“I’ve Come at Last to Anhedonia” published at LatinosUSA

Hey, folks. My poem “I’ve Come at Last to Anhedonia” is now available at LatinosUSA. Much gratitude to editor Michelle Navajas for publishing this piece. Sincerely appreciated, Michelle.

“I’ve Come at Last to Anhedonia”
© 2023 by Michael L. Utley

“I’ve come at last to Anhedonia
that bleak and melancholy land
beyond the god-forsaken desert sand
far ‘cross the sea of memories
where sunlight fades and none has e’er returned…”

You can read the rest of my poem here:

I hope you’ll consider following and subscribing to LatinosUSA–a place of unique visions and creative voices from around the world.

“The Graves of Saint Paul” published at Hotel by Masticadores

Hello, everyone. My new short creative nonfiction story titled  “The Graves of Saint Paul” is now live at Hotel by Masticadores. I’m truly grateful to editor Michelle Navajas for sharing this piece with her readers at Hotel. It’s a bit of an anomaly for me as I generally write poetry exclusively. Back in my younger days (prior to giving up writing for twenty years out of frustration), prose was my vehicle for expressing myself, and although none of my fictional pieces from my early years found a home at a publishing house, they still hold meaning for me. It was a thrill to actually complete a short story again after thirty-three years, and I hope this is only the beginning and that more will come. This piece is based on elements of fact, with a bit of creative license included. Thanks a bunch, Michelle, for this opportunity.

“The Graves of Saint Paul”
© 2025 by Michael L. Utley

“My mother lay in the ground at my feet beneath sun-bleached summer grass and faded plastic flowers and a headstone I hadn’t seen for nearly ten years. Her name, Victoria, clung to the gray stone above a bas-relief of pines and wild flowers and blue birds. She’d asked for a cross on her headstone—made it clear to everyone that she desired her faith to be front and center after she died—but my father, in his infinite malice and pettiness, had chosen some random wilderness picture rather than honor her wish. Just one more reason I hated him.

And now, his name sullied my mother’s headstone.

Ten years. Ten years of shame and regret. I hadn’t visited my mother since the headstone was erected shortly after her burial. For months after her death, I made excuses to avoid the trip to town, to the cemetery. At first, it was too raw, too soon. Maybe in a few weeks, a month or two, then I could do it. And then my life flipped upside-down again and I relocated out-of-state unexpectedly and that felt like a more legitimate reason, but I always intended to visit her grave like a good son should. Except…except maybe I wasn’t such a good son after all…”

You can read the rest of my story here:

Also, please consider following and subscribing to Hotel by Masticadores, where you’ll discover a world of wonderfully imaginative and profound writing.

“The Graves of Saint Paul”

“The Graves of Saint Paul”

© 2025 by Michael L. Utley

My mother lay in the ground at my feet beneath sun-bleached summer grass and faded plastic flowers and a headstone I hadn’t seen for nearly ten years. Her name, Victoria, clung to the gray stone above a bas-relief of pines and wild flowers and blue birds. She’d asked for a cross on her headstone—made it clear to everyone that she desired her faith to be front and center after she died—but my father, in his infinite malice and pettiness, had chosen some random wilderness picture rather than honor her wish. Just one more reason I hated him.

And now, his name sullied my mother’s headstone.

Ten years. Ten years of shame and regret. I hadn’t visited my mother since the headstone was erected shortly after her burial. For months after her death, I made excuses to avoid the trip to town, to the cemetery. At first, it was too raw, too soon. Maybe in a few weeks, a month or two, then I could do it. And then my life flipped upside-down again and I relocated out-of-state unexpectedly and that felt like a more legitimate reason, but I always intended to visit her grave like a good son should. Except…except maybe I wasn’t such a good son after all.

When my father died two years later, that settled the issue, and I knew I’d never be able to look at that headstone now that it was desecrated by his name.

David. Wife-beater. Monster.

And yet, here I was, standing at the foot of the grave that held my mother’s bones and my father’s ashes, the midday sun hidden behind a thick overcast sky, rivulets of sweat accumulating beneath my baseball cap and running down my back, the world almost completely silent in my deafness, the scent of grass clippings in the still air. Here they were, together again, this time for eternity. My mother could never escape my father in life, and in death he had finally ensnared her forever.

I stood there, motionless as the stones that rose from this small acreage of sorrow, my mind blank, my eyes dry (still no tears after all these years–what’s wrong with me?), and my dead heart buried in my chest. I don’t know how long I was lost in that moment—time flows differently in places of death; sometimes it doesn’t flow at all. Not knowing what else to do, I whispered, “I’m sorry, Mom…” and lowered my head. I couldn’t bear the thought of my mother witnessing my guilt-ridden face anymore.

A few moments later, I noticed an old fellow approaching, moving gingerly among rows of crosses not far from my parents’ plot. He wore dull green overalls and a sweat-stained cap, the name Pablo embroidered on the left side of his chest, grass-stained work gloves jammed in his pocket, the butt of a Marlboro between thin lips, eyes buried in a crevasse of wrinkles. He stood beside me for a long moment, studying my parents’ headstone, then glanced at me and spoke.

I motioned that I was deaf—a little finger-dance between my right ear and lips, and pulled a small tablet and pen from my pocket and mimed for him to write instead of speak. He smiled and nodded and wrote, “Your family?”

After a pause, “My parents.”

Another nod, and this time he scrawled, “Victoria is a beautiful name, amigo.”

I looked at him closely. He was old, perhaps my parents’ age (if they still lived), and I wondered why the town would allow a fellow who was obviously pushing his mid-80s to tend the cemetery.

As if reading my mind, the man wrote, “I come here every day. Tend the plots, cut a little grass, gather the broken flowers—the dead deserve better, yes?–and talk to my Maria.” He pointed a crooked finger toward a cluster of pines and crosses. His attention lingered there for a bit, then he looked at me, his expression indeterminate, as though he were in deep thought.

“Your father,” he wrote. “David. I knew him.”

A gust of wind kicked up a few plastic flowers from a nearby grave, scattering them across the walking path. The man took a drag on his cigarette and eyed me intensely, then put pen to paper.

“Yes, I knew your father. Ese malvado matón… That cruel bully…”

I felt a headache germinating inside my skull and closed my eyes. A memory—completely unbidden—flashed in my mind, startling in its vividness and urgency.

Michael.” My father calling me. I am twelve years old. My father sits on the sofa, an old photo album spread open on his lap. It is early evening, my mother cooking dinner in the kitchen, my sisters chattering at the table. Some random sitcom plays on the hulking console television, a comedy laugh track in the background. I go to my father, terrified. What have I done this time? I wonder. He is grinning. This frightens me even more. “Look here,” he says, pointing a grease-stained finger at an old black-and-white photograph. My father smells of diesel and sweat and cigarettes. I am wary of his every move. It is a school picture dated 1949. My father’s second-grade class photograph. A dozen children stand stiffly, awkwardly, at attention before a run-down one-room shack, an elderly woman with a severe expression hovering beside them. “That’s me, right there.” His dirty finger moves to a dark-haired, cowlicked boy in a soiled white t-shirt with a missing incisor on the left. On the television, a man is arguing with a woman about a dog. “Now, see this little Mexican kid here?” He points to a diminutive Latino boy huddling in a ball at the far right, a dull expression on his grainy round face. “I used to beat the hell out of that kid every day at school.” My father grins wider, shark-like, and laughs. On the television, canned applause explodes and a commercial break begins. I swallow. I stare at the small boy with tousled black hair and knee-patched trousers and striped shirt, and all I can say is, “What was his name?” And my father beams at me. “Who gives a shit?”

I began to speak, but the old man waved me off. “Ah…it was many years ago, do not worry,” he wrote. “Life is long and hard, and we learn much or we don’t learn anything. Who’s to say?”

“Pablo. Your name is Pablo…”

A nod, a flick of the pen. “Yes, little Pablo, el niño pequeño. I was small, but quick. And I survived.”

“My father tormented you, and all these years I wondered who you were, what your name was, and why.”

“Amigo,” he wrote, “sometimes there is no why. Sometimes, there are no answers. Sometimes we must endure until we can fight back or escape.” His eyes softened. “If you’re looking for logic or sense in this lifetime, you’re on a fool’s errand. Just live. Just let go and live.”

“I don’t think I can…”

The old man flipped the page over and scribbled, “Look out there at all these graves, all these lives. Years and decades and centuries, gone and forgotten. But not quite, for old Pablo remembers them, old Pablo cares for them. When we are remembered, we live, and when we are remembered fondly, we live gloriously! Your mother–” and the old man motioned toward her headstone, “she is not gone. She remains forever in your heart because you love her. And she knows this.” He looked at me firmly. “And no matter what your father has done, he will never change her love for you. Trust me on this, amigo. I am old and wise, although my Maria might disagree with the latter.” He winked.

I glanced again at my mother’s name. It looked beautiful on the headstone. I will remember you well, Mom, I said to myself. The old man penned one final note on the tablet then returned it to me, squeezed my shoulder, and headed back to his Maria beneath the pines.

Just live. Just let go and live.

..

“How Swift the Stream” published at Hotel by Masticadores

Hey, friends. I’d like to let you know my poem “How Swift the Stream” is now live at Hotel by Masticadores. Many thanks to editor Michelle Navajas for publishing this poem. It’s an honor and a delight, Michelle.

“How Swift the Stream”
© 2025 by Michael L. Utley

“as gloaming eventide stalks dying light
to ambuscade the remnants of the day
diurnal requiems give way to night
how quick the gloom
eviscerates its prey

regretful skiffs of shame contuse the dusk
as shadows skulking on earth’s wretched rind
asphyxiate its palpitating husk
how cruel the dark
and all it renders blind…”

You can read the rest of my poem here:

Also, please consider following and subscribing to Hotel by Masticadores, where you’ll discover a world of wonderfully imaginative and profound writing.

“How Swift the Stream”

“How Swift the Stream”
© 2025 by Michael L. Utley

as gloaming eventide stalks dying light
to ambuscade the remnants of the day
diurnal requiems give way to night
how quick the gloom
eviscerates its prey

regretful skiffs of shame contuse the dusk
as shadows skulking on earth’s wretched rind
asphyxiate its palpitating husk
how cruel the dark
and all it renders blind

the dreams of men have withered into dross
the fruits of hope lie rotting on the vine
of apathy and existential loss
how foul the taste
of sorrow’s bitter wine

the torrents of the years in all their guile
and surreptitious whisperings betray
compassion’s current flows but for a while
how swift the stream
and all it sweeps away

“A Summer’s Field in Winter”

“A Summer’s Field in Winter”
(c) 2022 by Michael L. Utley

let us sift through summer’s solemn ashes
let us scavenge rusted hopes from twisted
hulks of yesterdays amid the swelter
and the din of frigid silence
as crows circle

this broad swath the acreage of sorrow
garden of the gods whose feckless mewling
echoes ‘cross the eons and the seasons
crumble into dust as autumn
gives up her ghost

we were never long for this cold world, this
dispensation of abominations
sunset fell before the flax had faded
bleeding out beneath indiff’rent
constellations

paradise, oh paradise eternal
dashed upon the stones of human hubris
we the stewards dined on milk and honey
as our world descended into
oblivion

thus the world was burned and we burned with it
rendered lurking shadows in the gloaming
flesh and bone have failed us as the season
of regrets approaches; we have
earned winter’s wrath

in our dreams we’ll gather wild flowers
fetch the wicker basket for the poppies
crowns of woven larkspur shall adorn us
we will rest among oak shadows
in the clearing

and when we awaken from our slumber
and when we espy the desolation
let us sift through summer’s solemn ashes
in the winter’s frigid silence
as crows circle

(Author’s Note: This poem was originally published in Chewers & Masticadores in January 2023.)

“I’ve Come at Last to Anhedonia”

“I’ve Come at Last to Anhedonia”
(c) 2023 by Michael L. Utley

I’ve come at last to Anhedonia
that bleak and melancholy land
beyond the god-forsaken desert sand
far ‘cross the sea of memories
where sunlight fades and none has e’er returned

the forests filled with stunted things
that in the shadows furtive lurk
rise forth from mires amid the murk
of blackened loam and caustic springs

and yellowed grasses’ brittle bones
that slough and sigh in bitter breeze
a desiccated meadow’s wheeze
a mournful death-rattle intones

I’ve come at last to Anhedonia
that lightless and forbidden place
beyond the hopes and dreams and saving grace
of human ken and mortal men
where moonlight fails and none has e’er returned

the stony fields and fetid fens
and moors forever draped in gloom
the whispers of impending doom
that echo in forgotten glens

the stars too faint to pierce the night
the cloying and unsettled haze
of apathetical malaise
that dulls even the purest light

I’ve come at last to Anhedonia
that languid and indiff’rent spot
beyond the realm of clarity of thought
where logic lies and purpose dies
where heart-light ebbs and none has e’er returned

the monuments to moments past
have crumbled ‘neath the weight of years
eroded by a lifetime’s tears
no joy in life is meant to last

it’s here I’ve found a resting place
a place to numb my pains and fears
eternal nights, eternal years
eternal sorrow I embrace

I’ve come at last to Anhedonia
that silent clearing in the trees
with bittersweet nostalgia on the breeze
where I will fade like mem’ries made
so long ago, and I shall ne’er return

“Doubt”

“Doubt”

(c) 2023 by Michael L. Utley

an abandoned field
an overcast sky
a cedar post
a river stone
a random trajectory
something will shatter
in a moment
when sorrow
and regret
merge
forcefully

so many thrown stones
litter the ground
around the post
missed opportunities
bad timing
a reprieve from
consequences
too brutal
to imagine
should wood
and stone
connect

but this time

is different

my aim is true
and through
tear-blurred eyes
I find clarity at last
as the stone
strikes the post
dead-center
and there is
no longer
any doubt

“The Thing on the Ground”

“The Thing on the Ground”

(c) 2017 by Michael L. Utley

There—the thing on the ground
Some insect or other
A leg detached
Dragged off by ants

It kicks in stupid
Futile spasms
Insectoid mind buzzing in
Some alien tongue
Antennae crippled
Useless

I step closer
Hovering above
As this pedestrian drama plays
Below me

“Jump, damn you!
Save yourself,
Worthless grasshopper!”

I am strangely furious at this
Pathetic thing
This helpless thing
As it dies before my eyes

“Get up! Jump!”

I feel the sting of salt
In my eyes
The tears that have
Abandoned me for eons
Doubling the writhing thing
On the ground
Trebling it in a
Saline blur

It gazes dumbly
At the sky
The clouds
The sun
All too busy in their
Mindless journey above
To notice what’s below

Another spasm
Another kick
A pebble bounces away
Mandibles scream in
Silent rage

I close my eyes
I see her
The one I couldn’t save
The doomed, damned one
Who finally broke me in two
The crippled one too far gone
The one who dragged me to the brink
And jumped

Too late

I open my eyes

The ants have returned
The thing on the ground
Kicks languidly
Dispassionately
A shudder
A twitch

The ants swarm

“A Few Haiku (12)”

(c) 2021 by Michael L. Utley

(#67)

Regret stills haunts me
Even though my heart tells me
I did all I could

…..

(#68)

When I am in need
God responds to all my prayers
“Return to sender”

…..

(#69)

The days come and go
But sometimes inside my heart
The night never leaves

…..

(#70)

Summer sun has gone
That impostor in the sky
Only leaves me cold

…..

(#71)

Autumn’s thievery
Has left more than trees barren
Summer leaves no heir

…..

(#72)

Seasons’ edges blurred
Snow on flowers, freezing rain
I seek clarity