There are no ripples On this frozen pond The puk-puk-puk of The pebble Skittering on iced skin Dampened by Frost-thick air Breath caught short In lung-numbed gasps Silent words Suspended In wintry sighs Eyes pools of Frigid tear-prisms Bitter empty gelid rainbows Where are you
You missed our flight to Tokyo The cherry blossoms whispered your name As Fuji, incurious and remote Gazed white-helmed At my solitary shadow My empty hand Holding more of you Than my heart could bear We did not walk Beneath flicker-flamed Paper lanterns On blood-red bridges Spanning koi ponds Under the spring moon The rising sun Sought to kiss your cheek But was denied As I was denied
You missed auroras Over Iceland The Arctic colder In your absence The night sky draped In shimmering iridescent Thought The emerald musings of some distant god Snagged in dark desolation My own thoughts of you Caught in my own Desolation
You missed the candent sands Of Morocco Capricious zephyrs Erasing my footprints In a desert bereft of Your footprints We did not dance In the summer swelter Beneath date palms And stars that sought To light your way But failed Your body absent In my arms The scent of your hair A distant memory which Hot breezes scatter In the night
You missed our train To the Rockies Where larkspur and columbine Awaited you with open arms And later mourned in silence My singular form without you By my side We did not hold hands in Flower-burst mountain meadows Azure lakes reflected only My lone countenance As conifers murmured Demurely in cool breezes Wondering if you Would ever arrive
You missed our drive Through New England hills Autumn maple and hemlock A conflagration burning for you Yearning for you The birches and beeches smoldering In my heart Red-orange-gold leaves Suiciding in silent sadness Loneliness wearing my face Stalks these woods You are nowhere to be found
You missed my arrival In Singapore The airport a swarm Of faces A blur of oceanic humanity As I searched for one safe harbor One stormless island In this storm of chaos Your face A lighthouse to guide me home Your beacon never appearing No fog horn guiding me safely Through treacherous surf Your bottomless brown eyes Nowhere Your smile cut roughly from this mural Missing A ragged hole where you should be In my life
Perhaps you were a Phantom All along
Puk-puk-puk No ripples on this frozen pond Not enough pebbles remain To last until springtime thaw One ripple is all I ask One ripple to finally reach you I’ll save a pebble Just in case
She had that look about her again Eyes like chips of coruscating amber Caught in the westering sun Her over-there gaze snagged On some distant memory Like thorn-caught thread Hands prim and pale In her denim lap Amid foxtails and dandelions And oak shadows
Things move too fast When they move too slowly The heat that summer was unbearable A bludgeon wielded by a chrome sky Its merciless swath pounding Everyone everything into submission We were not spared
I could reach toward her forever And never touch her I’ll tell you in time to come, she’d say Her tired smile dying before It reached her eyes Time to come never coming Never time enough Time running out
Let’s sit and enjoy the shade, she’d say The sun slipping languidly Into oblivion Her face haloed In a warm orange aura My ephemeral love Ensconced in flames Flickering Flickering
Broken pieces of her Litter the oak-shadowed grass One touch and she’d shatter One embrace and she’d be All over the place Delicate balance was The ruse of muses who Knew nothing of reality Who knew nothing of Love and sickness And the terrible nectar Of the tainted honeysuckle
Even the birds are quiet
There is no darkness As black as love No pit as plumbless As that filled with regret Her brown eyes Smiling and weeping at once Succumbing to demons Unknown to me So much of her slate blank Her portrait only half-finished Before the paint dried out And the canvas rent asunder
Broken pieces of her Litter the oak-shadowed grass I used to collect them Their razor edges Slicing my hands bloody Only a few remain Among the foxtails and dandelions Her voice only an echo now I’ll tell you in time to come
Nighthawks scream With evening’s descent They know the truth Black god’s-eyes See everything From salmon-hued Heaven As wings fold Bird-bombs dive Preying on the Prayerless Powerless Oblivious Strident-throated Shrieks A mindless alien-avian Warning Turn back There is no hope here
Across the fallow field Elk bugle mournfully in Twilight cacophony A hundred dim smudges Herding in Paranoid precision Against the dusty dun of Evening’s solemn soliloquy Scatter Coagulate Statue-still Amidst dusk ground-mist Trumpet-cries betray blind fear A prose of unearthly moans As pinyon-sage-scented breeze Lifts this omen skyward Turn back There is no hope here
Dead-yellow foxtails And cheatgrass Bend Break As I pass A sickly meadow of Thin-boned weeds And cloying sage Crackling underfoot as Stickers pin-cushion Socks and shoelaces Ground beetles And spiders flee Stupidly Languidly Dissolve into Cracked earth Disappear Each footstep Dust-choke-inducing The shrill trill of crickets Distant Distracted Dispassionate They know, too Turn back, they sing There is no hope here
A skeleton crew of Haggard, stunted trees Stands sentinel Against the coming darkness Pinyons felled by Insidious Ips beetles Squat Naked Bony Sap-dried cones Long dead Among carpets of Desiccated yellowed needles and Sparrow-emptied pine nut shells Tinder awaiting a wildfire Fragrant junipers stand Amidst dead-berry piles in Shaggy bark-suits Peeling like scorched dusty Sun-burnt skin Swarming with black ants Pungent piss-scent Overwhelming as Paper-bark crawls In the shadows The subliminal hiss of an Errant breeze Wheezes dark portents Among barkless boughs Turn back There is no hope here
Muffled yips and Strangled howls Ride chilly currents from Far obscure fields As coyotes practice Weird secret sorcery In the gloaming The cries of the damned Of pain Of madness Of red-eyed tricksters In shadow-garb Preparing for midnight hunts And the tearing of flesh Yellow grins reeking of Fear and dead meat Champ and drool as Festivities draw near Their primal chaos-chorus Announcing to all Turn back There is no hope here
In hushed Sepulchral silence Muted coos of Mourning doves Float softly in Penitential pleas Stillness magnifying Lilting lamentation Grief too much to bear Their sorrow-song An ache that Never ends Unmendable Rends hearts Cleaves souls Tears flow Unknowingly Purity and Sadness Immeasurable loss A calming balm Inadequate to heal All that ails Ineffectual against Forces of fear Reduced to a Whispered admonition Turn back There is no hope here
The broken garden gate Aslant on rusted hinges Unleveling the horizon Of faded, ephemeral corn stalks And rotting squash-husks A tangle of ancient weeds And briar bushes Encases this bleak place Age-drained of all Color and scent Poisonous soil Long since emptied of life Only dead things grow here Rows of sorrow Trellises of despair A forlorn bounty of Loss and regret A stilled silence Proclaiming Turn back There is no hope here
The house A gray thing Hunched against The gloom of Bruise-tinted sky Like some Feral beast Skull-socket eyes Peer Blackly Blindly Balefully Through diseased elms As cement tongue lolls Cracked and pitted From front door To yard gate Lawn only a distant memory Weed-choked Littered with Shattered window glass And random roof shingles
Silence
Stillness
It’s been years Since I was here Since I fled Since that day The monster was real then The fear was real And it’s been with me All the while
Concrete dust crunches Bone-like underfoot I reach the front door Push through a Latticework of spider-silk Filled with memories So many memories Dust and the scent of Ancient mildew Rotting wood Hang in mote-filled air It’s smaller now Empty Hollow Ceiling plaster Coats rotting carpet In a patina of snow Water-stained drywall Bent and bulging My room is there Dark and cobwebby Kitchen Sisters’ bedroom Parents’ room Bathroom Everything accounted for Except the monster
There is no hope here Dead monsters leave Memory echoes Down the years A legacy of pain and fear And while there is No monster here Neither is there reason For rejoicing This place is dead Just like my father The monster Nothing will ever be As it was So much lost Still more buried in Dark locked crates In my mind I look around One final time Then make my way Out the door And into the night
The thing on the corner That squalid revenant That only I could see As my daily peregrination Took me through the city Past vulgar monuments To capitalism and greed Through roiling seas of Soulless apathetic drones The mindless rhythm of Humanity The ebb and flow of futility
The thing on the corner That filthy phantom That caught my eye And no one else’s A sort of uncanny gravity About him That caused my pace to slacken As if I were being lured into Some kind of anomalous orbit Around this peculiar specter Just a tug and then I was free To continue along my way In my daylight world of Noise and glare and stench
The thing on the corner That wretched eidolon That haunted my dreams That stood in judgment of All who passed before him On this unremarkable corner In this forgotten city of despair The bastard kin of Minos, Aeacus and Rhadamanthus His throne a decrepit cardboard box His shroud a blanket that reeked of Age and disease His crown a greasy scarecrow of gray hair
The thing on the corner That defiled shade That I can barely see as I approach him He is a mirage A flicker and a shimmer I squint my eyes as I stand before him There is static, a signal dying Over the expanse of eternity An imperceptible howl from Another universe I reach out a tentative hand And touch him For an instant he is there before me Vital and filled with the Energy of supernovas His eyes are alive and Radiate truth the brightness Of a hundred suns He is real He does not speak but Only looks at me For a moment For a lifetime Then turns away And fades to Nothingness
And the oblivious masses mill Through the city streets like cattle To the slaughter And the city sighs As anesthetic night descends
Raspy sigh of too many cigarettes Grease-blackened claw points in the general direction of Eternity Stench of gasoline and sweat Indecipherable name emblazoned on Filthy coveralls Gas pump chugs and stutters Connected to my car by an umbilical cord of Ancient dinosaurs His eyes lost in pools of wrinkles and regrets As my eyes follow his finger Nothing but rock and sand and the howls of The lost In this desolation
Road and horizon merge in a Fitful seizure of mirage The heat a coda to all things here Dull and dusty sage and creosote bushes A wretched effigy of life In this hardscrabble wasteland Not real Not real at all Nothing lives here Nothing can live here Nothing at all
That road don’t go nowhere mister
In the distance A phantom zephyr on the highway A sinuous dust devil Snakes from earth to chrome-hued sky This eldritch thing It dances and writhes and bespeaks of Ancient knowledge An augur of blind terror In the breakdown lane Of this faded ribbon of Cracked and sticky asphalt
It can’t get me here My mind whispers Here in this run-down LAST GAS FOR 255 MILES sanctuary This final outpost of sanity Sun-bleached boards and Rusted gas pumps Stand sentinel against What lies beyond Against what should not be But is anyway
That road don’t go nowhere mister
The gas pump rattles to a stop His trembling hands disconnect the hose In post-coital silence Hi-test fumes cloying in the Furnace heat The old man takes my money
The world has stopped on it axis The day is perfectly still There is no sound There is only the sterile heat Of the desert And the blackness of what is to come
He grabs my shoulder through the car window His ancient hand a talon digging deep His pleading eyes rheumy and weeping He swallows His Adam’s apple bouncing in his Grimy neck
That road don’t go nowhere mister
There is lunacy in his weeping eyes And there is truth And I smile at him And something passes between The two of us A last vestige of humanity Before the coming storm I glance in my rear-view mirror There is nothing behind me There is everything behind me There is no going back
I swallow a knot of panic I look at the man This road doesn’t go anywhere I say But it’s the only road there is
And I pull away from the station The old man a scarecrow in the mirror Arms akimbo Sweat-stained cap askew on his head And then he is gone Devoured by the nothingness behind me
There is no air Down there Down in the dark Where I choke On my life Nature abhors A vacuum But rage Thrives Therein
Emptied Gutted A carcass Rotting Under a red Alien sun Gasping a mere Reflex I am a fish Cast upon the shore Drowning on nothing Dried eyes Blind Bulging I see nothing So nothing exists The calm susurrus of the waves Is the great deception I cannot reach The water I am not fit for the Fisherman’s net The cry of the gull The sigh of sea grass in the breeze The languid flap of my tail The hard hot stones of the beach The stench of all things The sea
I vomit out myself again each night When lights go out and tired thoughts awake To find that darkened mere from which to slake Their thirst for dark dominion. In the bright And sane pedantic musings of the light Where every thought, word, deed presumes to take On tones of gilded gravity, I stake My soul against the coming evening’s fight.
The day is done; I’m with my thoughts, alone And sleep cannot—will not—this night prevail. My mind, a dynamo, begins to race And images appear as if they’ve grown In some dark, dank and fetid fen. I quail As my true self confronts me, face to face.
I see myself most clearly in the dark When eyes stare listlessly into the gloom Of my unlighted silent little room And clarity has never missed its mark. The diff’rence between day and night is stark, Where shadows rob the flower of its bloom And night-noise bespeaks harbingers of doom Who from abyssal shores will soon embark.
There is no madness here; there is a shift Of light to darkness only, but in fine It colors every thought a darker hue And ushers in a sort of seismic rift That sullies every fruit on every vine And every thought and every feeling, too.
The day’s lucidity reduced to lies, I gaze at the abyss and there I see On some far distant shore another me Whose own lucidity is in demise. The shadows—living things amid the cries And cruel cacophony of things that flee The light—surround me as if to decree To all assembled, “This is where hope dies.
“What’s done in daylight holds no power here. We’ll strip the varnish from your petty dreams And rid you of your sanity anon. For daylight is a poor façade for fear And reason ineffectual when screams Will render moot the light you count upon.”
And once again, like every other night The battle lines are drawn upon the sands Of sleep not yet attained, and on these lands Depression pits the dark against the light. And once again, like every other fight I fall upon the ground, the shadows’ hands Upon my throat in icy burning bands, All thoughts of hope now fading out of sight.
And then from distant shores of the abyss Across the chasm, lilting in the dark A plaintive, calming voice, a gentle weep Touches my mind, my soul, as if a kiss Were sent to me upon a winging lark: “Seek sleep,” it says to me, “let go, seek sleep.”
And I give in and in surrendering I leave behind the darkness and the din Of shadowlands where battles rage therein And naught is won or lost. And that’s the thing That catches in my mind just like the ring Of distant bells, discordant in their thin Attempt to quell the heart surfeit of sin In any man whose sleep the night won’t bring.
And leaves unanswered still my current plight: Is truth found in the darkness or the light?
Recently, I read of a study by Johns Hopkins University concerning the relationship between hearing loss and dementia. According to the study, people with mild hearing loss were twice as likely to experience dementia, those with a moderate loss were three times as inclined, and those with severe hearing loss were five times more prone to develop cognitive issues that fall under the umbrella of dementia. Contributing factors include accelerated atrophy of brain tissue caused by hearing loss as well as the profoundly negative effects of social isolation many deaf people face.
I was vaguely aware of this, having read something about it in the past, but I was not prepared for the statistics this study presented. So, of course, my overly analytical mind seized onto this like a Chihuahua with a squeaky toy and wouldn’t let go. You see, dementia is one of my greatest fears, and I have the dubious honor of hitting the Dementia Trifecta: I have severe hearing loss, major depression and severe chronic insomnia, all three of which are precursors to some form of dementia. Add to this the fact that dementia runs on both sides of my family and you have a nightmare scenario in the making.
I’ve battled major depression for as long as I can remember, dating back to early childhood. Much of this originated due to the severely dysfunctional family in which I was raised. My depression has been, for the most part, resistant to treatment. There’s a brain chemistry component involved, of course, but I’ve never found an anti-depressant that actually did anything to lessen the effects of my depression. Talk therapy helps to a degree, but at one hour every two weeks, it’s not something that has a lot of carry-over during the interim between sessions. PTSD has an effect on my depression as well, and has contributed to the futility I’ve experienced with regards to my inability to make any significant progress in treating my depression. EMDR therapy caused a disturbing negative reaction which left me experiencing several strange physical symptoms, some of which are still present as of this writing.
My sleep disorder has been traced back to one particular incident involving domestic violence when I was eleven years old. It forced me to become hyper-vigilant at an early age and I ended up “training” myself to stay awake until my father went to bed and was asleep. Only then could I know my mother was safe, and only then could I allow myself to try to sleep. However, years of this hyper-vigilance produced insomnia so intense and pervasive that I still suffer from it decades later. Nothing—absolutely nothing—has ever put a dent in my insomnia, and after years of therapy and every treatment method I could find, I finally surrendered to it and accepted that it was not going to go away. And it hasn’t. And its effect on my life is profound.
Of course, the reason I began this blog is because I’m deaf. Hearing loss has such an over-arching impact on one’s life. Those of you reading this who are deaf will understand; those of you who are not cannot understand unless you have a close family member or friend who experiences deafness. Even then, it’s not quite the same as being deaf, but it does offer a uniquely intimate window into the deaf experience.
Deafness is all-encompassing. Everything is affected by it to one degree or another. Everyone knows, for example, that a deaf person has difficulty or a complete inability to enjoy music, but how many hearing people know that hearing loss can affect the way a deaf person walks? Or that it is a possible precursor to the horror of dementia? How many hearing people know that deafness-induced social isolation can lead to issues such as poor eating, addiction, failing physical health due to lack of exercise and self-care, depression, and even heart disease? There’s much more going on here, much more at stake for those who are deaf, than meets the eye (or the ear, as it were).
In my own unique case, there appears to be a nasty synergy occurring among my Big Three Issues: deafness, depression and insomnia. When one gets worse, the others follow suit, thus creating the proverbial “vicious cycle,” and can lead to a snowball effect. When I can’t sleep, my depression worsens, which affects my sleep to a greater degree, which causes my depression to plummet even more, which causes my hearing to suffer from both fatigue and an inability to concentrate deeply enough to lip-read. Also, when I’m lacking sleep, my ears ring much more loudly and incessantly and it actually feels as though my inner ears are feverish. When my remaining hearing suffers like this, it makes my depression worse, and it becomes a situation where it feels as though I’m spiraling downward, caught in some uncanny and surreal maelstrom. When this occurs, the only remedy is sleep, and lots of it. Which, of course, is difficult for me to attain.
What does this have to do with dementia? And am I guaranteed to slip into the darkness of that terrible state of being? I suppose I should explain why this concerns me so much.
My grandmother on my father’s side developed dementia in her ’80s. One of my father’s older sisters followed suit and became so violent that she actually would shoot at people. My father eventually fell into that very same black hole, which ultimately led him to take his own life at age 76. During one of my last interactions with him, in 2015, he was in a paranoid rage, completely out of his mind, and he punched me and threatened to shoot me. I had to file a police report for physical assault. He lied to the police about what happened and they couldn’t charge him because there were no other witnesses. I saw him only twice shortly after that. By the time he killed himself, he was completely in the throes of dementia.
But that’s not really why I’m so concerned. The main reason for my fears of falling prey to this insidious disease has to do with my grandfather on my mother’s side.
I recently posted a trilogy of poems I penned about my grampa, alluding to his descent into dementia. I wrote these pieces out of feelings of both sadness and guilt. Sadness because of never getting to know him as well as I would have liked, and guilt for not being able to force myself to visit him in the nursing home after a series of strokes decimated him and then the indignity of Alzheimer’s Disease settled over him like a filthy cloak, forever obliterating what was left of my grampa.
He was in the hospital after one of his early strokes. My mom, my two sisters and I went to town to visit him. There he was, my big Viking grampa (half-Danish, half-Norwegian), broad shoulders and even broader ever-present grin, sitting on the edge of his hospital bed. He looked normal, seemed happy, appeared fully lucid. My mom was chatting with him and he was smiling as always…and there it was…a facial tic on his right cheek. He didn’t notice it. He continued smiling as my mom talked, and the tic continued for several moments, worsening, twisting my grandfather’s face into something almost obscene. He couldn’t tell what was happening to him, he just sat there on the bed, twitching. I felt the blood leave my head and everything became quiet and I felt my gorge begin to rise and I turned and fled the hospital and ran out to the car, horrified at what I’d just seen. Was that my grandfather in there? Was it really him? It couldn’t have been. The man I’d known all my life could never look like that man I’d seen sitting on the edge of the hospital bed with his face twitching.
It took several minutes for my stomach to settle. Later, my mom and sisters came out to the car and we left for the farm. And that was the last time I ever saw my grampa alive.
Something had broken inside me. I wasn’t sure what it was. Perhaps a good chunk of my innocence had been shattered beyond repair. Whatever it was, I couldn’t bring myself to visit my grampa after that. Every time my mom would drive to town to see him, either in the hospital, or later in the nursing home, I stayed home. I just. Couldn’t. Do. It. The mental image of my grandfather sitting in that hospital room twitching was burned into my mind and all I could do was try to bury it. So, I went to work doing just that, grabbing my shovel and piling tons of guilt on top of it until I was numb. I mean, that wasn’t my grandfather. Not anymore. My grandfather was the guy who always wore bib-overalls and smelled of coffee and cigarettes. My grandfather was the guy who played the accordion and sang Norwegian songs to us, his big grin so expressive and his blue eyes twinkling. He was the guy whose idea of a cup of coffee was about an inch of coffee and the rest a mixture of honey and condensed milk (so sweet you couldn’t even taste the coffee). He was the guy who talked about fishing all the time and made homemade sinkers in his work shed where he also kept his fishing worm farm. He was the guy who taught me to drive in his old black 1949 Dodge truck, double-pump clutch and all. He was the guy who always had a prank to pull, a laugh to bellow, a grin to share. He was the best guy who ever lived. No, that man in the hospital—and later in the nursing home—was not my grandfather. He was an imposter, some thief who had stolen my grampa’s body for his own and had twisted it out of shape and scared the living daylights out of his teenaged grandson.
My grampa died when I was 21. That was the first time I saw him since that horrible day in the hospital years before. He looked peaceful in his casket. He’d lost a lot of weight and was gaunt, but that was him, that was my grampa. That eldritch imposter had finally returned my grandfather’s body to its rightful owner, and we were burying him. It was hard to look at him, but I did. I had to make sure.
I carried around this guilt for years. I loved my grampa dearly, but I had betrayed him. I had left him when he was the most vulnerable, and I hated myself for it. But what could I do? He was gone now and there was no way to tearfully apologize to him for having abandoned him. Toward the very end, he didn’t recognize anyone, so if I’d gone to see him he wouldn’t have known who I was anyway, I told myself in an attempt to quiet that guilt. But guilt is a funny thing. When it gets to yammering, nothing will shut it up.
Well, almost nothing.
In 2012, after having experienced a 20-year fallow period in my writing, I suddenly sat down one night at my computer and began writing again. Poetry this time, unlike in the past when I’d focused on short fiction, back when I was actively submitting my work to publishers and racking up rejection slips. That night was apparently the night my long-absent muse shat on me. For the next month or so, I wrote poetry, piece after piece, and among those pieces were three poems about my grandfather. It was time. Time to deal with years of guilt with regards to the Greatest Grampa Who Ever Lived. The words flowed like tears I’d long-needed to cry but never had been able to. I realized I’d finally found a way to deal with the guilt I’d carried for so long. It hurt, but I was able to honor my grandfather in writing, and it helped more than I could ever have imagined. I recall reading those three poems with my vision blurred with tears from all the memories they evoked. I remembered my old Super-8 film of my grampa smiling and talking to me—silent film, all five seconds of it—and it struck me that he was still there and always would be, no matter where I was or what I was experiencing in my life. All I had to do is close my eyes and remember.
Dementia took my grandfather away. The world is a lesser place without him. And if dementia could fell my grampa, it could take down anyone, including me. And so I worry. I worry that I may suffer the same fate as my grandfather, a fate no one should have to endure, a fate that robbed him of his very essence and robbed the rest of us of the most wonderful man imaginable.
I understand that it’s not a done deal. There’s no guarantee it will happen to me. It skipped my mom, who was lucid and still herself until the end at age 75. But I keep my eyes open for any early signs just in case. I know mine isn’t the only family that has battled this monster. My love goes out to of all those who have gone through this. It’s painful, and the guilt can be crushing, but we will remember those loved ones as they were, and we can honor them in our own unique ways.
The kid was too young This distant uncanny boy Face absconded Into the murky depths of his Drenched and threadbare Crimson hoodie Eyes mere pinpricks Of sentience in the shadows Where his face should be On this pouring midnight Sidewalk where even the rain seemed Exhausted in the scornful cones Of streetlamp illumination And unseen clouds sighed above Too tired for the bluster and pretense Of thunder And he sat there in this mess of a night On a bench where no bus would ever stop For anyone at anytime for any reason Staring into the distance at both Something and nothing at once Moveless save for an occasional shiver Waiting for someone or something Or perhaps nothing at all
His shoes were soaking wet Those black hi-tops iridescent From rain and gutter filth His dark spidery fingers Loomed together in some Cryptic pattern on his lap Where rainwater pooled and eddied before Dispersing first through his skinny legs Then between the filthy slats of the bench To merge with the noisy gutter rill And then with the sewage below And then the poisonous river And then the darkness of the ocean Of some other universe
And I passed him in the rain Of that eternal night as I made My own way into my own darkness And I thought of some worried mother Sitting at some rickety kitchen table Bathed in the sickly yellow glow of a naked Tungsten bulb Haunted eyes fixed somewhere Beyond the weeping window panes Hands wringing in some unconscious Talismanic effort of projected protection For some lost child some prodigal son Out there alone in the rain And I couldn’t decide if she was The boy’s mother Or my own
And then my blackness Was interrupted by a voice Behind me Not that of a man Yet not that of a child And I stopped and turned And the kid was there And in his outstretched hands He held a soaked and faded Red hoodie and a pair of Sopping black hi-tops And his eyes were calm And his face shone in the rain And he didn’t say a word He just pointed at my own Bare feet and my freezing body And then he was gone His own bare footprints Lingering momentarily on the sidewalk Before the rain took them away