“That Road Don’t Go Nowhere”

“That Road Don’t Go Nowhere”
© 2013 by Michael L. Utley

That road don’t go nowhere mister

Raspy sigh of too many cigarettes
Grease-blackened claw points in the general direction of
Eternity
Stench of gasoline and sweat
Indecipherable name emblazoned on
Filthy coveralls
Gas pump chugs and stutters
Connected to my car by an umbilical cord of
Ancient dinosaurs
His eyes lost in pools of wrinkles and regrets
As my eyes follow his finger
Nothing but rock and sand and the howls of
The lost
In this desolation

Road and horizon merge in a
Fitful seizure of mirage
The heat a coda to all things here
Dull and dusty sage and creosote bushes
A wretched effigy of life
In this hardscrabble wasteland
Not real
Not real at all
Nothing lives here
Nothing can live here
Nothing at all

That road don’t go nowhere mister

In the distance
A phantom zephyr on the highway
A sinuous dust devil
Snakes from earth to chrome-hued sky
This eldritch thing
It dances and writhes and bespeaks of
Ancient knowledge
An augur of blind terror
In the breakdown lane
Of this faded ribbon of
Cracked and sticky asphalt

It can’t get me here
My mind whispers
Here in this run-down
LAST GAS FOR 255 MILES sanctuary
This final outpost of sanity
Sun-bleached boards and
Rusted gas pumps
Stand sentinel against
What lies beyond
Against what should not be
But is anyway

That road don’t go nowhere mister

The gas pump rattles to a stop
His trembling hands disconnect the hose
In post-coital silence
Hi-test fumes cloying in the
Furnace heat
The old man takes my money

The world has stopped on it axis
The day is perfectly still
There is no sound
There is only the sterile heat
Of the desert
And the blackness of what is to come

He grabs my shoulder through the car window
His ancient hand a talon digging deep
His pleading eyes rheumy and weeping
He swallows
His Adam’s apple bouncing in his
Grimy neck

That road don’t go nowhere mister

There is lunacy in his weeping eyes
And there is truth
And I smile at him
And something passes between
The two of us
A last vestige of humanity
Before the coming storm
I glance in my rear-view mirror
There is nothing behind me
There is everything behind me
There is no going back

I swallow a knot of panic
I look at the man
This road doesn’t go anywhere
I say
But it’s the only road there is

And I pull away from the station
The old man a scarecrow in the mirror
Arms akimbo
Sweat-stained cap askew on his head
And then he is gone
Devoured by the nothingness behind me

I am alone on the road

There is no going back

“Air/Water/Air”

“Air/Water/Air”
© 2012 by Michael L. Utley
 
There is no air
Down there
Down in the dark
Where I choke
On my life
Nature abhors
A vacuum
But rage
Thrives
Therein
 
Emptied
Gutted
A carcass
Rotting
Under a red
Alien sun
Gasping a mere
Reflex
I am a fish
Cast upon the shore
Drowning on nothing
Dried eyes
Blind
Bulging
I see nothing
So nothing exists
The calm susurrus of the waves
Is the great deception
I cannot reach
The water
I am not fit for the
Fisherman’s net
The cry of the gull
The sigh of sea grass in the breeze
The languid flap of my tail
The hard hot stones of the beach
The stench of all things
The sea
 
I try to scream
But there is no
Air

“I Did This”

“I Did This”
© 2012 by Michael L. Utley
 
I did this
A handful of fear and feathers
The black eye of God
Dulling
Fading
Misting
Silent
A handful of blood and feathers
I did this
 
A tiny universe
Gasping for breath
Grasping for death
Stopped cold
By the golden orb of fate
 
I have seen myself
In the black eye of God
The dulling
Fading
Misting
Silent
Eye of God
And there I stood
An empty eternity
Before me
My marbled form
Rigid
My ivory eyes
Blind
Yet full of knowledge
A handful of bones and feathers
I did this
 
I cried
As the sparrow died
In my hand
Its blood a tracery
In my palm
A crimson filigree
My life line stained
In its death
I cursed myself
Railed at the sky
At the earth
At all things
Why
 
There is no why
There only is
And this was bitter
 
The dead bird
Was still warm
When I buried it
 
A handful of nothing
A heart crushed by everything
I did this

“Night Thoughts”

“Night Thoughts”
© 2012 by Michael L. Utley
 
I vomit out myself again each night
When lights go out and tired thoughts awake
To find that darkened mere from which to slake
Their thirst for dark dominion.  In the bright
And sane pedantic musings of the light
Where every thought, word, deed presumes to take
On tones of gilded gravity, I stake
My soul against the coming evening’s fight.
 
The day is done; I’m with my thoughts, alone
And sleep cannot—will not—this night prevail.
My mind, a dynamo, begins to race
And images appear as if they’ve grown
In some dark, dank and fetid fen.  I quail
As my true self confronts me, face to face.
 
I see myself most clearly in the dark
When eyes stare listlessly into the gloom
Of my unlighted silent little room
And clarity has never missed its mark.
The diff’rence between day and night is stark,
Where shadows rob the flower of its bloom
And night-noise bespeaks harbingers of doom
Who from abyssal shores will soon embark.
 
There is no madness here; there is a shift
Of light to darkness only, but in fine
It colors every thought a darker hue
And ushers in a sort of seismic rift
That sullies every fruit on every vine
And every thought and every feeling, too.
 
The day’s lucidity reduced to lies,
I gaze at the abyss and there I see
On some far distant shore another me
Whose own lucidity is in demise.
The shadows—living things amid the cries
And cruel cacophony of things that flee
The light—surround me as if to decree
To all assembled, “This is where hope dies.
 
“What’s done in daylight holds no power here.
We’ll strip the varnish from your petty dreams
And rid you of your sanity anon.
For daylight is a poor façade for fear
And reason ineffectual when screams
Will render moot the light you count upon.”
 
And once again, like every other night
The battle lines are drawn upon the sands
Of sleep not yet attained, and on these lands
Depression pits the dark against the light.
And once again, like every other fight
I fall upon the ground, the shadows’ hands
Upon my throat in icy burning bands,
All thoughts of hope now fading out of sight.
 
And then from distant shores of the abyss
Across the chasm, lilting in the dark
A plaintive, calming voice, a gentle weep
Touches my mind, my soul, as if a kiss
Were sent to me upon a winging lark:
“Seek sleep,” it says to me, “let go, seek sleep.”
 
And I give in and in surrendering
I leave behind the darkness and the din
Of shadowlands where battles rage therein
And naught is won or lost.  And that’s the thing
That catches in my mind just like the ring
Of distant bells, discordant in their thin
Attempt to quell the heart surfeit of sin
In any man whose sleep the night won’t bring.
 
And leaves unanswered still my current plight:
Is truth found in the darkness or the light?

“A Few Haiku (1)”

(c) 2017 by Michael L. Utley

…..

(#1)

Raindrop on elm leaf
Slipping toward oblivion
I am falling too

…..

(#2)

Misty river bank
I can hear the water cry
Through its mournful veil

…..

(#3)

Stream among the reeds
Peeks at me through cattails
Laughs and runs away

…..

(#4)

Autumn rain has come
Orb weaver’s sorrowful web
Latticework of tears

…..

(#5)

New-born winter calves
Gambol in fresh morning snow
Like little drunk men

…..

(#6)

Chilly winter sun
Heaven dines on balmy feast
Earth begs for a crumb

“The Darker Side of Hearing Loss”

My grampa as a young man

……….

Recently, I read of a study by Johns Hopkins University concerning the relationship between hearing loss and dementia. According to the study, people with mild hearing loss were twice as likely to experience dementia, those with a moderate loss were three times as inclined, and those with severe hearing loss were five times more prone to develop cognitive issues that fall under the umbrella of dementia. Contributing factors include accelerated atrophy of brain tissue caused by hearing loss as well as the profoundly negative effects of social isolation many deaf people face.

I was vaguely aware of this, having read something about it in the past, but I was not prepared for the statistics this study presented. So, of course, my overly analytical mind seized onto this like a Chihuahua with a squeaky toy and wouldn’t let go. You see, dementia is one of my greatest fears, and I have the dubious honor of hitting the Dementia Trifecta: I have severe hearing loss, major depression and severe chronic insomnia, all three of which are precursors to some form of dementia. Add to this the fact that dementia runs on both sides of my family and you have a nightmare scenario in the making.

I’ve battled major depression for as long as I can remember, dating back to early childhood. Much of this originated due to the severely dysfunctional family in which I was raised. My depression has been, for the most part, resistant to treatment. There’s a brain chemistry component involved, of course, but I’ve never found an anti-depressant that actually did anything to lessen the effects of my depression. Talk therapy helps to a degree, but at one hour every two weeks, it’s not something that has a lot of carry-over during the interim between sessions. PTSD has an effect on my depression as well, and has contributed to the futility I’ve experienced with regards to my inability to make any significant progress in treating my depression. EMDR therapy caused a disturbing negative reaction which left me experiencing several strange physical symptoms, some of which are still present as of this writing.

My sleep disorder has been traced back to one particular incident involving domestic violence when I was eleven years old. It forced me to become hyper-vigilant at an early age and I ended up “training” myself to stay awake until my father went to bed and was asleep. Only then could I know my mother was safe, and only then could I allow myself to try to sleep. However, years of this hyper-vigilance produced insomnia so intense and pervasive that I still suffer from it decades later. Nothing—absolutely nothing—has ever put a dent in my insomnia, and after years of therapy and every treatment method I could find, I finally surrendered to it and accepted that it was not going to go away. And it hasn’t. And its effect on my life is profound.

Of course, the reason I began this blog is because I’m deaf. Hearing loss has such an over-arching impact on one’s life. Those of you reading this who are deaf will understand; those of you who are not cannot understand unless you have a close family member or friend who experiences deafness. Even then, it’s not quite the same as being deaf, but it does offer a uniquely intimate window into the deaf experience.

Deafness is all-encompassing. Everything is affected by it to one degree or another. Everyone knows, for example, that a deaf person has difficulty or a complete inability to enjoy music, but how many hearing people know that hearing loss can affect the way a deaf person walks? Or that it is a possible precursor to the horror of dementia? How many hearing people know that deafness-induced social isolation can lead to issues such as poor eating, addiction, failing physical health due to lack of exercise and self-care, depression, and even heart disease? There’s much more going on here, much more at stake for those who are deaf, than meets the eye (or the ear, as it were).

In my own unique case, there appears to be a nasty synergy occurring among my Big Three Issues: deafness, depression and insomnia. When one gets worse, the others follow suit, thus creating the proverbial “vicious cycle,” and can lead to a snowball effect. When I can’t sleep, my depression worsens, which affects my sleep to a greater degree, which causes my depression to plummet even more, which causes my hearing to suffer from both fatigue and an inability to concentrate deeply enough to lip-read. Also, when I’m lacking sleep, my ears ring much more loudly and incessantly and it actually feels as though my inner ears are feverish. When my remaining hearing suffers like this, it makes my depression worse, and it becomes a situation where it feels as though I’m spiraling downward, caught in some uncanny and surreal maelstrom. When this occurs, the only remedy is sleep, and lots of it. Which, of course, is difficult for me to attain.

What does this have to do with dementia? And am I guaranteed to slip into the darkness of that terrible state of being? I suppose I should explain why this concerns me so much.

My grandmother on my father’s side developed dementia in her ’80s. One of my father’s older sisters followed suit and became so violent that she actually would shoot at people. My father eventually fell into that very same black hole, which ultimately led him to take his own life at age 76. During one of my last interactions with him, in 2015, he was in a paranoid rage, completely out of his mind, and he punched me and threatened to shoot me. I had to file a police report for physical assault. He lied to the police about what happened and they couldn’t charge him because there were no other witnesses. I saw him only twice shortly after that. By the time he killed himself, he was completely in the throes of dementia.

But that’s not really why I’m so concerned. The main reason for my fears of falling prey to this insidious disease has to do with my grandfather on my mother’s side.

I recently posted a trilogy of poems I penned about my grampa, alluding to his descent into dementia. I wrote these pieces out of feelings of both sadness and guilt. Sadness because of never getting to know him as well as I would have liked, and guilt for not being able to force myself to visit him in the nursing home after a series of strokes decimated him and then the indignity of Alzheimer’s Disease settled over him like a filthy cloak, forever obliterating what was left of my grampa.

He was in the hospital after one of his early strokes. My mom, my two sisters and I went to town to visit him. There he was, my big Viking grampa (half-Danish, half-Norwegian), broad shoulders and even broader ever-present grin, sitting on the edge of his hospital bed. He looked normal, seemed happy, appeared fully lucid. My mom was chatting with him and he was smiling as always…and there it was…a facial tic on his right cheek. He didn’t notice it. He continued smiling as my mom talked, and the tic continued for several moments, worsening, twisting my grandfather’s face into something almost obscene. He couldn’t tell what was happening to him, he just sat there on the bed, twitching. I felt the blood leave my head and everything became quiet and I felt my gorge begin to rise and I turned and fled the hospital and ran out to the car, horrified at what I’d just seen. Was that my grandfather in there? Was it really him? It couldn’t have been. The man I’d known all my life could never look like that man I’d seen sitting on the edge of the hospital bed with his face twitching.

It took several minutes for my stomach to settle. Later, my mom and sisters came out to the car and we left for the farm. And that was the last time I ever saw my grampa alive.

Something had broken inside me. I wasn’t sure what it was. Perhaps a good chunk of my innocence had been shattered beyond repair. Whatever it was, I couldn’t bring myself to visit my grampa after that. Every time my mom would drive to town to see him, either in the hospital, or later in the nursing home, I stayed home. I just. Couldn’t. Do. It. The mental image of my grandfather sitting in that hospital room twitching was burned into my mind and all I could do was try to bury it. So, I went to work doing just that, grabbing my shovel and piling tons of guilt on top of it until I was numb. I mean, that wasn’t my grandfather. Not anymore. My grandfather was the guy who always wore bib-overalls and smelled of coffee and cigarettes. My grandfather was the guy who played the accordion and sang Norwegian songs to us, his big grin so expressive and his blue eyes twinkling. He was the guy whose idea of a cup of coffee was about an inch of coffee and the rest a mixture of honey and condensed milk (so sweet you couldn’t even taste the coffee). He was the guy who talked about fishing all the time and made homemade sinkers in his work shed where he also kept his fishing worm farm. He was the guy who taught me to drive in his old black 1949 Dodge truck, double-pump clutch and all. He was the guy who always had a prank to pull, a laugh to bellow, a grin to share. He was the best guy who ever lived. No, that man in the hospital—and later in the nursing home—was not my grandfather. He was an imposter, some thief who had stolen my grampa’s body for his own and had twisted it out of shape and scared the living daylights out of his teenaged grandson.

My grampa died when I was 21. That was the first time I saw him since that horrible day in the hospital years before. He looked peaceful in his casket. He’d lost a lot of weight and was gaunt, but that was him, that was my grampa. That eldritch imposter had finally returned my grandfather’s body to its rightful owner, and we were burying him. It was hard to look at him, but I did. I had to make sure.

I carried around this guilt for years. I loved my grampa dearly, but I had betrayed him. I had left him when he was the most vulnerable, and I hated myself for it. But what could I do? He was gone now and there was no way to tearfully apologize to him for having abandoned him. Toward the very end, he didn’t recognize anyone, so if I’d gone to see him he wouldn’t have known who I was anyway, I told myself in an attempt to quiet that guilt. But guilt is a funny thing. When it gets to yammering, nothing will shut it up.

Well, almost nothing.

In 2012, after having experienced a 20-year fallow period in my writing, I suddenly sat down one night at my computer and began writing again. Poetry this time, unlike in the past when I’d focused on short fiction, back when I was actively submitting my work to publishers and racking up rejection slips. That night was apparently the night my long-absent muse shat on me. For the next month or so, I wrote poetry, piece after piece, and among those pieces were three poems about my grandfather. It was time. Time to deal with years of guilt with regards to the Greatest Grampa Who Ever Lived. The words flowed like tears I’d long-needed to cry but never had been able to. I realized I’d finally found a way to deal with the guilt I’d carried for so long. It hurt, but I was able to honor my grandfather in writing, and it helped more than I could ever have imagined. I recall reading those three poems with my vision blurred with tears from all the memories they evoked. I remembered my old Super-8 film of my grampa smiling and talking to me—silent film, all five seconds of it—and it struck me that he was still there and always would be, no matter where I was or what I was experiencing in my life. All I had to do is close my eyes and remember.

Dementia took my grandfather away. The world is a lesser place without him. And if dementia could fell my grampa, it could take down anyone, including me. And so I worry. I worry that I may suffer the same fate as my grandfather, a fate no one should have to endure, a fate that robbed him of his very essence and robbed the rest of us of the most wonderful man imaginable.

I understand that it’s not a done deal. There’s no guarantee it will happen to me. It skipped my mom, who was lucid and still herself until the end at age 75. But I keep my eyes open for any early signs just in case. I know mine isn’t the only family that has battled this monster. My love goes out to of all those who have gone through this. It’s painful, and the guilt can be crushing, but we will remember those loved ones as they were, and we can honor them in our own unique ways.

“Heroic”

“Heroic”
© 2013 by Michael L. Utley

The kid was too young
This distant uncanny boy
Face absconded
Into the murky depths of his
Drenched and threadbare
Crimson hoodie
Eyes mere pinpricks
Of sentience in the shadows
Where his face should be
On this pouring midnight
Sidewalk where even the rain seemed
Exhausted in the scornful cones
Of streetlamp illumination
And unseen clouds sighed above
Too tired for the bluster and pretense
Of thunder
And he sat there in this mess of a night
On a bench where no bus would ever stop
For anyone at anytime for any reason
Staring into the distance at both
Something and nothing at once
Moveless save for an occasional shiver
Waiting for someone or something
Or perhaps nothing at all

His shoes were soaking wet
Those black hi-tops iridescent
From rain and gutter filth
His dark spidery fingers
Loomed together in some
Cryptic pattern on his lap
Where rainwater pooled and eddied before
Dispersing first through his skinny legs
Then between the filthy slats of the bench
To merge with the noisy gutter rill
And then with the sewage below
And then the poisonous river
And then the darkness of the ocean
Of some other universe

And I passed him in the rain
Of that eternal night as I made
My own way into my own darkness
And I thought of some worried mother
Sitting at some rickety kitchen table
Bathed in the sickly yellow glow of a naked
Tungsten bulb
Haunted eyes fixed somewhere
Beyond the weeping window panes
Hands wringing in some unconscious
Talismanic effort of projected protection
For some lost child some prodigal son
Out there alone in the rain
And I couldn’t decide if she was
The boy’s mother
Or my own

And then my blackness
Was interrupted by a voice
Behind me
Not that of a man
Yet not that of a child
And I stopped and turned
And the kid was there
And in his outstretched hands
He held a soaked and faded
Red hoodie and a pair of
Sopping black hi-tops
And his eyes were calm
And his face shone in the rain
And he didn’t say a word
He just pointed at my own
Bare feet and my freezing body
And then he was gone
His own bare footprints
Lingering momentarily on the sidewalk
Before the rain took them away

“Odysseus”

“Odysseus”
© 2013 by Michael L. Utley

I saw Odysseus sprawled on the sidewalk between
The squalid little deli and the boarded-up
All-night video place whose weather-stained
Posters advertised GIRLS GIRLS GIRLS
Amid obtuse indecipherable graffiti and
A fallen constellation of multi-hued shards of
Broken glass that crunched underfoot like
Bone fragments
The patina of snow about him
Pristine in its absence of footprints from
Passers-by as if the stench of his
Existence had formed an unseen barrier
A half-moon DMZ buffering
His world from ours
And ours from his
And seemed to accelerate those who passed
As if sling-shotting them along their snowy
Midnight trajectories by means of his own
Anomalous gravity
And he was invisible
This shivering, coughing Odysseus
This Odysseus of ancient rheumy eyes and
Filth-caked garb of indeterminate color and
Dirty twitching fingers destroyed by age and arthritis
That latched onto
Nothingness in the inhuman chill
Of this strange distant land
Far from home

I saw Odysseus standing on the corner
Across from the new shopping mall with
Hundreds of stores and a garish
GRAND OPENING FREE HOT DOGS
WIN A NEW TOYOTA TRUCK
Sign filling up half the blazing summer sky
The color of which no one noticed as they
Funneled mindlessly into the parking lot of sticky asphalt
Eager to rid themselves of their wealth
Like lemmings compelled by the inexorable call
Of the briny deep
This sun-stroked Odysseus’ sign
Garnered far less attention
WILL WORK FOR FOOD
And like some weird contrary magnetism it
Served only to avert the eyes of eager shoppers
Whose cash-bulging wallets held no alms
This day or any other day for anyone
With the temerity the gall the nerve
To spoil the festive mood of capitalism
And he was invisible
This gaunt, silent Odysseus
This Odysseus of haunted eyes the shade of
Tortured youth and abandonment
An aura about him that described an intimate ken
Of the black brackish hearts of fathers
Who show their children love by means of
The belt the closed fist the bruise the shattered bone
His outstretched hand unseen, voided
In the swelter and exhaust fumes
Of this strange distant land
Far from home

I saw Odysseus posed beneath the arc-sodium glare
Of streetlights in stilettos and not much else
As vehicles prowled the night like hungry panthers
Purring as they edged up to the curb to test their prey
Whose prayers, if any, went unanswered day by day
Whose god was the black tar of forgetfulness
Purchased nightly with the currency of her body
And she leaned hesitantly into the maw of the predator
A deal done through open-windowed anonymity
Then undone moments later amid an avalanche
Of raucous laughter and filthy epithets
As the panther sprang from the curb in search of other prey
Stranding her alone in the antiseptic wash
Of the indifferent streetlights that left her feeling
All the more dirty
And she was invisible
This trembling, empty Odysseus
This Odysseus of painted eyes the shame of which
No amount of camouflage could veil
The craving in her veins an all-out roar
Obliterating everything
Tears gone eons ago
Fear driving her like some twisted dynamo
Toward the blackness of the next fix
Or the grave
In this strange distant land
Far from home

I saw Odysseus supinated on the center stripe
Of a dark desert highway
Leather-gloved hands folded neatly on leather-clad breast
As four cops stood chatting idly above him like distracted pallbearers
His motorcycle a hundred feet away in a thousand pieces
His helmet still attached and useless
As the shield of a fallen warrior
A mere formality at this point
The silent ambulance en route with idiot lights flashing
To scoop this thing off the road and deposit it
Somewhere else
And he was invisible
This stilled, hushed Odysseus
This Odysseus of black leather and broken body
Who would soon cease to be a nuisance to the cops
And become a nuisance to the coroner
And then to the earth itself
And then forgotten
Just some meaningless blip on the back page
Of the next day’s paper where the anonymous
Go to die
In this strange distant land
Far from home

I have seen Odysseus at the hospital stitched with tubes
A human loom
I have seen Odysseus in the dim hallways of high school
Eyes glued to the floor in a gauntlet of cat-calls
I have seen Odysseus unconscious in the shade of an oak in the city park
Reeking of cheap booze and excrement
I have seen Odysseus on dusty shoulders of forgotten highways
Faded signs in hand that say Albuquerque or Denver or Phoenix
I have seen Odysseus in the bleachers of baseball games
On county road crews in supermarkets in churches
In unemployment lines in bars in prisons
In the mirror

Everywhere I look he is there
Trying to find his way back

In this strange distant land
Far from home

“In My Image”

“In My Image”
© 2012 by Michael L. Utley
 
Father said
I have seen you in my dreams
My alabaster boy
My pristine son
Marked neither with scar nor blemish
The innocence of childhood aglow
Upon your brow like the light of
A thousand suns
Your mind untouched
By fear and the lies of men
Your future the color of
Quicksilver and autumn wheat
 
Father said
And so I must put my mark upon you
For it is my right as your father
To shape you in my image
To lay a path before you
From which you must never stray
Thus sealing your destiny in the book of life
According to my will
 
Father said
For because I am of lowly station
I shall make you ashamed of your station
For because I am uneducated
I shall make you ignorant of vital truths
For why should you, my son
Benefit from an enlightened mind
When I have not
 
Father said
For because I am selfish
I shall make you want
For because I am angry
I shall make you timid
For why should you, my son
Benefit from the ability to love yourself
When I have not
 
Father said
For because I am unstable
I shall make you distrustful
For because I am violent
I shall make you afraid
For why should you, my son
Benefit from a happy childhood
When I have not
 
Father said
For because I am controlling
I shall make you powerless
For because I am abusive
I shall make you hate yourself
For why should you, my son
Benefit from healthy relationships
When I have not
 
Father said
For you are mine
And I control all things
And you will never be free
Of me
For why should you, my son
Benefit from a loving father
When I have not
 
Father said
I have seen you in my dreams
My alabaster boy
My pristine son
Therefore you shall have none
And I will be there with you
Until the end of your days
For why should you, my son
Benefit from life
When I have not

“Grandfather”

“Grandfather” (Part 1)
© 2012 by Michael L. Utley
 
The twitching thing that lay upon the bed
Was not my grandfather.  It wore his face
And smelled of him, old coffee and a trace
Of cigarettes.  Its eyes were rimmed with red
And rheumy and they twinkled in its head
Like distant dying stars.  And in that place
Deep down inside where man and mind embrace
My grandfather had lost his mind and fled.
 
Where did he go, that man I once had known?
What horrors did he see, what eldritch lies
Ensnared him in the darkness and the din
Of lunacy?  And was he all alone?
He was; I saw it in his weeping eyes
And in the tremble of his wretched grin.

……….

“Friction” (Part 2)
© 2012 by Michael L. Utley
 
The friction between
Two blades of grass
In a breeze
Is enough to
Shatter continents
The old man said
Look there—
And he blew his
Old man’s breath across the
Dead-yellow backyard lawn
Africa—gone!
Australia—kaput!
Antarctica—it were nice knowin ye!
And his bib-overalled belly
Shook with seismic tremors
Of raspy cigarette-scented
Laughter
And his age-dimmed eyes
Almost sparkled in their
Crevasse of wrinkles
 
And I grabbed his sandpaper hand
And choked back tears
The flavor of oceans
And I held my breath
Too afraid to breathe

……….

“Five Seconds” (Part 3)
© 2012 by Michael L. Utley
 
The old man speaks to me
Across the decades
Soundless words
Forever trapped in
Ninety frames of
Grainy Super-8
 
He walks away
Then turns at my
Teenaged beckoning
Hey, Grampa!
The shutter whirs
Like hummingbirds
Stealing a flower’s soul
Stealing my grandfather’s soul
The arcane machinations
Bending time and space
He is here in my machine
He is here
 
His Viking grin
His weathered overalls
His sweat-stained cap
His cologne of coffee and cigarettes
He stops
He speaks
 
I can’t hear his voice
 
Five seconds
He is alive
Rewind
Five seconds
He is alive
Rewind
 
I can’t hear his voice
 
He speaks to me across the decades
The silent film
Damning him
Damning me
I read his lips his eyes his smile
I will die soon
He seems to say
The strokes will be
Only the beginning
He seems to say
Everything will change
He seems to say
Everything but these
Five seconds I have with you
And you with me
And I am saying
Anything you wish
Anything you need me to say
Anytime you see me here
 
He turns
He smiles
He speaks
He walks away
 
Rewind