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“The Deaf Guy”

Let’s talk about labels, shall we? You know, those quaint little terms people give to one another to justify demonization and dehumanization? Yeah, those things. Whether it’s third-grade bullies on the playground harassing the kid who’s a little different, or the former leader of the free world calling immigrants “drug dealers, criminals and rapists” in order to justify kidnapping children and placing them in cages, all of it really comes from the same dark place.

Humans have a disturbing capacity to attack those who are different. “Otherism” serves this purpose well and has been used to justify the most heinous acts in human history. It’s a power-trip, one-upmanship to the extreme. You want to control an individual or a group of people? Stick a label on them, preferably an unsavory one that dehumanizes them, and suddenly you have the power to destroy them because they are outsiders, interlopers, outcasts, others.

Religion and politics have a rich history of otherism and persecution of those who don’t belong to their specific ideologies. It’s been said that more people have died in the name of some god or other than for any other reason in history. Whether this is accurate or not is beside the point; a look around the world throughout mankind’s infestation of this planet shows that history is rife with persecution, torture and murder of those who don’t adhere to a particular religious system, no matter what system it may be. As for politics, we need only look at our own two-party system here in the U.S., where the party which is hell-bent on destroying democracy considers the other party a cabal of satan-worshipping, cannibalistic pedophiles and uses this dangerous and ridiculous cult conspiracy theory to justify its attempts to overturn our elections and overthrow our government, not to mention its constant dehumanization and labeling of marginalized groups such as immigrants, LGBTQ+, people of color, the elderly, disabled and poor and anyone else who is “different.” Again, a glance at history will show atrocities committed against others as a central thread of human evolution.

What does this have to do with a deaf blog, you may ask? A lot, actually (and thanks for asking).

I’ve been labeled for various reasons throughout my life. I was born and raised in a particular western U.S. state notorious for being dominated by one particular religious system. I don’t belong to that particular religious system, so there was plenty of discrimination during my school years. It was made clear to me early on that I was an outcast, a pariah, and would forever be an outsider unless I became “one of them” and ceased to be “one of the others.” Academically, athletically and socially, there was discrimination. I even had a “pet bully” who delighted in terrorizing me for years for no apparent reason. I was simply “the non-mormon kid.” I was also “the out-of-town farm kid,” which further disqualified me from any semblance of equality and inclusion in that tight little wad of happy humanity at school. My home life wasn’t much better– I was simply invisible.

Labels are sticky things, hard to peel off once applied, and when you find yourself covered in them, sometimes you begin to believe them. You become overly sensitive to them, and yet desensitized to them at the same time—a strange paradox. Some labels contain a kernel of truth but are applied in such a way as to exaggerate that truth into something monstrous. This is especially painful with regards to physical traits and can haunt these victims for life. Some may be a nod to some personality trait or other quirk and may seem humorous to some. I was “the brain” in school due to my academic efforts (trying to fit in, an exercise in futility). At home I was “the disrespectful kid” for standing up to my abusive father. At various other times I held other odd titles, some of which were sort of funny and others which weren’t funny at all.

Many years ago, I had a part-time job cleaning toilets and mopping floors (there are not a lot of options in rural areas for deaf people). I was known as “the janitor guy.” Of all the people who worked there, only one person ever took the time to learn my name. Otherwise, it was “Hey, Janitor Guy! Come clean up this mess!” The thing with labels is they’re lazy. It takes zero effort to make up some cute little moniker for someone in order to lop that person into some anonymous group of others, but it takes effort to see that person as a unique human being. To everyone in that store (except Arnie—thanks, man), I was just “the janitor guy,” a sub-species of Earth organism not worthy of attention or inclusion. Sure, I cleaned toilets, but that didn’t define me as a person. It was only something I did for awhile and had no bearing on my humanity and my place in the cosmos.

And now I’m “the deaf guy.”

Again, there’s a kernel of truth here (heck, there’s an entire cob’s worth of kernels), but this label bothers me on a particularly deep level. You see, I don’t want to be deaf. Deafness has taken too much away from me for me to harbor any warm, fuzzy feelings about it. It’s not a cute label (like being “the Star Wars fanatic” as a teen), and it’s certainly not something I cherish (unlike “brother” or “friend” or “uncle”). This label just cuts too deeply and has produced too many scars.

Whenever I interact with anyone, the first thing I must explain is that I’m deaf. This immediately creates the scenario of “Hearing Person and Deaf Guy: A Study in Frustration, Confusion and Humiliation.” Right off the bat, I’ve become the deaf guy, and this is how everyone who interacts with me remembers me. It’s inescapable and there’s no way around it and it forces me into that group of nameless others who reside along the periphery of normal human experience.

Man: “Honey, guess what I saw in the store today? A deaf guy!”

Woman: “A deaf guy? Oh! Was he deaf?”

Man: “Yes!”

Woman: “Was he confused?”

Man: “Yes!”

Woman: “Was he embarrassed?”

Man: “Yes. He was deaf, after all!”

(cue canned laughter and sitcom music as scene fades to commercial)

Obviously, I joke about this stuff (if I didn’t have a sense of humor, I don’t know how I could ever possibly cope with deafness or depression or anything else) but it’s to prove a point: the hearing and the deaf live in completely different worlds. For someone such as myself, who experienced late-onset adult deafness due to meningitis as a teen, I’m not only “the deaf guy,” I’m also a member of the sub-group of others called “the in-betweeners.” I’m too deaf to fit into the hearing world, but not deaf enough to fit into the Deaf world.

I have severe hearing loss in both ears. I lip-read but it’s all guesswork and I miss a lot of words to the point where I must rely on people writing or typing what they say in order to understand. I can still hear some sounds. I don’t know sign language, and even if I did, I don’t know anyone who’s deaf or hard-of-hearing or who knows ASL. So, yeah, I’m one of the “too something but not something enough” subgroup of others. I remember my normal hearing days and miss them. I know a little about Deaf culture (something I’ll write about soon) and there is virtually nothing in my rural area in terms of deaf support services or groups. I view my deafness as a disability, something that runs counter to the view of many Deaf folks. Perhaps if I’d been born deaf or lost my hearing as a young child, I’d be more inclined to embrace it as an identity rather than a disability. As it stands now, deafness has robbed me of my life’s dream of becoming a musician; it has resulted in isolation and the inability to relate to other people; it has damaged my sense of self and has resulted in a lot of pain and loneliness. I can’t view that as a good thing no matter how hard I try.

Alas, I have to accept it at some point. It’s the only way to achieving peace within myself. I don’t want to be the deaf guy forever. I want to be Mike, a guy who has value as a human being, who just happens to be deaf. No more labels. Just truth.

“Doubt”

(c) 2023 by Michael L. Utley

an abandoned field
an overcast sky
a cedar post
a river stone
a random trajectory
something will shatter
in a moment
when sorrow
and regret
merge
forcefully

so many thrown stones
litter the ground
around the post
missed opportunities
bad timing
a reprieve from
consequences
too brutal
to imagine
should wood
and stone
connect

but this time

is different

my aim is true
and through
tear-blurred eyes
I find clarity at last
as the stone
strikes the post
dead-center
and there is
no longer
any doubt

“The Thing on the Ground”

(c) 2017 by Michael L. Utley

There—the thing on the ground
Some insect or other
A leg detached
Dragged off by ants

It kicks in stupid
Futile spasms
Insectoid mind buzzing in
Some alien tongue
Antennae crippled
Useless

I step closer
Hovering above
As this pedestrian drama plays
Below me

“Jump, damn you!
Save yourself,
Worthless grasshopper!”

I am strangely furious at this
Pathetic thing
This helpless thing
As it dies before my eyes

“Get up! Jump!”

I feel the sting of salt
In my eyes
The tears that have
Abandoned me for eons
Doubling the writhing thing
On the ground
Trebling it in a
Saline blur

It gazes dumbly
At the sky
The clouds
The sun
All too busy in their
Mindless journey above
To notice what’s below

Another spasm
Another kick
A pebble bounces away
Mandibles scream in
Silent rage

I close my eyes
I see her
The one I couldn’t save
The doomed, damned one
Who finally broke me in two
The crippled one too far gone
The one who dragged me to the brink
And jumped

Too late

I open my eyes

The ants have returned
The thing on the ground
Kicks languidly
Dispassionately
A shudder
A twitch

The ants swarm

“Winds of Sorrow” published at MasticadoresIndia

I’m excited to let you know that my poem “Winds of Sorrow” has been published at MasticadoresIndia. Many thanks to Terveen Gill and her team for sharing my poem with their readers. Terveen’s presence on WordPress is a gift for all writers—not only is she a brilliant editor, she’s also an amazing person who is generous with her support and encouragement. I’m deeply grateful to see my work included at MasticadoresIndia. Sincerest thanks, Terveen!

“Winds of Sorrow”

“My beloved kiku lay in withered waste
Yet their ivory tears still fall
Drift against the sides of my heart
Winter’s woeful weeping…”

I’d be delighted if you would read the rest of my poem by clicking this link. Also, be sure to follow and subscribe to MasticadoresIndia—it’s a wonderful place for those who love writing.

“When Field Work is Done” published at MasticadoresIndia

I’m pleased to let you know that my poem “When Field Work is Done” has been published at MasticadoresIndia. Much gratitude goes out to Terveen Gill and her team for their kindness and support in bringing my poem to their readers. Terveen’s ever-present encouragement and love for writing keeps me going and helps me remain connected to the WordPress community even during times of intense writer’s block. It’s both exciting and humbling to see my work included at MasticadoresIndia. Many thanks, Terveen!

“When Field Work is Done”

“When field work is done and soil tells
A tale of fragrant earth in russet tones
When ground-mist hunkers in secluded dells
And eventide descends upon the swells
Of solemn and discordant distant bells…”

I’d be grateful if you would check out the rest of my poem by clicking this link. Also, be sure to follow and subscribe to MasticadoresIndia—it’s a wonderful place for those who love writing.

“Sea of Trees” published at MasticadoresIndia

I’m happy to announce that my poem “Sea of Trees” has been published at MasticadoresIndia. I appreciate Terveen Gill and her team for their support and kindness in publishing my poem. Terveen’s tireless enthusiasm for promoting writers and their work is a hallmark of her dedication to her craft. I’m both grateful and humbled to have my poetry included at MasticadoresIndia. Thank you so much, Terveen!

“Sea of Trees”

“To slake my thirst
With dew from leaves that never see the light
Arboreal the tears that fall and quench
The darkest dreams

To fill my bowels
With loam whose cloying scent bespeaks of death
Arboreal the taste of living earth
My hunger begs…”

I’d be grateful if you would check out the rest of my poem by clicking this link. Also, be sure to follow and subscribe to MasticadoresIndia—it’s a wonderful place for those who love writing.

“This World is Yours”

“This World is Yours”
(c) 2023 by Michael L. Utley

you thought you could
save the world
wee lad
you couldn’t even
save yourself

those bleak nighthawk skies
where dead stars fall
like blood-bloated flies
and fey winds howl
in deafened ears
a behemoth’s fetid exhalation
violent and ignorant
and inexorable

breathe
breathe it all in
the sweat-soaked fear
the bitter tang of futility
fill your lungs
wee lad
this world is yours
as far as tear-blurred
eyes can see

pry up decrepit floorboards
in the dim derelict
cellar of childhood
see the blind white-bellied
squirming things
trundle dumbly, aimlessly
in sepulchral voids
gelatinous excreta
glistening in darkness
a treasure trove
of memories
a box of hell
a gift that keeps on giving
handle these with care
wee lad
lest they consume your soul

you battled the familiar demon
on twilight moors of yore
he wore your scar for years
you’ll wear his for eternity
wee lad
your popsicle stick sword
your pie tin shield
your best intentions
your noble cause
did you really think
you had a chance in hell
of slaying the beast?
what’s a little blood
between father and son?

the elixir of time is a lie
there is no balm for
a childhood stripped
from its moorings
with such casual cruelty

see the sullen sun
heliograph dully
on the lake of fate
see the dun birds
peregrinate incuriously above
see the reflection on the water
the wee old man
with hollow eyes
and broken soul
see the pulsing stormcloud
brooding, ever-present
on the horizon

the myth of idyllic youth
the hue of quicksilver
and autumn wheat
the clever, cloying scent
of false hope
the raucous, pealing thunder
of sundered souls
the thresher’s flail looms
and you fall before it as chaff
blown from this world
on eldritch zephyrs

within the forest of years
the darkling path
opens before you
and closes behind
in peristaltic spasms
as the trees swallow you
in green silence
this quiet place
devoid of time
a resting place
a tomb of giants
a dying place
for those so inclined
no memories allowed here
nor light nor love nor healing
only darkness
and the furtive murmur
of moon-shadows

you were a boy once
for seven years
now your ethereal form
drifts among
strange nameless constellations
across forgotten eons
you won’t find yourself here
wee lad
that kid is long gone
but you must find something
before all is lost

“Thus the Evening’s Stillness Deepens” published at MasticadoresIndia

I’m pleased to announce that my poem “Thus the Evening’s Stillness Deepens” has been published at MasticadoresIndia. I’m so grateful to Terveen Gill and her team for their support and kindness in publishing my poem. Terveen’s peerless enthusiasm for creative writing is inspirational on so many levels. I’m both delighted and humbled to have my poetry included at MasticadoresIndia. Thanks a bunch, Terveen!

“Thus the Evening’s Stillness Deepens”

“I don’t want to break the peaceful
stillness of this winter evening
as the gloaming deepens and the
shadows freeze upon the hills…”

I’d be grateful if you would check out the rest of my poem by clicking this link. Also, be sure to follow and subscribe to MasticadoresIndia–it’s a wonderful place for those who love writing.

“Autumn Leaf & Ferns”

Autumn Leaf & Ferns, near Trout Lake, southwest Colorado (c) Mike Utley

I have a lot of images from Trout Lake in southwest Colorado, about an hour from where I live. Many of these images don’t feature the lake, such as this one of autumn ferns. The area is heavily forested, snuggled deep within the arms of several mountain peaks. In the summer, wild flowers explode in a profusion of color; in the fall, aspens glow a strident yellow that complements the deep greens of conifers and the cobalt blue sky.

On this autumn day in the late 1990s, my mom accompanied me. She enjoyed getting away from the farm whenever she could, and she loved nature drives and breathing fresh mountain air. We took the dirt road that circumscribes the lake and pulled over in a little clearing of ferns among tall pines and spruces. There were a few bright red amanita muscaria mushrooms still stubbornly clinging to life, and while my mom looked at these poisonous fungi (I’d warned her not to touch them), I set about photographing the ferns whose fronds had begun to turn yellow. On the ground nearby, a small leaf the color of arterial blood caught my eye, and I saw an opportunity to show my mom one of the standard composition guidelines of photography: the Rule of Thirds. Not quite a rule as much as a suggestion, the idea is to divide the frame into thirds both vertically and horizontally (like a tic tac toe grid). Placing the main subject on one of the places where these grid lines intersect—the power-points—generally results in a more pleasing image. As with any rule, there are plenty of exceptions. This rule is overused and can produce cliché images that lack depth and emotion, but sometimes the end result is indeed compelling.

I composed the image, placing the crimson leaf on a power-point and explained the theory as my mom looked through the viewfinder. When I got the slides back from the lab and showed her the resultant image on my lightbox, she could hardly contain her excitement. She adored this image and she felt as though she had played a part in its creation. And she was right: every time I look at this image, I’m reminded of her, just the two of us in the little clearing one autumn afternoon, experiencing nature and being glad to be alive. It may appear to be just another pretty picture, but it’s so much more than that. I was able to share my love for nature and photography with her that day, and part of her lives on in this image. (Canon gear, Fuji Velvia ISO 50)

“A Few Haiku & Senryu (57)”

(c) 2023 by Michael L. Utley

(#337)

childhood’s end at seven
I’ve been nothing but a ghost
since then

…..

(#338)

hypervigilance
through dark watches of the night
a young boy’s burden

…..

(#339)

all these long years
the monster dead and gone
yet the fear remains

…..

(#340)

thunder and brimstone
the profane currency
of childhood

…..

(#341)

in the end
he felt no remorse at all
my father’s death

…..

(#342)

how to feel again
when all I’ve ever known is fear
how to live again

“A Few Haiku & Senryu (56)”

(c) 2023 by Michael L. Utley

(#331)

dusty stew pot
her memory lingers by
the cold hearth

…..

(#332)

a tiny sun
in this cold dark hell
golden suisen

…..

(#333)

strings of koto
from beyond the bamboo grove
my heart breaks again

…..

(#334)

don’t look at me, moon
I’m not who you think I am
dark night of the soul

…..

(#335)

from my window
the mountain; from the mountain
eternity

…..

(#336)

green silence
and the end of all things
sea of trees

(Note: A bit of a title change for this series. I’ve been writing senryu almost as long as haiku and I figured it was time to clarify that these little collections contain both. Haiku pertain to nature and seasons, while senryu address the human condition. The formats are virtually identical; the subject matter differs.)