“Ripples”

“Ripples”
(c) 2017 by Michael L. Utley

There are no ripples
On this frozen pond
The puk-puk-puk of
The pebble
Skittering on iced skin
Dampened by
Frost-thick air
Breath caught short
In lung-numbed gasps
Silent words
Suspended
In wintry sighs
Eyes pools of
Frigid tear-prisms
Bitter empty gelid rainbows
Where are you

You missed our flight to Tokyo
The cherry blossoms whispered your name
As Fuji, incurious and remote
Gazed white-helmed
At my solitary shadow
My empty hand
Holding more of you
Than my heart could bear
We did not walk
Beneath flicker-flamed
Paper lanterns
On blood-red bridges
Spanning koi ponds
Under the spring moon
The rising sun
Sought to kiss your cheek
But was denied
As I was denied

You missed auroras
Over Iceland
The Arctic colder
In your absence
The night sky draped
In shimmering iridescent
Thought
The emerald musings of some distant god
Snagged in dark desolation
My own thoughts of you
Caught in my own
Desolation

You missed the candent sands
Of Morocco
Capricious zephyrs
Erasing my footprints
In a desert bereft of
Your footprints
We did not dance
In the summer swelter
Beneath date palms
And stars that sought
To light your way
But failed
Your body absent
In my arms
The scent of your hair
A distant memory which
Hot breezes scatter
In the night

You missed our train
To the Rockies
Where larkspur and columbine
Awaited you with open arms
And later mourned in silence
My singular form without you
By my side
We did not hold hands in
Flower-burst mountain meadows
Azure lakes reflected only
My lone countenance
As conifers murmured
Demurely in cool breezes
Wondering if you
Would ever arrive

You missed our drive
Through New England hills
Autumn maple and hemlock
A conflagration burning for you
Yearning for you
The birches and beeches smoldering
In my heart
Red-orange-gold leaves
Suiciding in silent sadness
Loneliness wearing my face
Stalks these woods
You are nowhere to be found

You missed my arrival
In Singapore
The airport a swarm
Of faces
A blur of oceanic humanity
As I searched for one safe harbor
One stormless island
In this storm of chaos
Your face
A lighthouse to guide me home
Your beacon never appearing
No fog horn guiding me safely
Through treacherous surf
Your bottomless brown eyes
Nowhere
Your smile cut roughly from this mural
Missing
A ragged hole where you should be
In my life

Perhaps you were a
Phantom
All along

Puk-puk-puk
No ripples on this frozen pond
Not enough pebbles remain
To last until springtime thaw
One ripple is all I ask
One ripple to finally reach you
I’ll save a pebble
Just in case

“In Time to Come”

“In Time to Come”
(c) 2017 by Michael L. Utley

She had that look about her again
Eyes like chips of coruscating amber
Caught in the westering sun
Her over-there gaze snagged
On some distant memory
Like thorn-caught thread
Hands prim and pale
In her denim lap
Amid foxtails and dandelions
And oak shadows

Things move too fast
When they move too slowly
The heat that summer was unbearable
A bludgeon wielded by a chrome sky
Its merciless swath pounding
Everyone everything into submission
We were not spared

I could reach toward her forever
And never touch her
I’ll tell you in time to come, she’d say
Her tired smile dying before
It reached her eyes
Time to come never coming
Never time enough
Time running out

Let’s sit and enjoy the shade, she’d say
The sun slipping languidly
Into oblivion
Her face haloed
In a warm orange aura
My ephemeral love
Ensconced in flames
Flickering
Flickering

Broken pieces of her
Litter the oak-shadowed grass
One touch and she’d shatter
One embrace and she’d be
All over the place
Delicate balance was
The ruse of muses who
Knew nothing of reality
Who knew nothing of
Love and sickness
And the terrible nectar
Of the tainted honeysuckle

Even the birds are quiet

There is no darkness
As black as love
No pit as plumbless
As that filled with regret
Her brown eyes
Smiling and weeping at once
Succumbing to demons
Unknown to me
So much of her slate blank
Her portrait only half-finished
Before the paint dried out
And the canvas rent asunder

Broken pieces of her
Litter the oak-shadowed grass
I used to collect them
Their razor edges
Slicing my hands bloody
Only a few remain
Among the foxtails and dandelions
Her voice only an echo now
I’ll tell you in time to come

“The Farm”

“The Farm’
© 2021 by Michael L. Utley

Nighthawks scream
With evening’s descent
They know the truth
Black god’s-eyes
See everything
From salmon-hued
Heaven
As wings fold
Bird-bombs dive
Preying on the
Prayerless
Powerless
Oblivious
Strident-throated
Shrieks
A mindless alien-avian
Warning
Turn back
There is no hope here

Across the fallow field
Elk bugle mournfully in
Twilight cacophony
A hundred dim smudges
Herding in
Paranoid precision
Against the dusty dun of
Evening’s solemn soliloquy
Scatter
Coagulate
Statue-still
Amidst dusk ground-mist
Trumpet-cries betray blind fear
A prose of unearthly moans
As pinyon-sage-scented breeze
Lifts this omen skyward
Turn back
There is no hope here

Dead-yellow foxtails
And cheatgrass
Bend
Break
As I pass
A sickly meadow of
Thin-boned weeds
And cloying sage
Crackling underfoot as
Stickers pin-cushion
Socks and shoelaces
Ground beetles
And spiders flee
Stupidly
Languidly
Dissolve into
Cracked earth
Disappear
Each footstep
Dust-choke-inducing
The shrill trill of crickets
Distant
Distracted
Dispassionate
They know, too
Turn back, they sing
There is no hope here

A skeleton crew of
Haggard, stunted trees
Stands sentinel
Against the coming darkness
Pinyons felled by
Insidious Ips beetles
Squat
Naked
Bony
Sap-dried cones
Long dead
Among carpets of
Desiccated yellowed needles and
Sparrow-emptied pine nut shells
Tinder awaiting a wildfire
Fragrant junipers stand
Amidst dead-berry piles in
Shaggy bark-suits
Peeling like scorched dusty
Sun-burnt skin
Swarming with black ants
Pungent piss-scent
Overwhelming as
Paper-bark crawls
In the shadows
The subliminal hiss of an
Errant breeze
Wheezes dark portents
Among barkless boughs
Turn back
There is no hope here

Muffled yips and
Strangled howls
Ride chilly currents from
Far obscure fields
As coyotes practice
Weird secret sorcery
In the gloaming
The cries of the damned
Of pain
Of madness
Of red-eyed tricksters
In shadow-garb
Preparing for midnight hunts
And the tearing of flesh
Yellow grins reeking of
Fear and dead meat
Champ and drool as
Festivities draw near
Their primal chaos-chorus
Announcing to all
Turn back
There is no hope here

In hushed
Sepulchral silence
Muted coos of
Mourning doves
Float softly in
Penitential pleas
Stillness magnifying
Lilting lamentation
Grief too much to bear
Their sorrow-song
An ache that
Never ends
Unmendable
Rends hearts
Cleaves souls
Tears flow
Unknowingly
Purity and
Sadness
Immeasurable loss
A calming balm
Inadequate to heal
All that ails
Ineffectual against
Forces of fear
Reduced to a
Whispered admonition
Turn back
There is no hope here

The broken garden gate
Aslant on rusted hinges
Unleveling the horizon
Of faded, ephemeral corn stalks
And rotting squash-husks
A tangle of ancient weeds
And briar bushes
Encases this bleak place
Age-drained of all
Color and scent
Poisonous soil
Long since emptied of life
Only dead things grow here
Rows of sorrow
Trellises of despair
A forlorn bounty of
Loss and regret
A stilled silence
Proclaiming
Turn back
There is no hope here

The house
A gray thing
Hunched against
The gloom of
Bruise-tinted sky
Like some
Feral beast
Skull-socket eyes
Peer
Blackly
Blindly
Balefully
Through diseased elms
As cement tongue lolls
Cracked and pitted
From front door
To yard gate
Lawn only a distant memory
Weed-choked
Littered with
Shattered window glass
And random roof shingles

Silence

Stillness

It’s been years
Since I was here
Since I fled
Since that day
The monster was real then
The fear was real
And it’s been with me
All the while

Concrete dust crunches
Bone-like underfoot
I reach the front door
Push through a
Latticework of spider-silk
Filled with memories
So many memories
Dust and the scent of
Ancient mildew
Rotting wood
Hang in mote-filled air
It’s smaller now
Empty
Hollow
Ceiling plaster
Coats rotting carpet
In a patina of snow
Water-stained drywall
Bent and bulging
My room is there
Dark and cobwebby
Kitchen
Sisters’ bedroom
Parents’ room
Bathroom
Everything accounted for
Except the monster

There is no hope here
Dead monsters leave
Memory echoes
Down the years
A legacy of pain and fear
And while there is
No monster here
Neither is there reason
For rejoicing
This place is dead
Just like my father
The monster
Nothing will ever be
As it was
So much lost
Still more buried in
Dark locked crates
In my mind
I look around
One final time
Then make my way
Out the door
And into the night

It’s time to leave
The farm behind

“The Apple Tree”

“The Apple Tree”
© 2013 by Michael L. Utley

The apple tree
Behind the house
Has long ago
Stopped bearing fruit

It stands alone
In sickness bold
Half its branches
Dead or dying

Leaves the hue
Of summers past
Defy the sun
The pouring rain

Bound there in
White-knuckled grip
On mournful twigs
On listless boughs

As autumn fades
The leaves succumb
Each one a
Small gold suicide

Each gilded drop
A dying spark
A universe now
Mute in death

No one knows
This apple tree
Behind the house
A secret world

Where eons pass
And ages fade
Unknown to all
Except to me

And chilly sun
And hurried cloud
And thoughtless bird
And bitter breeze

The pristine snow
Has covered all
A silent shroud
Has fallen here

An icy dirge
A funeral pall
As winter metes
A healing balm

In sanguine hope
That springtime sun
Will summon forth
The apple tree

But even so
It saddens me
This futile thing
This apple tree

That cannot see
It matters not
If life abounds
When living hurts

To live alone
Infirm and weak
While bony fingers
Seek the sky

And wretched leaves
In breezes weep
And shattered dreams
Litter the ground

In autumn piles
Of yellow dross
That go unseen
And fade away

“The Thing on the Corner”

“The Thing on the Corner”
© 2013 by Michael L. Utley

The thing on the corner
That squalid revenant
That only I could see
As my daily peregrination
Took me through the city
Past vulgar monuments
To capitalism and greed
Through roiling seas of
Soulless apathetic drones
The mindless rhythm of
Humanity
The ebb and flow of futility

The thing on the corner
That filthy phantom
That caught my eye
And no one else’s
A sort of uncanny gravity
About him
That caused my pace to slacken
As if I were being lured into
Some kind of anomalous orbit
Around this peculiar specter
Just a tug and then I was free
To continue along my way
In my daylight world of
Noise and glare and stench

The thing on the corner
That wretched eidolon
That haunted my dreams
That stood in judgment of
All who passed before him
On this unremarkable corner
In this forgotten city of despair
The bastard kin of
Minos, Aeacus and Rhadamanthus
His throne a decrepit cardboard box
His shroud a blanket that reeked of
Age and disease
His crown a greasy scarecrow of gray hair

The thing on the corner
That defiled shade
That I can barely see as
I approach him
He is a mirage
A flicker and a shimmer
I squint my eyes as I stand before him
There is static, a signal dying
Over the expanse of eternity
An imperceptible howl from
Another universe
I reach out a tentative hand
And touch him
For an instant he is there before me
Vital and filled with the
Energy of supernovas
His eyes are alive and
Radiate truth the brightness
Of a hundred suns
He is real
He does not speak but
Only looks at me
For a moment
For a lifetime
Then turns away
And fades to
Nothingness

And the oblivious masses mill
Through the city streets like cattle
To the slaughter
And the city sighs
As anesthetic night descends

“That Road Don’t Go Nowhere”

“That Road Don’t Go Nowhere”
© 2013 by Michael L. Utley

That road don’t go nowhere mister

Raspy sigh of too many cigarettes
Grease-blackened claw points in the general direction of
Eternity
Stench of gasoline and sweat
Indecipherable name emblazoned on
Filthy coveralls
Gas pump chugs and stutters
Connected to my car by an umbilical cord of
Ancient dinosaurs
His eyes lost in pools of wrinkles and regrets
As my eyes follow his finger
Nothing but rock and sand and the howls of
The lost
In this desolation

Road and horizon merge in a
Fitful seizure of mirage
The heat a coda to all things here
Dull and dusty sage and creosote bushes
A wretched effigy of life
In this hardscrabble wasteland
Not real
Not real at all
Nothing lives here
Nothing can live here
Nothing at all

That road don’t go nowhere mister

In the distance
A phantom zephyr on the highway
A sinuous dust devil
Snakes from earth to chrome-hued sky
This eldritch thing
It dances and writhes and bespeaks of
Ancient knowledge
An augur of blind terror
In the breakdown lane
Of this faded ribbon of
Cracked and sticky asphalt

It can’t get me here
My mind whispers
Here in this run-down
LAST GAS FOR 255 MILES sanctuary
This final outpost of sanity
Sun-bleached boards and
Rusted gas pumps
Stand sentinel against
What lies beyond
Against what should not be
But is anyway

That road don’t go nowhere mister

The gas pump rattles to a stop
His trembling hands disconnect the hose
In post-coital silence
Hi-test fumes cloying in the
Furnace heat
The old man takes my money

The world has stopped on it axis
The day is perfectly still
There is no sound
There is only the sterile heat
Of the desert
And the blackness of what is to come

He grabs my shoulder through the car window
His ancient hand a talon digging deep
His pleading eyes rheumy and weeping
He swallows
His Adam’s apple bouncing in his
Grimy neck

That road don’t go nowhere mister

There is lunacy in his weeping eyes
And there is truth
And I smile at him
And something passes between
The two of us
A last vestige of humanity
Before the coming storm
I glance in my rear-view mirror
There is nothing behind me
There is everything behind me
There is no going back

I swallow a knot of panic
I look at the man
This road doesn’t go anywhere
I say
But it’s the only road there is

And I pull away from the station
The old man a scarecrow in the mirror
Arms akimbo
Sweat-stained cap askew on his head
And then he is gone
Devoured by the nothingness behind me

I am alone on the road

There is no going back

“Air/Water/Air”

“Air/Water/Air”
© 2012 by Michael L. Utley
 
There is no air
Down there
Down in the dark
Where I choke
On my life
Nature abhors
A vacuum
But rage
Thrives
Therein
 
Emptied
Gutted
A carcass
Rotting
Under a red
Alien sun
Gasping a mere
Reflex
I am a fish
Cast upon the shore
Drowning on nothing
Dried eyes
Blind
Bulging
I see nothing
So nothing exists
The calm susurrus of the waves
Is the great deception
I cannot reach
The water
I am not fit for the
Fisherman’s net
The cry of the gull
The sigh of sea grass in the breeze
The languid flap of my tail
The hard hot stones of the beach
The stench of all things
The sea
 
I try to scream
But there is no
Air

“Night Thoughts”

“Night Thoughts”
© 2012 by Michael L. Utley
 
I vomit out myself again each night
When lights go out and tired thoughts awake
To find that darkened mere from which to slake
Their thirst for dark dominion.  In the bright
And sane pedantic musings of the light
Where every thought, word, deed presumes to take
On tones of gilded gravity, I stake
My soul against the coming evening’s fight.
 
The day is done; I’m with my thoughts, alone
And sleep cannot—will not—this night prevail.
My mind, a dynamo, begins to race
And images appear as if they’ve grown
In some dark, dank and fetid fen.  I quail
As my true self confronts me, face to face.
 
I see myself most clearly in the dark
When eyes stare listlessly into the gloom
Of my unlighted silent little room
And clarity has never missed its mark.
The diff’rence between day and night is stark,
Where shadows rob the flower of its bloom
And night-noise bespeaks harbingers of doom
Who from abyssal shores will soon embark.
 
There is no madness here; there is a shift
Of light to darkness only, but in fine
It colors every thought a darker hue
And ushers in a sort of seismic rift
That sullies every fruit on every vine
And every thought and every feeling, too.
 
The day’s lucidity reduced to lies,
I gaze at the abyss and there I see
On some far distant shore another me
Whose own lucidity is in demise.
The shadows—living things amid the cries
And cruel cacophony of things that flee
The light—surround me as if to decree
To all assembled, “This is where hope dies.
 
“What’s done in daylight holds no power here.
We’ll strip the varnish from your petty dreams
And rid you of your sanity anon.
For daylight is a poor façade for fear
And reason ineffectual when screams
Will render moot the light you count upon.”
 
And once again, like every other night
The battle lines are drawn upon the sands
Of sleep not yet attained, and on these lands
Depression pits the dark against the light.
And once again, like every other fight
I fall upon the ground, the shadows’ hands
Upon my throat in icy burning bands,
All thoughts of hope now fading out of sight.
 
And then from distant shores of the abyss
Across the chasm, lilting in the dark
A plaintive, calming voice, a gentle weep
Touches my mind, my soul, as if a kiss
Were sent to me upon a winging lark:
“Seek sleep,” it says to me, “let go, seek sleep.”
 
And I give in and in surrendering
I leave behind the darkness and the din
Of shadowlands where battles rage therein
And naught is won or lost.  And that’s the thing
That catches in my mind just like the ring
Of distant bells, discordant in their thin
Attempt to quell the heart surfeit of sin
In any man whose sleep the night won’t bring.
 
And leaves unanswered still my current plight:
Is truth found in the darkness or the light?

“The Darker Side of Hearing Loss”

My grampa as a young man

……….

Recently, I read of a study by Johns Hopkins University concerning the relationship between hearing loss and dementia. According to the study, people with mild hearing loss were twice as likely to experience dementia, those with a moderate loss were three times as inclined, and those with severe hearing loss were five times more prone to develop cognitive issues that fall under the umbrella of dementia. Contributing factors include accelerated atrophy of brain tissue caused by hearing loss as well as the profoundly negative effects of social isolation many deaf people face.

I was vaguely aware of this, having read something about it in the past, but I was not prepared for the statistics this study presented. So, of course, my overly analytical mind seized onto this like a Chihuahua with a squeaky toy and wouldn’t let go. You see, dementia is one of my greatest fears, and I have the dubious honor of hitting the Dementia Trifecta: I have severe hearing loss, major depression and severe chronic insomnia, all three of which are precursors to some form of dementia. Add to this the fact that dementia runs on both sides of my family and you have a nightmare scenario in the making.

I’ve battled major depression for as long as I can remember, dating back to early childhood. Much of this originated due to the severely dysfunctional family in which I was raised. My depression has been, for the most part, resistant to treatment. There’s a brain chemistry component involved, of course, but I’ve never found an anti-depressant that actually did anything to lessen the effects of my depression. Talk therapy helps to a degree, but at one hour every two weeks, it’s not something that has a lot of carry-over during the interim between sessions. PTSD has an effect on my depression as well, and has contributed to the futility I’ve experienced with regards to my inability to make any significant progress in treating my depression. EMDR therapy caused a disturbing negative reaction which left me experiencing several strange physical symptoms, some of which are still present as of this writing.

My sleep disorder has been traced back to one particular incident involving domestic violence when I was eleven years old. It forced me to become hyper-vigilant at an early age and I ended up “training” myself to stay awake until my father went to bed and was asleep. Only then could I know my mother was safe, and only then could I allow myself to try to sleep. However, years of this hyper-vigilance produced insomnia so intense and pervasive that I still suffer from it decades later. Nothing—absolutely nothing—has ever put a dent in my insomnia, and after years of therapy and every treatment method I could find, I finally surrendered to it and accepted that it was not going to go away. And it hasn’t. And its effect on my life is profound.

Of course, the reason I began this blog is because I’m deaf. Hearing loss has such an over-arching impact on one’s life. Those of you reading this who are deaf will understand; those of you who are not cannot understand unless you have a close family member or friend who experiences deafness. Even then, it’s not quite the same as being deaf, but it does offer a uniquely intimate window into the deaf experience.

Deafness is all-encompassing. Everything is affected by it to one degree or another. Everyone knows, for example, that a deaf person has difficulty or a complete inability to enjoy music, but how many hearing people know that hearing loss can affect the way a deaf person walks? Or that it is a possible precursor to the horror of dementia? How many hearing people know that deafness-induced social isolation can lead to issues such as poor eating, addiction, failing physical health due to lack of exercise and self-care, depression, and even heart disease? There’s much more going on here, much more at stake for those who are deaf, than meets the eye (or the ear, as it were).

In my own unique case, there appears to be a nasty synergy occurring among my Big Three Issues: deafness, depression and insomnia. When one gets worse, the others follow suit, thus creating the proverbial “vicious cycle,” and can lead to a snowball effect. When I can’t sleep, my depression worsens, which affects my sleep to a greater degree, which causes my depression to plummet even more, which causes my hearing to suffer from both fatigue and an inability to concentrate deeply enough to lip-read. Also, when I’m lacking sleep, my ears ring much more loudly and incessantly and it actually feels as though my inner ears are feverish. When my remaining hearing suffers like this, it makes my depression worse, and it becomes a situation where it feels as though I’m spiraling downward, caught in some uncanny and surreal maelstrom. When this occurs, the only remedy is sleep, and lots of it. Which, of course, is difficult for me to attain.

What does this have to do with dementia? And am I guaranteed to slip into the darkness of that terrible state of being? I suppose I should explain why this concerns me so much.

My grandmother on my father’s side developed dementia in her ’80s. One of my father’s older sisters followed suit and became so violent that she actually would shoot at people. My father eventually fell into that very same black hole, which ultimately led him to take his own life at age 76. During one of my last interactions with him, in 2015, he was in a paranoid rage, completely out of his mind, and he punched me and threatened to shoot me. I had to file a police report for physical assault. He lied to the police about what happened and they couldn’t charge him because there were no other witnesses. I saw him only twice shortly after that. By the time he killed himself, he was completely in the throes of dementia.

But that’s not really why I’m so concerned. The main reason for my fears of falling prey to this insidious disease has to do with my grandfather on my mother’s side.

I recently posted a trilogy of poems I penned about my grampa, alluding to his descent into dementia. I wrote these pieces out of feelings of both sadness and guilt. Sadness because of never getting to know him as well as I would have liked, and guilt for not being able to force myself to visit him in the nursing home after a series of strokes decimated him and then the indignity of Alzheimer’s Disease settled over him like a filthy cloak, forever obliterating what was left of my grampa.

He was in the hospital after one of his early strokes. My mom, my two sisters and I went to town to visit him. There he was, my big Viking grampa (half-Danish, half-Norwegian), broad shoulders and even broader ever-present grin, sitting on the edge of his hospital bed. He looked normal, seemed happy, appeared fully lucid. My mom was chatting with him and he was smiling as always…and there it was…a facial tic on his right cheek. He didn’t notice it. He continued smiling as my mom talked, and the tic continued for several moments, worsening, twisting my grandfather’s face into something almost obscene. He couldn’t tell what was happening to him, he just sat there on the bed, twitching. I felt the blood leave my head and everything became quiet and I felt my gorge begin to rise and I turned and fled the hospital and ran out to the car, horrified at what I’d just seen. Was that my grandfather in there? Was it really him? It couldn’t have been. The man I’d known all my life could never look like that man I’d seen sitting on the edge of the hospital bed with his face twitching.

It took several minutes for my stomach to settle. Later, my mom and sisters came out to the car and we left for the farm. And that was the last time I ever saw my grampa alive.

Something had broken inside me. I wasn’t sure what it was. Perhaps a good chunk of my innocence had been shattered beyond repair. Whatever it was, I couldn’t bring myself to visit my grampa after that. Every time my mom would drive to town to see him, either in the hospital, or later in the nursing home, I stayed home. I just. Couldn’t. Do. It. The mental image of my grandfather sitting in that hospital room twitching was burned into my mind and all I could do was try to bury it. So, I went to work doing just that, grabbing my shovel and piling tons of guilt on top of it until I was numb. I mean, that wasn’t my grandfather. Not anymore. My grandfather was the guy who always wore bib-overalls and smelled of coffee and cigarettes. My grandfather was the guy who played the accordion and sang Norwegian songs to us, his big grin so expressive and his blue eyes twinkling. He was the guy whose idea of a cup of coffee was about an inch of coffee and the rest a mixture of honey and condensed milk (so sweet you couldn’t even taste the coffee). He was the guy who talked about fishing all the time and made homemade sinkers in his work shed where he also kept his fishing worm farm. He was the guy who taught me to drive in his old black 1949 Dodge truck, double-pump clutch and all. He was the guy who always had a prank to pull, a laugh to bellow, a grin to share. He was the best guy who ever lived. No, that man in the hospital—and later in the nursing home—was not my grandfather. He was an imposter, some thief who had stolen my grampa’s body for his own and had twisted it out of shape and scared the living daylights out of his teenaged grandson.

My grampa died when I was 21. That was the first time I saw him since that horrible day in the hospital years before. He looked peaceful in his casket. He’d lost a lot of weight and was gaunt, but that was him, that was my grampa. That eldritch imposter had finally returned my grandfather’s body to its rightful owner, and we were burying him. It was hard to look at him, but I did. I had to make sure.

I carried around this guilt for years. I loved my grampa dearly, but I had betrayed him. I had left him when he was the most vulnerable, and I hated myself for it. But what could I do? He was gone now and there was no way to tearfully apologize to him for having abandoned him. Toward the very end, he didn’t recognize anyone, so if I’d gone to see him he wouldn’t have known who I was anyway, I told myself in an attempt to quiet that guilt. But guilt is a funny thing. When it gets to yammering, nothing will shut it up.

Well, almost nothing.

In 2012, after having experienced a 20-year fallow period in my writing, I suddenly sat down one night at my computer and began writing again. Poetry this time, unlike in the past when I’d focused on short fiction, back when I was actively submitting my work to publishers and racking up rejection slips. That night was apparently the night my long-absent muse shat on me. For the next month or so, I wrote poetry, piece after piece, and among those pieces were three poems about my grandfather. It was time. Time to deal with years of guilt with regards to the Greatest Grampa Who Ever Lived. The words flowed like tears I’d long-needed to cry but never had been able to. I realized I’d finally found a way to deal with the guilt I’d carried for so long. It hurt, but I was able to honor my grandfather in writing, and it helped more than I could ever have imagined. I recall reading those three poems with my vision blurred with tears from all the memories they evoked. I remembered my old Super-8 film of my grampa smiling and talking to me—silent film, all five seconds of it—and it struck me that he was still there and always would be, no matter where I was or what I was experiencing in my life. All I had to do is close my eyes and remember.

Dementia took my grandfather away. The world is a lesser place without him. And if dementia could fell my grampa, it could take down anyone, including me. And so I worry. I worry that I may suffer the same fate as my grandfather, a fate no one should have to endure, a fate that robbed him of his very essence and robbed the rest of us of the most wonderful man imaginable.

I understand that it’s not a done deal. There’s no guarantee it will happen to me. It skipped my mom, who was lucid and still herself until the end at age 75. But I keep my eyes open for any early signs just in case. I know mine isn’t the only family that has battled this monster. My love goes out to of all those who have gone through this. It’s painful, and the guilt can be crushing, but we will remember those loved ones as they were, and we can honor them in our own unique ways.

“Heroic”

“Heroic”
© 2013 by Michael L. Utley

The kid was too young
This distant uncanny boy
Face absconded
Into the murky depths of his
Drenched and threadbare
Crimson hoodie
Eyes mere pinpricks
Of sentience in the shadows
Where his face should be
On this pouring midnight
Sidewalk where even the rain seemed
Exhausted in the scornful cones
Of streetlamp illumination
And unseen clouds sighed above
Too tired for the bluster and pretense
Of thunder
And he sat there in this mess of a night
On a bench where no bus would ever stop
For anyone at anytime for any reason
Staring into the distance at both
Something and nothing at once
Moveless save for an occasional shiver
Waiting for someone or something
Or perhaps nothing at all

His shoes were soaking wet
Those black hi-tops iridescent
From rain and gutter filth
His dark spidery fingers
Loomed together in some
Cryptic pattern on his lap
Where rainwater pooled and eddied before
Dispersing first through his skinny legs
Then between the filthy slats of the bench
To merge with the noisy gutter rill
And then with the sewage below
And then the poisonous river
And then the darkness of the ocean
Of some other universe

And I passed him in the rain
Of that eternal night as I made
My own way into my own darkness
And I thought of some worried mother
Sitting at some rickety kitchen table
Bathed in the sickly yellow glow of a naked
Tungsten bulb
Haunted eyes fixed somewhere
Beyond the weeping window panes
Hands wringing in some unconscious
Talismanic effort of projected protection
For some lost child some prodigal son
Out there alone in the rain
And I couldn’t decide if she was
The boy’s mother
Or my own

And then my blackness
Was interrupted by a voice
Behind me
Not that of a man
Yet not that of a child
And I stopped and turned
And the kid was there
And in his outstretched hands
He held a soaked and faded
Red hoodie and a pair of
Sopping black hi-tops
And his eyes were calm
And his face shone in the rain
And he didn’t say a word
He just pointed at my own
Bare feet and my freezing body
And then he was gone
His own bare footprints
Lingering momentarily on the sidewalk
Before the rain took them away