upon the shroud
of these fading memories

it’s my hope in time to come
when ivory kiku bloom
you’ll have found your peace
for I’ll remember you

“Still I Toil On”

“Still I Toil On”
(c) 2024 by Michael L. Utley

my old hoe is dull
and the weeds
resist its blade
still I toil on
iron sharpens iron
rust begets rust
the crucible of life
makes or breaks
which shall I choose
do I even have a choice

my garden’s neglect
pains my soul
its hardened soil
thirsts for more
than rain
too many weeds
too few blooms
a loathsome facsimile
of the worst of me

these hands
cracked and dirty
beset by age
and the scars
of a futile life
once strong enough
to break the earth
shatter stone
yet tender still
to caress the lotus
dry the tears
of my beloved
these calloused hands
empty now
save for the
piercing splinters
and burning blisters
of stillborn harvests
and sundered dreams

once, long ago
across the stream
my young man’s eyes
beheld the youthful willow
nubile and lithesome
her slender feet
glissading upon
the cool water
sinuous fronds
breeze-blown
her sultry-shy gaze
beckoning me
offering respite
from noonday sun
and I watched from afar
as egret and kitsune
nestled in her shadows
and I yearned for her
but my garden
needed tilling
my hoe dull even then
my back bent
from years of struggle
my heart distracted
by worries of harvests
yet to be
and in my hesitation
she turned away
and all was lost

cicadas drone
in the bamboo grove
their maddening chorus
a condemnation
their brief lives
leave little time
for memories
but plenty
for judgment
their desiccated husks
reminding me
of life’s brevity
all I’ve lost
all I needlessly
carry with me

it has been too long
since the rains fell
too long since the wind
cooled my brow
too long since
my soul slept
too long have I
gripped this
infernal device
my entire existence
rooted in this
garden of regrets
I have become
the very weed
I wish to slay

still I toil on
for there is naught left
but to toil
until my blade breaks
or the harvester’s scythe
takes me away

“A Latticework of Tears”

“A Latticework of Tears”
(c) 2024 by Michael L. Utley

autumn rain has come
orb weaver’s sorrowful web
a latticework of tears
a trellis of weathered memories
in this mournful
forgotten meadow
abandoned
as dusk’s demise
renders moot
vestigial joy
and hope
gives up its ghost

your dreams, you say
what of your dreams
those airy flights of fancy
those rumblings of your soul
tinged the hue of
virginal sun rays
so bright as to
blind you to
the world’s apathy
and horror
so urgent and strident
as to stay your sleep
at night
so incendiary as to
ignite worlds
birth universes

I know of dreams
I know of death, too
the slow withering
of saplings whose
brittle stems
shall never
reach maturity
whose once
verdant leaflets
become piles of
yellow dross
that fade into
oblivion

I know the soul-crushing
pressure of expectations
the futility of failure
the exhaustion of anhedonia
I know the tainted love
of depression
a foul mistress
the bleak and hollow
echoes of loneliness
the roiling pit
of dread and uncertainty
for what lies ahead

dreams memories tears
an elegiac dirge
for a life lost
a life misspent
bereft of love and lenity
the godless howl
of the past
the gaping maw
of the future
I know these things

shattered pieces
of my dreams
litter this lea’s
desiccated grasses
I must tread with caution
lest I slice myself
bloody

let the weaver’s web
display my tears
as trophies of defeat
I have bled enough
let what’s left of me
fall to the earth
as autumn rain

“For Harley” (reprise)

(originally posted on 10/27/2021)

“For Harley”
(c) 2021 by Michael L. Utley

I wonder if he ever knew his ears
Had failed him as he nosed the gravel road
Collecting scents of all that passed that way
As afternoon slipped into eventide
And xanthous-tinted rabbit brush held sway

Amid god-beams

Gilded god-beams

His pup days had long passed as elder gray
Frosted his chin and whiskers, and his gait
Had slowed as tired legs had stiffened up
And aching joints reduced him to a mere
Shadow of his bold beagle days of yore

When he was young

When we were young

His eyes—those burnished chestnut orbs that danced
And glimmered in the magic-hour rays
Of summer eves—belied his years and shone
With feisty fiery passion and the ken
Of canny canine stratagems and grim

Intensity

Vehemently

As for his tail, there wasn’t much to say
Other than it epitomized the joy
Of reckless youth, that whip-snapping white-tipped
Apostrophe above his bobbing haunch
Forever oscillating to and fro

It wagged a lot

His ears were shot

I’d stand behind him, holler out his name
And he, oblivious to all, would move
Nary a muscle nor would bat an eye
But go about his business in his world
Of silent summer farm days as the birds

Sang quietly

Spoke thoughtfully

A touch upon his back would do the trick
And he’d glance o’er at me and grin as if
To say, “Oh, there you are! Now where’s my treat?”
And having been trained well by him I’d reach
Into my pocket for a doggo snack

And he would beam

His eyes would gleam

But mostly I recall our evening walks
As day-haze settled, rabbit brush aglow
And Harley, nose to road, would pad along
Intent on scrying hidden critter trails
In search of that elusive siren song

That rabbit scent

And there he went

A brown and white torpedo like a blur
Of milk and cookies, ears jet-streamed behind
His head, and beagle-baying, “Here I go!”
And through the sage and cheat grass he would fly
His white-tipped tail zig-zagging through the maze

Of summer days

Our summer days

And I would stand and watch this ritual
This vital, sacred rite that kindled life
And filled souls overflowing as my friend
Chased rabbits in the fading of the day
Braying echoing ‘cross halcyon fields

Amid god-beams

Gilded god-beams