“Sheep Mountain & Wild Flowers”

Sheep Mountain & Wild Flowers, near Trout Lake, SW Colorado (c) Mike Utley

M10-1(S)—Sheep Mountain & Wild Flowers, near Trout Lake, SW Colorado
Sheep Mountain is located near Trout Lake, about ten miles from the small tourist town of Telluride in southwest Colorado. This image was made a couple of miles from the lake one summer evening. Due to the contrast in lighting between the sunlit mountain and the open shade of the meadow and distant forest, a soft-edged two-stop graduated neutral density filter was used to balance the exposure of the scene. This image was made before digital photography became mainstream, so all technical effects had to be made in-camera at the time of exposure without having any way to review the final image until the slides arrived in the mail later. Digital photography makes exposure-balancing effects such as this much easier with post-processing tools such as HDR (High Dynamic Range), which can balance the lighting in a scene by combining multiple exposures of the same subject. When this image was made in 1995, photographers had to know how to do all the tricks in-camera before pressing the shutter button. (Canon gear, Fuji Velvia ISO 50)

“A Few Haiku (31)”

(c) 2022 by Michael L. Utley

(#181)

three chickadees…
winter’s ellipsis as earth
pauses in thought

…..

(#182)

winter cattails
frozen tiki torches glow
in silver moon-fire

…..

(#183)

in night’s cold silence
old snow-laden branch succumbs
too many winters

…..

(#184)

warmth and light and love
all the world’s hope resides
in my glowing hearth

…..

(#185)

messenger moon
conveys hope to my lost love
through the years and tears

…..

(#186)

light in the darkness
dawn of hope or setting sun
I cannot decide

“Thus the Evening’s Stillness Deepens”

“Thus the Evening’s Stillness Deepens”
(c) 2022 by Michael L. Utley

I don’t want to break the peaceful
stillness of this winter evening
as the gloaming deepens and the
shadows freeze upon the hills

I don’t want to leave my footprints
on the pristine frozen fields
where the haggard cornstalks gather
contemplating harvests past

I don’t want to burden forests
slumbering in hiemal stasis
dreaming of the coming springtime
and the warmth of summer sun

so I’ll tell the moon my secrets
shed my tears in silent prayers
rest my head on silver shoulders
close my eyes and bare my soul

there’s so much to say this evening
as I wait in darkling meadow
for the object of my fondness
as she peeks between the trees

she has never kept me waiting
she has never left me wanting
she has never sent me reeling
in the throes of winter’s woes

I can hear her humming softly
as the stars begin to sing in
perfect cosmic harmony an
airy astral aria

gathering her scarf and mantle
she ascends as alpenglow paints
roseate blush on pale cheekbones
crimson tincture on her lips

as she rises I stand helpless
in this chilly empty clearing
I am powerless against her
I surrender to her glow

there’s a kindness in her visage
as she turns her gaze upon me
there’s compassion as she wraps me
in her shimmering embrace

thus the evening’s stillness deepens
thus the frozen fields glimmer
thus the forests drift in slumber
thus my damaged soul renewed

“Spruce Cone & False Hellebore”

Spruce Cone & False Hellebore, Taylor Mesa, SW Colorado (c) Mike Utley

F64-1(S)–Spruce Cone & False Hellebore, Taylor Mesa, SW Colorado
A cluster of false hellebore was growing beneath a tall spruce and this cone was nestled within the folds of this particular plant. This was a “found image”–the spruce cone wasn’t placed there by me but arrived there of its own accord, via gravity. I liked how the lines, curves and soft color palette of the false hellebore contrasted with the rough texture of the cone, as well as how the plant seemed to gently and protectively cradle the lone cone. (Canon gear, Fuji Velvia ISO 50)

“Cascades on Weeping Wall”

Cascades on Weeping Wall, Glacier National Park, Montana (c) Mike Utley

NP34-2(S)—Cascades on Weeping Wall, Glacier National Park, Montana
This weeping wall of cascading falls stands along Going to the Sun Road in Glacier National Park, Montana. A slow shutter speed rendered the water as silky gossamer threads against the black rocks. (Canon gear, Fuji Velvia ISO 50)

“Sandstone Pillars & La Sal Mountains”

Sandstone Pillars & La Sal Mountains., Arches National Park, SE Utah (c) Mike Utley

NP25-1(S)—Sandstone Pillars & La Sal Mountains, Arches National Park, SE Utah.
Arches National Park is famous for its many natural arches (more than 2,000 of them, making it the world’s most dense concentration of natural stone arches), but it also contains an abundance of monoliths like those shown in this image. I liked the juxtaposition of the orange desert rocks against the snowy La Sal Mountains and deep blue sky. Arches National Park is a perfect location for stunning natural beauty and contemplative landscapes. (Canon gear, Fuji Velvia ISO 50)

“A Tanka Trio (11)”

(c) 2022 by Michael L. Utley

(#31)

my exhausted faith
flows just as the drift ice flows
breaks and melts away
heaven’s reflection blurring
in the sea’s saltwater tears

…..

(#32)

I catch the water
dripping from the icicles
in a mason jar
as a gentle reminder
that I do not weep alone

…..

(#33)

moon paints snow angels
on forgotten midnight fields
only clouds can see
sleeping souls oblivious
to shy winter’s artistry

“January’s Scion”

“January’s Scion”
(c) 2022 by Michael L. Utley

January’s scion, born of winter
messenger of midnight’s dark domain
harbinger of fearful futures
herald of the past’s persistence
bearer of remembrances of
what shall surely be

I’ve succumbed to January’s Janus
peering ever forward and behind
frozen firmly on the threshold
of what was and what may soon be
doomed to bear the weight of all things
for eternity

there are reasons January haunts me
memories unmeltable come spring
anguished glacial recollections
nurse at doleful mountain’s bosom
hiemal tempest screams its sinful
arctic lullaby

blizzards pummel me across the decades
breath sucked from my lungs I cannot scream
woeful winters resurrected
stain the present, tinge the future
I cannot let go, my tired
mind encased in ice

mountain path from past to future voided
bone-white drifts of January’s wrath
stalk the trail in hulking silence
passage is impossible here
miles of dead denuded forest
bar my way ahead

I can’t scry the future in the darkness
terrifying in obscurity
thrumming rumbling shakes the earth as
cloying caustic vapors fester
sulfur-scented volcanism
lies ahead for me

close my eyes and I can see the carnage
close my ears and I can hear the cries
spewing peaks of raining cinders
fire-bomb the desolation
I can sense the future tremble
in uncertainty

memories entombed in frigid white flakes
worries of the future caked with ash
undead past alive and raging
unseen future salivating
waiting restlessly for me as
time moves ever on

“Sheep Mountain & Beaver Pond”

Sheep Mt. & Beaver Pond, near Trout Lake, SW Colorado (c) Mike Utley

M32-1(S)—Sheep Mt. & Beaver Pond, near Trout Lake, SW Colorado
Trout Lake is located near the small town of Telluride in southwest Colorado and is among my favorite places on the planet. This image was made a couple of miles from the lake. The stark contrast between the black water of the beaver pond and the brightly lit snow stretched the exposure limits of the slide film I used, resulting in some blown-out cloud details. Despite this, I like the image. I’m not a winter person by any stretch of the imagination, so I have few winter scenes. This image has the feel of a black-and-white photograph, and the cloud-shaded mountain in the distance adds a brooding, melancholy tone. (Canon gear, Fuji Velvia ISO 50)

“Rocky Mountain Columbine”

Rocky Mt. Columbine, Taylor Mesa, SW Colorado (c) Mike Utley

F38-1(S)–Rocky Mt. Columbine, Taylor Mesa, SW Colorado
This is my favorite flower. It grows up in the mountains where it’s cooler and shady. In the summers you can find meadows covered with columbine of various colors, including variations of purple, yellow and even red. This columbine was found growing beneath the lower branches of a dying conifer, whose brown needles serve to magnify the brilliant purple, white, yellow and green of the flower. (Canon gear, Fuji Velvia ISO 50)