“Clarity”

“Clarity”
(c) 2024 by Michael L. Utley

in my twilight world the seasons blur
snow on flowers, freezing summer rain
I seek clarity

dim uncertainty
gloaming settles on this silent vale
neither night nor day exists for me

in the mist beyond the frozen stream
yurei whisper in the burning woods
Yomi’s fey lament

nowhere left to go
hesitance and indecisiveness
stranded on the threshold of the fates

in the heavens moon eclipses sun
as Tsukuyomi-no-Mikoto
fervently pursues

Amaterasu
fulfilling his futile destiny
casting earth below in shadow gloom

machinations of the earth obscure
as this spinning orb succumbs to guile
in its rayless fugue

and all eyes fall, dazed
as the haze of chaos binds and blinds
my discernment crumbles into dust

truth has lost its glimmer and its sheen
pyrite baubles magnified as gold
in one hand a rose

in the other hand
a dagger; the heart of man depraved
confusion’s inferno conflagrates

forests turn to ash, and ash to snow
bitter flakes descend upon the tomb
of veracity

cloak in acrid pall
verity’s forlorn sarcophagus
candor’s mere slowly evaporates

I can’t tell the darkness from the light
hope, despair—awareness betrays me
every day the scale

of acumen fails
there is naught left but to close my eyes
and weep for lucidity’s demise

“A Summer’s Field in Winter”

“A Summer’s Field in Winter”
(c) 2022 by Michael L. Utley

let us sift through summer’s solemn ashes
let us scavenge rusted hopes from twisted
hulks of yesterdays amid the swelter
and the din of frigid silence
as crows circle

this broad swath the acreage of sorrow
garden of the gods whose feckless mewling
echoes ‘cross the eons and the seasons
crumble into dust as autumn
gives up her ghost

we were never long for this cold world, this
dispensation of abominations
sunset fell before the flax had faded
bleeding out beneath indiff’rent
constellations

paradise, oh paradise eternal
dashed upon the stones of human hubris
we the stewards dined on milk and honey
as our world descended into
oblivion

thus the world was burned and we burned with it
rendered lurking shadows in the gloaming
flesh and bone have failed us as the season
of regrets approaches; we have
earned winter’s wrath

in our dreams we’ll gather wild flowers
fetch the wicker basket for the poppies
crowns of woven larkspur shall adorn us
we will rest among oak shadows
in the clearing

and when we awaken from our slumber
and when we espy the desolation
let us sift through summer’s solemn ashes
in the winter’s frigid silence
as crows circle

(Author’s Note: This poem was originally published in Chewers & Masticadores in January 2023.)

“I’ve Come at Last to Anhedonia”

“I’ve Come at Last to Anhedonia”
(c) 2023 by Michael L. Utley

I’ve come at last to Anhedonia
that bleak and melancholy land
beyond the god-forsaken desert sand
far ‘cross the sea of memories
where sunlight fades and none has e’er returned

the forests filled with stunted things
that in the shadows furtive lurk
rise forth from mires amid the murk
of blackened loam and caustic springs

and yellowed grasses’ brittle bones
that slough and sigh in bitter breeze
a desiccated meadow’s wheeze
a mournful death-rattle intones

I’ve come at last to Anhedonia
that lightless and forbidden place
beyond the hopes and dreams and saving grace
of human ken and mortal men
where moonlight fails and none has e’er returned

the stony fields and fetid fens
and moors forever draped in gloom
the whispers of impending doom
that echo in forgotten glens

the stars too faint to pierce the night
the cloying and unsettled haze
of apathetical malaise
that dulls even the purest light

I’ve come at last to Anhedonia
that languid and indiff’rent spot
beyond the realm of clarity of thought
where logic lies and purpose dies
where heart-light ebbs and none has e’er returned

the monuments to moments past
have crumbled ‘neath the weight of years
eroded by a lifetime’s tears
no joy in life is meant to last

it’s here I’ve found a resting place
a place to numb my pains and fears
eternal nights, eternal years
eternal sorrow I embrace

I’ve come at last to Anhedonia
that silent clearing in the trees
with bittersweet nostalgia on the breeze
where I will fade like mem’ries made
so long ago, and I shall ne’er return

“Doubt”

“Doubt”

(c) 2023 by Michael L. Utley

an abandoned field
an overcast sky
a cedar post
a river stone
a random trajectory
something will shatter
in a moment
when sorrow
and regret
merge
forcefully

so many thrown stones
litter the ground
around the post
missed opportunities
bad timing
a reprieve from
consequences
too brutal
to imagine
should wood
and stone
connect

but this time

is different

my aim is true
and through
tear-blurred eyes
I find clarity at last
as the stone
strikes the post
dead-center
and there is
no longer
any doubt

“The Thing on the Ground”

“The Thing on the Ground”

(c) 2017 by Michael L. Utley

There—the thing on the ground
Some insect or other
A leg detached
Dragged off by ants

It kicks in stupid
Futile spasms
Insectoid mind buzzing in
Some alien tongue
Antennae crippled
Useless

I step closer
Hovering above
As this pedestrian drama plays
Below me

“Jump, damn you!
Save yourself,
Worthless grasshopper!”

I am strangely furious at this
Pathetic thing
This helpless thing
As it dies before my eyes

“Get up! Jump!”

I feel the sting of salt
In my eyes
The tears that have
Abandoned me for eons
Doubling the writhing thing
On the ground
Trebling it in a
Saline blur

It gazes dumbly
At the sky
The clouds
The sun
All too busy in their
Mindless journey above
To notice what’s below

Another spasm
Another kick
A pebble bounces away
Mandibles scream in
Silent rage

I close my eyes
I see her
The one I couldn’t save
The doomed, damned one
Who finally broke me in two
The crippled one too far gone
The one who dragged me to the brink
And jumped

Too late

I open my eyes

The ants have returned
The thing on the ground
Kicks languidly
Dispassionately
A shudder
A twitch

The ants swarm

“You There”

“You There”
(c) 2022 by Michael L. Utley

I can only bleed so much
but it’s never enough
to satisfy you, is it
nevermind my shattered soul
and flesh flayed wide
no secrets left
no shadowed clefts
to hide what’s left of me
just the cold glare of reality
and the medicinal stench
of silent eternity

you there
who wields the hammer
of sanity
whose blood-caked hands
crush worlds
whose vacuous eyes
speak of
distant crimson suns
and blue corpse-light
you there
who rends flesh from bone
blackens sun and moon
you there
whose wretched grin
devours universes
vaporizes souls

you there

what is it you want from me

my essence torn
cell from cell
bones a useless armature
not even a sigh left
in my lungs
all that remains is my mind
and that’s what you want
isn’t it

I have known you
all my life
your honeyed lies
and soothing growls
drain existence of
hue and humor
your breath upon my neck
fetid and abominable
your raging roars
shake my skull numb

but you shall not have
my quicksilver trees
and lavender skies
my sickle moon dozing
above autumn wheat fields
my green silence
in konara copses
my humming leas
of flea bane and lupine
and forest-carpet ferns
these are mine
forever

you there

you will destroy me
in the end
but my world
will live on
free of your rage and
blight and bluster
and that is
all that matters

“A Few Haiku (40)”

(c) 2022 by Michael L. Utley

(#235)

so much damage done
by such delicate fingers
and a blackened heart

…..

(#236)

how soothing the words
whispered to a shattered heart
by her serpent’s tongue

…..

(#237)

days of green silence
heart fern-bound in oak shadows
dreaming with the trees

…..

(#238)

I have not yet reached
terminal velocity
my life in free-fall

…..

(#239)

carved into the bark
of my heart, her initials
overgrown with grief

…..

(#240)

bright sun hurts my eyes
just as hope singes my soul
best to stay inside

“A Few Haiku (39)”

(c) 2022 by Michael L. Utley

(#229)

snap-beans in a wooden bowl
and tears on her cheeks
my mother’s sorrow

…..

(#230)

pre-dawn mourning
her eyes on the horizon
searching for the light

…..

(#231)

in konara copse
my soul seeks solace
in the still shadows

…..

(#232)

my reflection gone
even the stream forsakes me
as I drift away

…..

(#233)

these numb fingers
I can’t feel the difference
between hope and despair

…..

(#234)–(for Eivor and Pearl)

beneath verdant trees
joy and peace walk side by side
on the dappled path

“A Few Haiku (38)”

(c) 2022 by Michael L. Utley

(#223)

sorrow begets joy
from the ashes of my soul
a columbine

…..

(#224)

what can harsh words rend
that kind words cannot assuage
the healing rain

…..

(#225)

under starless skies
my heart sings a silent dirge
night wind in the trees

…..

(#226)

my regrets are mine
my shame wears my haggard face
my soul weeps alone

…..

(#227)

vagaries of life
my heart’s buoyancy in doubt
on my soulless sea

…..

(#228)

what my heart demands
my mind cannot comprehend
and my soul rejects

“A Few Haiku (37)”

(c) 2022 by Michael L. Utley

(#217)

clarity sundered
in the swelter and the din
of scorched memories

…..

(#218)

fitting denouement
thoughtless birds and bitter breeze
signify the end

…..

(#219)

I behold the stars
through the blurred prisms of tears
hope is beyond reach

…..

(#220)

holes in the pockets
of my soul; I lost myself
somewhere along the way

…..

(#221)

aloof stars shine on
while constellations of lives
perish on the earth

…..

(#222)

take my hand, my friend
do not cry, do not despair
you are not alone