I was raised on a farm about an hour from Lisbon Valley in southeast Utah. It’s an out-of-the-way place of red rock formations and sage-sprinkled canyons used for cattle grazing and open-pit copper mining (and yes, both activities have damaged the land considerably). I photographed this scene one summer evening in the late-1990s as the sun slanted toward the horizon and shadows encroached upon Big Indian Rock (upper left). I was intrigued by the strong diagonal slope my vantage point provided, as well as the bold blocks of color. It was a contrasting scene due to the brightly lit rock formations and the shadows, and because I was using slide film (which has a significantly narrower exposure latitude than negative film), I was unsure if I could render the scene properly exposed and still capture shadow details. The motto for photographers who use slide film is “Expose for the highlights and let the shadows fall where they may.” My goal here was to focus on composition and color, so I decided against using a graduated neutral density filter, which would have created more balance between the highlights and shadows. I thought that allowing the shadows to block-up a bit simplified the image and helped it adhere to my philosophy of quiet contemplation in nature. Busy photographs are chaotic and cause tension, and I sought peace and stillness here, so the fewer distractions, the better. There is still detail in the shadows, but not enough to distract from the tranquil feeling these rocks convey. I like the composition here, with the two rock formations standing near diagonal power-points in the scene against the brilliant blue sky and dark shadows. The rocks glow with the warm tones of the lowering sun and contrast well against the cool blue and black hues. (Canon gear, Fuji Velvia ISO 50)

I’ve posted several images from Lisbon Valley in southeast Utah. It’s an out-of-the-way region that lacks the deep canyons and arches of its neighboring national parks, yet it has a charm all its own. While photographing Big Indian Rock years ago, I came upon this large boulder that had tumbled down onto the valley floor below and split apart. Aside from the marvelous texture and color of the boulder, what really struck me was what grew on top: a stunted pinyon pine. These trees, and junipers as well, eke out a hardscrabble existence in the desert of the Colorado Plateau, seemingly surviving in the most inhospitable locales. How this little tree managed to flourish left me nonplussed. I use the word “tenacity” to describe desert life, and it’s an apt term in this instance. This scene spoke to me of isolation, loneliness, determination, tenacity and the will to survive despite the harshest odds. From a technical standpoint, due to the strong direct lighting from the evening sun, the rock face was extremely bright and glary, so I employed a polarizer filter to eliminate the glare in order to allow the texture detail to show. The polarizer also eliminates glare from atmospheric dust particles and haze, thus darkening the sky. This was a conscious choice regarding the sky, as I wanted a deep cobalt blue to provide contrast to the brilliant orange of the boulder. The cirrus clouds added a surreal touch to the sky. The way the shadows blocked up completely black made the color and texture of the rock pop. And the pinyon pine? It seems to glow of its own inner light, a strange sort of confidence and serenity. Despite its hardships and travails, it’s found its peace atop its own personal mountain. (Canon gear, Fuji Velvia ISO 50)